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Starchaser: The Legend of Orin (1985)

star-chaserA long time ago, in a galaxy far, far away, uh—I mean, many moons ago in a distant universe, there lived a young miner and slave named Orin. He was a long haired heroic young man who mined for red gems for an advanced race for… whatever reason. It’s never fully explained. One day while in the mines, Orin and his other slaves discover a long lost hilt from a mystical sword that contains advanced powers. Convinced by his friends to break free and fulfill the destiny from he magical entity within the sword, Orin breaks out from his imprisonment with girlfriend Elan, and seeks his destiny.

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Batman’s Cinematic Beauties from Least Favorite to Absolute Favorite

harley-quinnThe latest trailer for David Ayer’s “Suicide Squad” movie just dropped and fans are excited for it (obvious Marvel bias!), mainly because it looks to be a bang up action movie with a great sense of humor. It also looks a lot like a comic book version of “The Dirty Dozen” with a bunch of scoundrels on a suicide mission and their superiors fully aware that they’re set to take the fall or die should they fail their mission. Along with the big screen versions of Killer Croc, and Deadshot coming to the film, among others, we have some classic Batman villainesses, one of whom is Harley Quinn. The long time fan favorite who made her debut in the nineties as an original creation from “Batman The Animated Series” has taken on a life of her own and is the center of the marketing for “Suicide Squad,” as she finally makes her big screen debut with Margot Robbie playing the role.

With the absolutely beautiful and sexy Robbie portraying the longtime psychotic fan girl and girlfriend of the Joker, I thought I’d run down a list of the most notable cinematic beauties from Batman’s long line of theatrical films. Since Quinn and other villains from “Suicide Squad” are Batman rogues, you can kind of almost count the upcoming film as a Batman spin off of a sorts.

Here is a list of Batman’s Cinematic Beauties ranked from My Least Favorite to Absolute Favorites. How would you rank the list?

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Cherry Falls (2000) [Blu-Ray]

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If anything, “Cherry Falls” is a valiant attempt to deliver a game changing slasher film that tries to challenge the conventions of the sub-genre left and right. It has all the right ingredients for one excellent horror film, but in the end is just a fine and serviceable genre entry. I wouldn’t be so quick to say it’s mediocre, but compared to a lot of other “Scream” clones released at the time, “Cherry Falls” is a fine companion piece. It’s not often we get a slasher film about a knife wielding killer hacking virgins to death. This time rather than slut shaming as we saw in “Scream,” the victims are punished for not having sex, and that’s a formula that almost works. Almost.

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Selective Listening (2015)

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It’s so very rare to see a film like Tim Prescott’s, and one that is so genuine and original. Prescott’s film reminded me a lot of something from Charlie Kaufman of Spike Jonze in where our protagonist is a victim of their mental disability and it somehow unfolds in to an interesting tale of whimsy and tragedy. I can’t believe what I was watching when I sat down to view “Selective Listening.” At times I was baffled, other times I was confused, but throughout the entirety I was completely compelled. “Selective Listening” is a unique take on mental illness, as we center on nice guy Harrison. Harrison is a normal guy who lives alone in his flat, except he’s a victim to his obsessive compulsive disorder. It also doesn’t help matters that he’s a victim of schizophrenia and he can often hear various voices in his head.

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My Boyfriend’s Back (1993) [Blu-Ray]

mybfback

Say what you want about Bob Balaban’s horror comedy “My Boyfriend’s Back,” but it’s one of the more pleasant and twisted films to ever come out of the nineties. This was a decade where horror almost died, and what horror there was was deadly serious. “My Boyfriend’s Back” is a funny and sometimes demented take on acceptance with Andrew Lowery giving a bang up performance as Johnny Dingle. Dingle is a love starved high schooler who has the deepest affections for his lifelong love Missy McCloud. To win her heart, he stages a fake grocery store robbery to save her, but things go awry when an actual robbery ensues, and Johnny is murdered. Mysteriously, he comes back from the dead and is told that he can lurk around, but only in the confines of the town cemetery.

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Happily Ever After (2016)

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Director Joan Carr-Wiggin’s “Happily Ever After” is like a nice slice of pound cake. It’s inoffensive, kind of bland, but still has a sweet spot every so often. Carr-Wiggin’s film is a mixture of Cameron Crowe, “Lady Bug,” and “Beautiful Girls” in where a nearing thirty year old comes back to their home town to find everything is the same as when they left it. Or perhaps maybe it isn’t. For Heather, she’s spent her life giving up looking for her happily ever after, and has found that she has come home to a town of people that are seeking their happy ending, and can’t quite admit that they’re unhappy in their current lives. When Heather goes to visit her ailing father in the hospital, she crashes in to old school mate Sarah Ann. She’s a bubbly blond classmate who is devoted to getting married and building the typical Rockwellian life of a picket fence house and comfortable marriage.

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Point Break (2015) [Blu-Ray/DVD/Digital]

pointbreak2015Kathryn Bigelow’s 1991 action film “Point Break” was never really anything resembling a masterpiece, but one thing you could never call it was boring. It’s garnered something of a cult following over the years, for a reason. It’s a silly, goofy, and fun bromance where Keanu Reeves and Patrick Swayze bring their A game in one of the most sexless male romance action films of all time. It’s a camp classic despite its major failings. “Point Break” 2015 takes the 1991 original and saps out all of the fun and inherent camp, transforming it in to a tedious, overlong action thriller without a lick of humor about itself. Even “Fast and the Furious,” which copied “Point Break” shamelessly, had a sense of humor about itself and embraced its silly trappings and ridiculous plot line. Coming ten years too late, “Point Break” comes along after about fifteen retreads, and doesn’t really do anything except inspire the viewer to check out the original action film.

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