If you’ve ever never seen “Never Too You to Die,” you’re not prepared to comprehend what entirely unfolds. The narrative takes all kinds of wild directions from a martial arts film, a science fiction movie, a terrorist movie, and hell, even a musical. Think “Die Hard” and “Escape from New York” mixed with “Gymkata,” and you’re almost there. Except there’s Gene Simmons going whole hog as a hermaphroditic/transsexual terrorist!
Tag Archives: Mystery
V: The Final Battle (1984)
This time around “V” embraces its science fiction roots more, allowing for a lot more looks in to the rebellion, and the inclusion of new corners of the visitors’ world and the rebels. Most of all, there’s the introduction of a Visitor/Human hybrid that becomes one of the larger symbols of the war, and is pushed back and forth between the resistance and people that think the visitors can stop the invasion and work with Earth. Months after the humans sent out the beacon for other alien species to help them take down the Visitors, nothing has happened and the humans are still trying to stop the Visitors and their plans. Now the Visitors are building new tactics, which includes armor that can deflect bullets, and a form of torture leader Diana has concocted that allows her to convert humans to the side of Visitors for programming.
V: The Original Miniseries (1983)
It’s been said time and time again that if we don’t learn from history that we’re doomed to repeat it, and “V” is a remarkable miniseries that examines what happens when history repeats itself. Set in a not too distant future, Earth is visited by a massive race of anthropomorphic alien beings that looks very human in nature. Though imposing, the alien race presents itself in a charming and docile manner, and interrupts civilization to settle alongside us. Known as the Visitors, they’re a very uniform mass of beings, all of whom proclaim themselves our friends after arriving in a fleet of large ships one day. By garnering help from various governments and influential people to acquire various chemicals and minerals for their ailing world, they agree to give Earth access to their advanced technology which they promise will cure diseases of all kinds. Soon enough, though they begin to insinuating themselves in to the general populace and before long create an environment of unease and tension among some individuals.
Sgt. Kabukiman N.Y.P.D. (1990) [Blu-Ray]
Lloyd Kaufman and Michael Herz’s “Sgt. Kabukiman N.Y.P.D.” is that kind of zany superhero spoof that, with some watering down, probably could have been a Warner Bros. cartoon in the nineties. After having such immense success with Toxie, Troma makes a second grab for cult fame, hoping to catch lightning in a bottle once again. Thankfully, not only is Sgt. Kabukiman N.Y.P.D. one of Troma’s most iconic and popular characters who stands proudly beside Toxie, but his movie is good to boot. “Sgt. Kabukiman N.Y.P.D.” is filled with the typical Troma tropes that make it such a blast. The acting is iffy, the violence is gruesome, the humor is off the wall and original, and the pacing is break neck.
Teen Titans: The Judas Contract (2017)
Sam Liu’s “The Judas Contract” is both a sequel to “Justice League vs. Teen Titans,” and an adaptation of perhaps one of the most iconic storylines in comic book history. And, I’ll just say it: The animated series of “Teen Titans” accomplished this storyline so much better. With “The Judas Contract” we’re given literally eighty four minutes to know, understand and empathize with the Teen Titans and perhaps feel a twinge of shock when they’re betrayed by a close ally. With the animated series, we were given so much more build up and time to understand the betrayal of Terra, as well as dodge all the creepy pedophilia overtones between villain Deathstroke and his assistant. The animated series allowed for a lot of build up and when Terra does make her descent in to the dark side it stings so much that even levelheaded Raven begins to shed a tear.
Model by Day (1994)
If you ever wonder what comic book fans who grew up the nineties mean when they mention there being slim pickings on television by way of superheroes and fantasy, look no further than “Model By Day.” Penned by Jeph Loeb “Model by Day” was about as good as it got in the realm of live action superheroes. Before she became an X-Man, Famke Jannsen took on the role of the hero known as Lady X for this failed television movie and backdoor pilot. Back in 1994, The Fox Network’s big draw was sleazy soap operas, so they endeavored to make their own superhero show by adapting an indie comic that was a weird mixture of “Models, Inc.” and “Batman.”
2001: A Space Odyssey (1968)
Stanley Kubrick’s strategic development of “2001: A Space Odyssey” is a thing of beauty; it’s an enigmatic and absolutely mesmerizing experience that has to be appreciated on a certain level, and there simply aren’t any short cuts or crib notes that can afford an audience a different insight with easy answers. Director Kubrick is a man who assigned Arthur C. Clarke to adapt the movie while it was being made and only handed him certain information which gave audiences two sets of information. Kubrick encourages exploration. Through and through “2001: A Space Odyssey” is an amazing cinematic masterwork that operates as a think piece and a ride through different arena of science fiction that isn’t often explored. Kubrick’s film is a work of symmetry, and balance, and mystery.