Snow Girl and the Dark Crystal (2015) [Fantasia Film Festival]

Posted on August 1, 2015 by Felix Vasquez

FANTASIA FILM FESTIVAL

Peter Pau and Zhao Tianyu’s “Snow Girl and the Dark Crystal” is nothing short of a mesmerizing and surreal romance epic. It’s a marvel for the eyes, and the ears, and provides one of the most engrossing tales of good versus evil I’ve seen in a long time. “Snow Girl and the Dark Crystal” has a meaty narrative that requires a lot of back tracking and flashbacks, but thankfully the sharp writing prevents the narrative from falling apart by the second half. I was worried I was losing track of the story but the movie would always come full circle and really explain a lot of the twists, leaving no loose ends.

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Big Match (2015) [Fantasia Film Festival]

Posted on July 29, 2015 by Felix Vasquez

FANTASIA FILM FESTIVAL

Director Choi Ho’s “Big Match” is probably one of my favorite action movies of the year. It’s a wonderful amalgam of action, comedy, and thrills acting on a fast pace with a multi layered story of a man running against the clock. Choi Ik-ho is a man kicked out of professional soccer for rough housing and enters in to MMA to get his aggression out. With the help of his big brother Young-ho, Choi Ik-ho has become one of the greatest fighters of modern times. He’s kept under tight supervision by his big brother, a retired MMA fighter. But when he suddenly disappears, Ik-ho is suspect number one. Young-ho is suspected of being murdered, and Ik-ho is arrested.

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Robot Jox (1990) [Blu-Ray]

Posted on July 17, 2015 by Felix Vasquez

I’m very lucky that I don’t have any nostalgic connection to “Robot Jox.” I merely know it that that giant robot movie from Full Moon/Empire, and nothing more. Watching it without the rose colored glasses allowed me to appreciate it for what it really is. It’s silly, it’s unusual, but damn it it’s a lot of fun. I can see watching this as a double bill with “Arena.” We just don’t have nearly enough giant robot movies in America, and “Robot Jox” is that one movie that has its heart in the right place. It’s too big for its britches, but it utilizes old fashioned technology to depict a future where robots decide the fate of countries.

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Final Girl (2015)

Posted on July 8, 2015 by Felix Vasquez

Abigail Breslin has really managed to leave her mark on the horror genre of late. She’s really approached the genre with respect and a lot of charisma, prompting some prime roles only she could tackle. “Final Girl” is one of those roles that seems custom fit for Breslin who uses this role to show she’s no longer the cute little girl or adorable teenager anymore. She’s a woman, and she’s making herself seen big time.

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Everly (2015)

Posted on June 22, 2015 by Felix Vasquez

Director Joe Lynch is a true indie auteur. He’s a man who knows how to get around obstacles, and uses his limited budget to bring audiences the entertainment that he wants, and never has it been so well realized than in “Everly.” One of the best action movies all year, “Everly” is a film set in one location with limited scenery, and yet it thrives as a grindhouse, slapstick, chopsocky bonanza that I adored. It’s filled with every single trope that Lynch is seemingly fond of, featuring kung fu, British gangsters, killer dogs, vicious sadists, and the like, all of whom paint the walls red with their own blood at one point or another.

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Kung Fury (2015)

Posted on June 5, 2015 by Felix Vasquez

And everywhere, eighties geeks just had the largest orgasm after watching “Kung Fury.” In fact, if you’re an eighties geek, I dare you not to break down in tears while watching. David Sanberg’s “Kung Fury” is bleeding eighties ephemera from every orifice. It’s a sweet eighties homage that mixes every cliché imaginable right down to the screaming police sergeant forcing a new partner on his rebel cop. Triceracop. There’s actually a goddamn Triceracop.

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Jack Ryan: Shadow Recruit (2014)

Posted on November 10, 2014 by Felix Vasquez

The worst crime that “Shadow Recruit” is guilty of is that it’s mediocre. At no point was I worried for the characters because, I just didn’t care. We know Ryan fights another day, so why fear for his life? The studios can’t quite seem to decide if they want to turn Jack Ryan in to Jason Bourne, or just a geek chic techie, so in “Shadow Recruit” he’s both. One minute he’s zooming through New York in a motorcycle trying to chase down a fake police car intent on blowing up Wall Street, and the next he can barely finish a covert operation without the help of Kevin Costner’s guardian Thomas watching and re-assuring him from afar. At this point, it’s about time to really give up on the Jack Ryan character.

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