The Ruins (2008)

the-ruins-pyramidRelying more on psychological terror rather than CGI plant monsters, the reason “The Ruins” will get under the skin of most audiences is because Smith prefers to leave the plant terrors as silent sadistic predators that—well—get under the skin of its victims through cuts, and open wounds. These creatures are merciless in their pursuits to chomp on some thirty something college goers revealing some truly shocking abilities to lure prey, and breaking down the hunted through manipulation and classic torture methods.

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The Obscure Brother (2007)

You have to appreciate the interesting new twist added on the tale of one of the more famous biblical figures of all time; Di Franco definitely has the right idea with this movie adding an entirely new perspective that not only made the final act of one character understandable, but also added some hint of dimensions behind his motivation in the grand scheme of the final events. The filming is beautiful with some gorgeous landscapes and wonderful set pieces. Di Franco definitely has an eye for breathtaking scenery and gives the film a flair it needs.

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Spiral (2007) (DVD)

Many people think that I’m much too hard on “Hatchet,” and unnecessarily punish it for being the victim of gross over hyping by a hyperactive press who stroked themselves to Green’s premiere debut. In actuality, I liked “Hatchet,” because it’s tough to disappoint me with a slasher film, and Green has a charisma about him that guarantees to win me over sooner or later. “Spiral” is a step in the direction where Green will definitely win me over as a fan if he continues at this rate.

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No Country for Old Men (2007)

MPW-31148I won’t lie when I tell you that it was a shame to see the Coen Brothers in such a slump. They gave us in no specific order “The Ladykillers,” a now infamous remake of a much better film, and then “Intolerable Cruelty” a week and dull dark comedy that was too glam for the duo. I’m glad to report that “No Country for Old Men” is just where they belong. It’s grit, edge, dark humor, and sheer menace in one package of incredible performances and results in a hybrid that’s basically my favorite film of 2007 and soon may just become one of my favorites of all time. Of course, this is not new for the Coens as “The Big Lebowski,” and “Fargo” currently rank in my top list.

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The Batman: The Complete Fourth Season (DVD)

thebatman4It was pretty obvious around the time the fourth season of the dubious success of “The Batman” had all but been questioned, and the writers had run out of ideas. This is when Batman finally took a back seat and a range of characters were introduced which would set the stages for the fifth season which became mainly a jumping point for potential spin-offs of better superheroes in the DC Universe. “The Batman” had run out of ideas by this time, and a slew of new characters were introduced, further bringing the watered down concoction to a level of a chaotic ensemble piece.
Here we saw the likes of Robin and Batgirl, both of whom became Batman’s smart mouthed sidekicks Batman interacted with while on the battlefield. Suffice it to say, they’re the most irritating parts of this new season.

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The Return (2006)

The_Return

Asif Kapadia’s supernatural drama likes to model itself after “The Machinist,” in which our main character has a reality that may not be everything she assumes it is, and is constantly haunted by mysterious figures while always in a dream-like environment where music fades, and space and time are easily bent to every scenario this mystery wants our character Jo to be. “The Return” isn’t the worst movie of 2006 as most others have reported, but is instead a weak and rather dull little drama that really breaks no new ground. Gellar’s performance here ranges from flat out mediocre to as wooden as a stake. Gellar is far from the primary flaw of this picture, as Kapadia can never seem to keep the audience at attention.

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Nature of the Beast (2007)

nature-of-the-beast-tv-moviThe death kiss of the “American Pie” franchise continues, as Rodman Flender’s comedy asks us to pontificate the notion of one of the guys from “Teen Wolf” actually growing up to be married. And what if this guy didn’t tell his wife that he was a werewolf by nature, or super nature? Sure, this is really just a ninety minute sitcom in reality that uses a small horror device that doesn’t even place it within the horror fold, but it does indeed rip off “Teen Wolf” considerably. This could very well have been a sequel that occurs ten years later if they pushed for theatrical distribution hard enough.

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