Batman: The Long Halloween – Part Two (2021) [Blu-Ray/Digital]

Suffice to say that I haven’t been this entertained by a Batman animated movie since “Gotham by Gaslight.” Chris Palmer’s animated production of the 13-issue limited comic series by writer Jeph Loeb and artist Tim Sale has been a masterful, absolutely mesmerizing amalgam of a murder mystery, mob thriller, relationship drama, and action thriller pairing Batman and his unlikely partner Catwoman against increasingly impossible odds.

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Flight to Mars (1951): Special Edition [Blu-Ray]

Well, say what you want about “Flight to Mars” (reaching its 70th anniversary this year) but damn it, they make good on their promise in the title. There is definitely a flight to mars. It’s just a long, drawn out, monotonous, tedious flight to mars involving four boring male characters and one woman whose duties involve getting aggressively hit on by the spaceship’s captain, taking notes, and making the men coffee.

In Sp-a-a-a-a-ce!

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Fear Street, Part 3: 1666 (2021)

Director Leigh Janiak’s creation of the “Fear Street” trilogy has to be one of the most impressive cinematic accomplishments this year. It’s tough to find a horror trilogy where every film feels different, but clicks together like a puzzle, so seamlessly. “Fear Street” had every chance of being a complete mess, especially with how it goes backward in time to fill in the gaps in its narrative. Not to mention the fact that it trusts audiences will return is ambitious and often impressive.

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Masquerade (2021)

I’ll be honest, I have a soft spot for home invasion thrillers; most of the time they always entertain me, because I love how they can be twisted for various narratives by writers and or directors. It’s sad though when I was finished with “Masquerade” that I couldn’t get over how boring it was. This is a movie with a genuinely good idea that fails to derive much tension or suspense at every turn, and doesn’t make much of a case for caring about any of the characters. Even when it drops a big climax twist on us, I was generally indifferent toward the entire experience.

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Super Hot (2021)

I think it is possible that director Taylor King has created one of my favorite indie films of the year. I didn’t entirely know what to expect going in to “Super Hot” but it ends up being such a great horror comedy, despite some small flaws here and there. “Super Hot” has its inspirations close to its chest, combining “Booksmart” with “The Craft” to form this unusual amalgam that works shockingly well.

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The Dead Zone (1983): Collector’s Edition [Blu-Ray]

Some of the best Stephen King book to screen adaptations has been television mini-series. That’s fascinating as “The Dead Zone” often feels exactly like a television mini-series. Despite David Cronenberg’s solid direction, “The Dead Zone” is often very episodic. It doesn’t have one streamlined narrative so much as it has vignettes that lead to what you could call the series finale. In retrospect after my first viewing, it’s not at all a surprise that the premise inevitably led to a television series.

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Werewolves Within (2021)

Director Josh Ruben has a real knack for taking snowy tundras and creating some prime horror fodder with them. While I didn’t much care for “Scare Me,” he managed to build some interesting tension with just two people in a snowy cabin. With “Werewolves Within,” it’s a bit larger in scale, but still a fantastic peek in to an engaging mystery. Ruben’s film brilliantly mixes Agatha Christie with “The Beast Must Die,” and some of The Coens for good measure.

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