In a private burlesque parlor in Hollywood, performers and VIP clients face off with a zombie attack. Directed by Staci Layne Wilson from her own screenplay based on a story by Lony Ruhmann, Fetish Factory mixes burlesque dances and performers with end of the world and zombie tropes for a fun result. Staci Layne Wilson takes the zombies sub-genre that is all over the place lately and focuses it by bringing her personal touch to it and adding a varied group of beauties to fight them off. Granted, this in and of itself is nothing new (we’ve seen hotties and strippers fight zombies before) but her usage of actual burlesque performers and actresses adds to this in a way that changes from the usual boobs and blood route these films take.
Tag Archives: Science Fiction
Hive (2016)
In the end what will win out and be our undoing will be apathy. It’s the willingness to just sit back and allow evil, to apathetically cling to our faith without challenging those that seek to do wrong. It’s our talent for not doing anything, and allowing injustice. It doesn’t matter what we believe, what politics we subscribe to, but when the world comes literally crashing down on us, we’re all just bugs ready to be squashed. “Hive” is set in a world where its breed of insectoid people have been split and divided by beliefs, religion, and class.
Batman: Return of the Caped Crusaders (2016) [Blu-Ray/DVD/Digital]
I’m still not sure what to make of “Return of the Caped Crusaders” even hours after it’s ended. It wants to be both a love letter to Adam West’s “Batman,” and a spoof of it, so the movie sometimes celebrates the show’s inherent absurdities. The next moment it’s not just mocking the series’ idiocy, but also most of the Batman franchise. After “The Killing Joke” we definitely need a lighter Batman with some entertainment value, but “Return of the Caped Crusaders” is so confused about its intent I was never sure whether I was supposed to laugh with it or at it.
Fetish Factory (2017)
In the “Fetish Factory” every male client comes attached with his own fetish and arrives to the special mansion to watch some of the best and sexiest burlesque performers realize some of their weirdest fantasies. Director and writer Staci Layne Wilson delivers a horror comedy that’s admittedly rough around the edges but has enough charm and laughs to entertain audiences that enjoy a bit of kink with their zombie carnage. Carrie Keagan plays burlesque performer Bettie, a dancer at the Fetish Factory who takes on the persona of Bettie Page for her clientele and dances almost every night. After a mysterious wild storm takes hold of Hollywood, the walking dead begin swarming the Fetish Factory mansion, prompting the surviving dancers to fight off the hordes of flesh eating zombies.
Hulk: Where Monsters Dwell (2016)
You can’t get anymore Halloween than teaming up Marvel’s monstrous Hulk alongside the Sorcerer Supreme Doctor Strange. On Halloween Night, demons begin wreaking havoc in New York City, prompting Doctor Strange to do everything he can to slay them and bring them in to his holding cell in his temple. Thankfully he calls upon the Incredible Hulk to help him, and Hulk is more than happy to oblige in stomping some demons. Little does Hulk know that the demons are manifestations of human victims that are being held hostage by the villainous Nightmare who has kept them held in their own dream plains. Strange ventures in to the dream dimension to save Bruce Banner when Nightmare begins using the Hulk to hurt Strange.
Space Jam (1996)
IN SELECT THEATERS — If you haven’t had a massive amount of nostalgia to frame the memories for “Space Jam,” then odds are you won’t really enjoy the mix of Michael Jordan, The Looney Tunes, and Bill Murray, for some reason. Without the nostalgia, “Space Jam” is just a mediocre animated comedy that is made by a committee, and used to boast the waning popularity of Michael Jordan and the Looney Tunes. There’s also Bill Murray for some reason. Back in the mid nineties, Michael Jordan was sports royalty and was playing baseball professionally; someone had the bright idea to give him a movie co-starring timeless cartoon characters because that’s how stuff works. For all its faults (and there are a lot of them) “Space Jam” is a perfect storm of urban appeal, and family appeal that managed to make it a veritable marketing juggernaut in 1996.
King Kong (1976)
I’m not against contemporizing “King Kong,” but director John Guillermin shows us how to take a very simple concept like “King Kong” and completely botch it from minute one. It’s not like “King Kong” has a complex story. It’s a fairly exciting adventure about a giant monster, the woman he loves, and New York being torn to shreds by this out of place animal. Apart from being utterly abysmal, “King Kong” is also way too long, with a premise retrofitted for the seventies that stretches the limits of suspension of disbelief. For a movie about a giant ape climbing the Twin Towers, it’s sad that the whole plot to get King Kong in to New York is the most far fetched element I had difficulty buying in to.