“Marvel’s Daredevil” Season Two Review, Top 5 Moments of the Season

Daredevil-Season2

I for one loved the introduction of “Daredevil” to the small screen universe. Much like Spider-Man, his is a character that works much better in episodic form rather than feature film format where every narrative has to be compressed. I loved what Marvl brought to the table with the first season, so it’s surprising to say that season two is not only better, but a huge improvement every way shape and form. Season two is, dare I say, amazing. The suit is better, the choreography is better, the performances are better, the writing is killer, and the characters have evolved from the last time we saw them. The entire battle with Wilson Fisk in season one felt a tad stretched out for the sake of a season. This time around the show provides Matt Murdock with two central plots and three sub-plots. At thirteen episodes, the show never feels padded, nor does a single episode feel like filler.

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You’re Killing Me (2015)

yourekillingme

A group of gay friends welcome one of the guys’ new boyfriend in their mist. Joe is just like them they think, except for the fact that he is a serial killer who doesn’t bother to hide it. In fact, he flat out tells his new man George who thinks it’s some hilarious long running joke. As people around them start to disappear and the random idle chatter never ceases, George may need to reassess his new adorable boyfriend. The story written by Jim Hansen and Jeffery Self has a fairly simple premise: What happens if a serial killer, after admitting it to himself, is completely open about what he’s doing but no one pays attention because we are all too busy talking about our lives and celebrities?

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Creed (2015) [Blu-Ray/DVD/Digital]

creed

The Rocky saga has always been about parental issues and how parenting and lack thereof define our characters. Rocky had no real parents thus he was always thought of as a loser who gained a dad through Mickey. Adrian and Pauley were each others’ parents, while Rocky’s own son is somewhat a distant memory by the time “Creed” rolls around thanks to Rocky’s own destructive quest for glory. Despite their bonding in “Rocky Balboa” Rocky is still a lonely hermit of a man who runs a restaurant and lives in Philadelphia, still mourning the loss of wife Adrian and best friend Pauley. His effect has had more of a profound effect than he ever realized, as director Ryan Coogler reaches in to the Balboa mythology to touch on another family within the fold of the series that we rarely visited.

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Gods of Egypt (2016)

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Alex Proyas’ latest genre effort has come under a lot of fire mainly for reasons of whitewashing, but after viewing “Gods of Egypt,” it’s no more a white washed endeavor than Harryhausen’s “Clash of the Titans,” or “Ben Hur.” When taken at face value and appreciated as a fantastic take on the mythology, “Gods of Egypt” is an entertaining and engrossing experience, and one I would have had a good time with during a quick Sunday matinee. Proyas constructs an interesting world and I wanted to see how the events would ultimately unfold in what becomes an unlikely buddy action film centered on a God and a mortal finding their own revenge against another God seeking immortality.

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Prehysteria! 2 (1994)

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Like every studio, Moonbeam and Charles Band were seeking their fortune with their own version of “Home Alone” that would bring in the big bucks. With sub-par efforts like “Remote,” there was also the “Prehysteria!” movies which always featured the owners of a foursome of miniature dinosaurs battling evil grown ups of some kind. Set immediately after the original, the foursome of dinosaurs now live with their new family The Taylors in the green house. Seeking to have their chance to feast on the family’s large crop of raisins, they’re accidentally scooped in to a large crate and sent off for shipping by local farmers. Luckily, they’re discovered by bratty but lonely rich boy Brendan, who befriends the miniature dinosaurs, and tries to keep them a secret from his mean house keeper Miss Whitney.

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Deadpool (2016)

deadpool

Superhero movie fatigue, my balls.

“Deadpool” is proof positive that the comic book movie is alive and well and prone to various iterations of the comic book movie mold beyond capes, tights, and bat ears. “Deadpool” is one of the most anti of anti-heroes ever conceived. He’s a man who works for any side that’s appealing to him, and you can never quite pin down whether he should be a friend or foe. Wilson like Marvel comrades The Punisher and Iron Man are never villainous, but also not the clean cut superheroes we’d expect. In the end, Wilson is about self gratification, even though he tells himself that his intentions are pure. He’s a man who loves being vile and obnoxious. Even Wade Wilson during the opening of “Deadpool” explicitly states that he is by no means a hero, and we’re given extensive insight in to how he lived his life before he became the “merc with the mouth.”

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Beat Street (1984)

Beat Street pic 3

I liken “Beat Street” to “Saturday Night Fever” in where both films, set in the Bronx, feature very talented youths with troubled home lives trying to fulfill their promise and chase the American dream. While “Beat Street” is nowhere near as timeless as the former film, director Stan Lathan’s drama is an entertaining, if exaggerated look at life in the Bronx, and the culture that would eventually die with the decade. The film produced by Harry Belafonte doesn’t have the same committee constructed, consumer pandering aesthetic that the “Step Up” movies do. But for all intents and purposes it tend to shine the light on actual minorities living in the Bronx, some of whom can barely make rent, but still drive themselves on their love for their work.

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