Batman vs. Robin (2015) (Blu-Ray/DVD/Digital]

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I, for one, really hated “Son of Batman,” not only for its ridiculously convoluted take on giving Batman a son, but for Damian Wayne. Wayne is the son of Batman, born from Batman’s worst enemy’s lineage, and he’s still a petulant little shit. Although, to its credit, Wayne isn’t as bad here as he was in “Son of Batman.” That’s mainly because rather than an egomaniacal petulant little brat, he’s now a confused little brat with an ego that’s used to cover up his identity crises. He is after all confused about who he is and is now taking up a new identity he has to adhere to. I didn’t want or care to see a sequel to “Son of Batman,” but thankfully, “Batman vs. Robin” was a convincing argument to give it a chance.

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Berry Gordy’s The Last Dragon (1985)

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It’s hard to express why I love Berry Gordy’s “The Last Dragon” so much. I have loved it for years ever since I was a small child and used to watch it religiously on network television every time it came on. Perhaps it’s the minority hero, perhaps it’s the Bruce Lee idolatry, who the hell knows? With “The Last Dragon” I stopped asking why I loved it a long time ago and just embraced it as one of my all time favorite action films. Yes, I said it’s one of my all time favorite action films. It’s not just a film but it’s an experience to boot. Taimak’s performance as Bruce Leroy is just so genuine and fun it’s hard to really rag on his presence here.

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Dragon Ball Z: Resurrection “F” (2015)

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“Dragon Ball Z” is back and it’s about as niche as ever! Which is to say that only hardcore fans of the series will love with “Resurrection ‘F’” has to offer them; everyone else will likely just appreciate the animation. It’s a truncated and very fast paced feature length film and one that I quite enjoyed. While I’ve always been hard on the series over the years, “Resurrection ‘F’” was a slimmed down and very breezy action film that reminded me why I was a fan such a long time ago. It also has a really good sense of humor about itself with folks like Piccolo, Krillin, and Gohan settled in their domesticated roles, forced in to combat with a superior foe.

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Snow Girl and the Dark Crystal (2015) [Fantasia Film Festival]

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Peter Pau and Zhao Tianyu’s “Snow Girl and the Dark Crystal” is nothing short of a mesmerizing and surreal romance epic. It’s a marvel for the eyes, and the ears, and provides one of the most engrossing tales of good versus evil I’ve seen in a long time. “Snow Girl and the Dark Crystal” has a meaty narrative that requires a lot of back tracking and flashbacks, but thankfully the sharp writing prevents the narrative from falling apart by the second half. I was worried I was losing track of the story but the movie would always come full circle and really explain a lot of the twists, leaving no loose ends.

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Big Match (2015) [Fantasia Film Festival]

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Director Choi Ho’s “Big Match” is probably one of my favorite action movies of the year. It’s a wonderful amalgam of action, comedy, and thrills acting on a fast pace with a multi layered story of a man running against the clock. Choi Ik-ho is a man kicked out of professional soccer for rough housing and enters in to MMA to get his aggression out. With the help of his big brother Young-ho, Choi Ik-ho has become one of the greatest fighters of modern times. He’s kept under tight supervision by his big brother, a retired MMA fighter. But when he suddenly disappears, Ik-ho is suspect number one. Young-ho is suspected of being murdered, and Ik-ho is arrested.

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Robot Jox (1990) [Blu-Ray]

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I’m very lucky that I don’t have any nostalgic connection to “Robot Jox.” I merely know it that that giant robot movie from Full Moon/Empire, and nothing more. Watching it without the rose colored glasses allowed me to appreciate it for what it really is. It’s silly, it’s unusual, but damn it it’s a lot of fun. I can see watching this as a double bill with “Arena.” We just don’t have nearly enough giant robot movies in America, and “Robot Jox” is that one movie that has its heart in the right place. It’s too big for its britches, but it utilizes old fashioned technology to depict a future where robots decide the fate of countries.

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Final Girl (2015)

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Abigail Breslin has really managed to leave her mark on the horror genre of late. She’s really approached the genre with respect and a lot of charisma, prompting some prime roles only she could tackle. “Final Girl” is one of those roles that seems custom fit for Breslin who uses this role to show she’s no longer the cute little girl or adorable teenager anymore. She’s a woman, and she’s making herself seen big time.

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