Kim Possible (2019)

As a preamble I admit that I’ve never liked the “Kim Possible” animated series. I know as a Disney fan I’m supposed to love it, but I always found the series to be incredibly flat, bland, and boring. I didn’t really care for anything about it beyond Will Friedle who, at the time, was my favorite voice actor. That said, when “Kim Possible” was rebooted in to a TV movie series, I was surprised by how new and re-energized the reboot looked. Though “Kim Possible” is back, she’s returned for a whole new generation of fans that have embraced heroines fighting crime.

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Happy Death Day 2U (2019)

I was thoroughly surprised with 2017’s “Happy Death Day.” The more I’ve thought about it and re-watched it, I’ve come to like it more and more as a horror reworking of “Groundhog’s Day.” It’s a fun and creepy character piece about a despicable young woman who realizes that maybe the way to keep herself from dying and end the cycle of re-living the same day over and over, is to think about other people in her life. “Happy Death Day 2U” is that same concept, but a wholly different movie. It’s a sequel that brings us a new angle of the narrative, expands on the concept of the original film, while also continuing to explore the character of Tree Gelbman.

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The Plague of the Zombies (1966) [Blu-Ray]

Despite generally loving movies about the supernatural, and in spite of “The Plague of the Zombies” being very much ahead of its time in its implementing of voodoo as a means of our villain enacting his devious plan, I was indifferent toward “The Plague of the Zombies.” I can’t say that I completely hated it, but while it packs in some tension and great mood set pieces, I wasn’t too sad when it finally drew to a close.

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The Mole People (1956) [Blu-Ray]

I’ve never seen a movie so apparently short on a script that it purposely pads the run time to compensate. I’ve seen movies waste time on screen, but director Virgil W. Vogel’s science fiction adventure obviously had a script comprised of maybe forty pages of actual narrative and writing. The rest of the seventy seven minutes is obvious empty filler, and padding that tries to run out the clock for the sake of the feature length credibility. Set in the general vicinity of Asia, we meet (two of the most grating heroes ever put to film) archaeologists Dr. Roger Bentley and Dr. Jud Bellamin, both of whom are dedicated to finding a mythical race of Sumerian Albinos living deep in the Earth.

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Blood Runs Down (2017) [Final Girls Berlin Film Festival]

“Flesh and Blood” Shorts Block

Director Zandashé Brown’s Southern Gothic horror short is a beautifully directed narrative that explores the complex and sometimes darker relationships of mothers and daughters and the stresses of raising a child on one’s own. “Blood Runs Down” has some wonderful imagery and genuinely unsettling moments of terror it’s just mired by ambiguity that makes the overall film somewhat confusing.

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¿Quieres Que Hoy Te Bese? (Do You Want Me to Kiss You This Time?) (2018) [Final Girls Berlin Film Festival]

“Growing Pains” Shorts Block

Directors Iker Arce and Miriam Ortega Dominguez’s “¿Quieres Que Hoy Te Bese?” is a nearly half hour short film that resonated deeply with me when it was all over. What we assume is a short horror drama about a teenage girl coming in to adulthood in the most sinister fashion, we soon discover is a very brilliantly constructed, disturbing non-linear horror tale.

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