Man Underground (2016) [Fantasia International Film Festival 2016]

manundergroundA conspiracy theorist living in a small North Eastern town removes himself from society more and more after having a visit from aliens on his government job.  As he lives his life as best he can following the loss of his job and of his marriage, he gives talks about aliens to dwindling crowds.  After meeting an actress, he decides to make a film about his life with her and his only friend left.

Co-writers/co-directors Sam Marine and Michael Borowiec work very well together, building a film laced with the lead’s paranoia and showing three sides of what he has to deal with: friendly people who want to help; people wanting to use him as s how; and people who have complete condescension for him.  They build a world where the audience feels for him while understanding where others come from on how they deal with him.  They build a character study of a man who may have lost his mind or not, a man with an absolute conviction in his belief that is unbreakable even if he is.  The way they construct the characters and story pulls the viewer in even if alien conspiracy is not their thing like this reviewer.

The cast of course helps a lot.  George Basil does a phenomenal job in the part of Willem Koda, the alien conspiracy theory at the center of the film.  The way he embodies the character makes him so human and believable.  His portrayal makes Willem the town kook that everyone wants to know more about and care about.  As the actress Willem takes an interest in, Flossie Ferguson, actress Pamela Fila shows that interest and care, bringing the viewer in further as she becomes their stand-in in his life.  The conflict she shows in parts of the film looks genuine like her interest.  Rounding out the great lead cast is Andy Rocco as Todd Muckle, Willem’s best and only friend who stands by him no matter what, even when they don’t agree on everything.  His performance is also spot-on and creates a character everyone can care for and who is a little goofy but with his heart in the right place.

Man Underground is a carefully planned and made film that makes more than the most of its small budget.  From the production design by Amber Cicardo to the art direction she did with costume designer Alexandra Lopez to the music by Zach De Sorbo to the cinematography by Maximilian Lewing, everything looks and sounds like a bigger budget film. It’s a testament to the talent of all involved and to the importance of choosing a great team to work with and stretch your dollars.

Michael Borowiec and Sam Marine craft a great film about a man who wants to be believed, who needs to be believed, a character study of a conspiracy theorist and whose beliefs have affected his life.  Their film is touching while giving a glimpse into the life of someone considered crazy without turning it into a satire or a comedy at the expense of this man.

Fantasia International Film Festival ran from July 14th until August 3rd, 2016 and will be back in the summer of 2017.

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Midnight Special (2016) [Blu-Ray]

midnightspecialblu“There’s a star man waiting in the sky, he’d like to come and meet us, but he thinks he’d blow our minds…”

Jeff Nichols’ science fiction thriller owes a lot to John Carpenter’s “Starman,” mainly because he aspires to achieve the same exploration of humanity with his own film that also speaks very heavily about our own society. Right down the truly excellent score by David Wingo, “Midnight Special” feels like new wave John Carpenter, as it’s an ode to the classic seventies and eighties science fiction films that teams family against impossible odds. This time, it’s a young boy named Alton who is imbued with amazing and enigmatic powers that has made him something of a martyr for a religious cult.

Born under mysterious circumstances, Alton became the figure of worship for a relentless cult, and is perceived as an omen of a higher power making its way to Earth. His dad Roy and best friend Lucas break him out and seek to re-unite him with his mother, all the while trying to figure out why Alton is on Earth and what his ultimate purpose is. Like “Starman” and “E.T.” Roy, Lucas, and Alton find themselves evading the government and local law enforcement, all the while trying to also side step their temptations to return to the comfort of their cult. With two of their members on the hunt for Alton to bring him back to their clutches, the quest to help Alton becomes more harrowing and deadlier by the hour.

“Midnight Special” is a beautiful ode to the science fiction of yesteryear that also obtains its own substance and complex ideas about our own world and reality. Michael Shannon and Joel Edgerton are rather superb as two men with their own goals to save Alton who aren’t always on the same page. Shannon as father Roy will do anything to save Alton, even if it means gunning down a highway ranger, while Edgerton as Paul is very strategic and much more rational. Alton is a very unusual and mysterious being who begins drawing just about everything to him, and becomes this walking magnet metaphorically and literally.

The idea of what Alton could represent becomes gradually more intriguing the more Roy and Paul fight to get him to safety. Once Kirsten Dunst is introduced as Alton’s mother and ex-cult member, there’s much more comprehension on what his presence means. Once Nichols has the opportunity to explain Alton to the audience, much of what “Midnight Special” is comes full circle to represent something so much more complex and insightful. Nichols doesn’t opt wholly for a cinematic tribute, as he also realizes that there’s some interpretation to be gained. “Midnight Special” is a surprisingly transcendent science fiction tale about humanity and our state of being. Jeff Nichols’ drama is a bonafide gem, and one that deserves to be appreciated and studied.

The Blu-Ray release for “Midnight Special” comes with a five minute segment called “Origins” about the inspiration for the film, and the central themes, along with interviews from the cast. Finally, there’s the twelve minute multi-chapter “The Unseen World” which focuses on the multiple characters and their arcs, including Roy, Lucas, mom Sarah, Alton, and NSA agent Sevier, as played by Adam Driver.

 

My Boyfriend’s Back (1993) [Blu-Ray]

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Say what you want about Bob Balaban’s horror comedy “My Boyfriend’s Back,” but it’s one of the more pleasant and twisted films to ever come out of the nineties. This was a decade where horror almost died, and what horror there was was deadly serious. “My Boyfriend’s Back” is a funny and sometimes demented take on acceptance with Andrew Lowery giving a bang up performance as Johnny Dingle. Dingle is a love starved high schooler who has the deepest affections for his lifelong love Missy McCloud. To win her heart, he stages a fake grocery store robbery to save her, but things go awry when an actual robbery ensues, and Johnny is murdered. Mysteriously, he comes back from the dead and is told that he can lurk around, but only in the confines of the town cemetery.

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Monsters (2015)

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Steve Desmond’s short horror film “Monsters” is kind of briliant in that you know it’s going somewhere, and you thankfully want to see where. Desmond’s premise is pretty unique, as we meet a normal family that have holed up in an underground bunker during what is apparently the apocalypse. Despite their youngest daughter Jenn insisting she can scavenge in the world above alongside her big brother and parents, she’s forbidden from ever stepping outside and kept inside to keep herself distracted.

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The Martian (2015)

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It’s been quite a while since director Ridley Scott brought a film so rich and entertaining to the big screen and it’s a thrill to see Scott bring audiences what is one of the more riveting tales of a castaway trying to survive in the wilderness. Adapted from the novel, Scott delivers a truly compelling drama about lone astronaut Mark Watney left stranded on Mars, who spends his time trying to survive and build his own ecosystem in a harsh alien world incapable of supporting life. What’s most exceptional about “The Martian,” is that it tells the tale of a very motivated hero who spends all of his time trying to solve his problems and very little of it moping around and fearing death.

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Martyrs (2016)

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Pascal Laugier’s 2008 “Martyrs” was a grueling experience that masked blatant misogyny and torture as a pseudo-intellectual transcendental tale about the afterlife and the pressing question about where we go when we die. Kevin and Michael Goetz’s remake of “Martyrs” is not only a pointless exercise in futility, but it dodges any and all attempts to improve on the goofy ideas about spirituality by mostly dodging them. By dodging the torture and pegging this as cheap exploitation, and alternately dismissing the ideas about the afterlife and transforming this in to a spiritual horror film, it effectively renders itself pretty damn pointless and dull.

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Mission Impossible: Rogue Nation (2015)

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Ethan Hunt is no mere agent. He’s a force of nature that keeps pushing himself to the brink of imminent death every single time we meet him. Last time he hung on the side of a high rise, and this time he hangs along the side of a flying aircraft. Not to mention he merely drowns in one of the many close call operations he and the disbanded IMF commit towards. Tom Cruise lends the character an intensity and bug eyed gutsiness that make him a hero you want to root for, and someone you most definitely want on your side at all times. Hunt has met his match this time with the evil Lane (Sam Harris), a leader of a rising organization called the Syndicate, who is always one step ahead of Hunt, while sidekick Ilsa (Rebecca Ferguson) displays an enigmatic aura that makes Hunt uncertain if she’s friend or foe.

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