Riddle me this, fair reader: Have you ever seen the wonderful “Rear Window”? Did you ever see the cult classic “Fright Night”? Did you ever get to see the horribly overrated “Disturbia”? If the answer to one or more of those questions is yes, then guess what? You’ve already seen “Never Cry Werewolf”! The problem with director Brenton Spencer’s production is that it attempts to be a new spin on “The Boy Who Cried Wolf” and “Little Red Riding Hood” while also appealing to the teen crowd by appearing to be a mature harder edged R.L. Stine story with a twist of “Silver Bullet.” But in reality, it’s just another regurgitation of the classic Hitchcock tale in which an inept home owner discovers their neighbor may be up to devious misdeeds that may potentially threaten their livelihoods.
Tag Archives: Mystery
Gutterballs (2008)
Like every bit of film and music today, Ryan Nicholson’s “Gutterballs” is steeped heavily in the eighties with his slasher setting down in the decade while even the score and soundtrack take from it with shameless glee. And while normally that may be enough reason for me to dislike it, I found that his nostalgic placement made sense in the long run and only added to the camp. Nicholson’s slasher wants to be from the time where slashers were common cinematic fare, but sadly it’s just more of a wish than a reality.
The Dark (1979)
Fortunate for me that I was born from parents who bought literally every VHS movie they could get their hands on in the heyday of the eighties. Fortunate for me that I was born from a woman who loves every horror movie ever made, and continues to love every horror movie ever made. Which is where my meeting with “The Dark” enters. Available on DVD and still pretty rare, “The Dark” is one of the most confusing hybrids of blaxploitation, science fiction, and horror I’ve ever seen with ambiguous plot devices, horrific performances, and the odd association with Dick Clark. Watching this on the same grainy discount VHS from Media Home Entertainment I first viewed it on fourteen years ago, “The Dark” has lost plenty of the oompf and suspense I remember it holding.
The Strangers (2008)
When people spout off about ridiculous nonsense declaring that Horror is dead, I often laugh at them, and then insist that there are still good horror movies out there. Great horror movies are still around, they’re just so much harder to find, with people still willing to scare us into submission. Take “The Strangers” a movie that’s garnered a rather excellent marketing campaign, but still suffers from being a virtual rip off of “Ils-Them,” a superior home invasion horror flick. Nevertheless, after watching great home invasion flicks like the aforementioned title, and “Inside,” I think “The Strangers” will carry along the rising fad with acute precision and some reasonable arguments for being one of the stronger horror films of the year.
Ms. 45 (1981)
If there’s anything that gets my goat more than apocalypse films, and superhero films, it’s revenge flicks. Revenge movies make up some of the best cinema I’ve ever seen, from Samurai epics, to Western tales, and Abel Ferrera’s “Ms. 45” is that revenge movie in the vein of “I Spite on your Grave” where a woman who has suffered the crime of rape, now strikes out against all men, instead of the men who hurt her. Anna is a meek mute girl who designs clothes during the day time. On the way home, she’s anally raped on the street, and then staggers home wounded to find that a man has broken into her home and, angered that she has no valuables, decides to rape her… again.
Anna can’t catch a break, as you can imagine.
Inside (À l'intérieur) (2007)
I don’t think I can named a modern horror film that’s come so close to classic Giallo as “Inside” has, and I don’t think you’ll really want to if you didn’t like “Inside.” Frankly, it’s one of the most vicious and cringe inducing horror thrillers made in years, and the fact it wasn’t given even a limited theatrical release, fills me with a thousand frowns and dark sunsets. Having kids is tough. It’s financially trying, stressful, and traumatizing. Especially when there’s a psychotic unstoppable killer who wants to tear it out of your stomach. “Inside” is a vicious slasher flick from minute one where we meet Sarah who has just had a car crash pretty much almost killing her baby, and that’s only a small moment of the torture this unborn child experiences, when Sarah goes on vacation to mourn her dead husband.
The Devil's Music (2008)
I’ve been interested in much of what Jinx Media has supplied horror geeks over the last few years. Say what you want about independent horror movies, but there are studios out there trying for originality, and Jinx Media seems to be accomplishing it for the most part. First there was “Killer Killer,” which I found to be an utter blast, and now the UK based studio brings “The Devil’s Music.” Pat Higgins’ mock documentary, a film that will completely bring down audiences guards presuming to be one thing and then progressively transforms into a horror movie. Surely, it’s one of the finest indies of 2008, with production values that are immaculate. Everything from the mock concert performances, to the talk show interviews is shockingly genuine, and the story of Erika Spawn is even better.