Justin Channell’s “Winners Tape All” is a very niche mock documentary about a pair of brothers that became low budget horror filmmakers who went on to direct schlock slashers like “Curse of Stabberman” and “Cannibal Swim Club.” It’s a difficult premise to explain, and sadly it’s not a movie that lends itself to a lot of laughs or even an interesting story. Director Channell and stars Zane Crosby and Josh Lively look like they had a great time making “Winners Tape All,” but even at an hour in length, their premise feels stretched pretty thin. It’s an interesting concept for Channell to evoke the video age and explore cheaply made horror movies that were filmed straight to video.
Tag Archives: Indie Film
Fetish Factory (2017)
In a private burlesque parlor in Hollywood, performers and VIP clients face off with a zombie attack. Directed by Staci Layne Wilson from her own screenplay based on a story by Lony Ruhmann, Fetish Factory mixes burlesque dances and performers with end of the world and zombie tropes for a fun result. Staci Layne Wilson takes the zombies sub-genre that is all over the place lately and focuses it by bringing her personal touch to it and adding a varied group of beauties to fight them off. Granted, this in and of itself is nothing new (we’ve seen hotties and strippers fight zombies before) but her usage of actual burlesque performers and actresses adds to this in a way that changes from the usual boobs and blood route these films take.
Hive (2016)
In the end what will win out and be our undoing will be apathy. It’s the willingness to just sit back and allow evil, to apathetically cling to our faith without challenging those that seek to do wrong. It’s our talent for not doing anything, and allowing injustice. It doesn’t matter what we believe, what politics we subscribe to, but when the world comes literally crashing down on us, we’re all just bugs ready to be squashed. “Hive” is set in a world where its breed of insectoid people have been split and divided by beliefs, religion, and class.
Numb (2016)
Rebecca Martos is a pretty fantastic and mesmerizing actress who manages to successfully lead what is an utterly compelling look at the state of grief and depression. Martos plays Astrid a young woman who has been driven to alcoholism thanks to her utterly consuming depression. Most of her time is spent in a perpetual state of numbness as she hangs out in bars and looks for new ways to feel something. She’s accepted a long time ago that she can’t feel anymore, and now looks for new sensations that could potentially drive her down a dark road.
Gary from Accounting (2016)
“Gary from Accounting” sets the stage for the ultimate in awkward encounters where a mix up transforms in to basically a life crisis. After being invited to co-worker Nathan’s house, Gary from Accounting finds out that his wife Hannah, and her friend are staging an intervention to get him in to rehab for his alcoholism. What’s worse is that Gary wasn’t even invited and Nathan’s closest friend, coincidentally named Gary was the one actually invited for very crucial get together.
The Fiancé (2016)
It’s rough around the edges here and there, but “The Fiancé” manages to be a unique idea that allows for some interesting moments of horror and drama altogether. I like how director Mark Allen Michaels turns transforming in to a monster in to something of a metaphor for how the relationship between our main characters is doomed to fail. Dallas Valdez plays Michael, a wealthy man who is on the verge of losing all of his money after criminal dealings with the Russian mafia. Convinced his beautiful wife Sara, as played by Carrie Keagan, will leave him, he invites her up to a cabin in the woods to propose to her. Meanwhile a Sasquatch is on the loose, murdering people and hunting down whoever gets in its way. We follow a documentary crew and a small group of hikers as they’re all injected in to the movie to transform the mythical beast in to a valid threat.
Fetish Factory (2017)
In the “Fetish Factory” every male client comes attached with his own fetish and arrives to the special mansion to watch some of the best and sexiest burlesque performers realize some of their weirdest fantasies. Director and writer Staci Layne Wilson delivers a horror comedy that’s admittedly rough around the edges but has enough charm and laughs to entertain audiences that enjoy a bit of kink with their zombie carnage. Carrie Keagan plays burlesque performer Bettie, a dancer at the Fetish Factory who takes on the persona of Bettie Page for her clientele and dances almost every night. After a mysterious wild storm takes hold of Hollywood, the walking dead begin swarming the Fetish Factory mansion, prompting the surviving dancers to fight off the hordes of flesh eating zombies.