Simplicity has always been the best friend of the slasher movie. Nine times out of ten the best slasher movies aren’t convoluted or complex. Most times they’re just simple premises with simple motivations but a lot of subtext added throughout the narrative. “Halloween,” “Scream,” “Friday the 13th,” all benefited from being fairly simplicity and so does “You’re Next.” Adam Wingard’s horror thriller came like a wrecking ball back in 2011, sideswiping me and just blowing me out of my seat. Although now he’s headed for the bigger blockbusters, Wingard’s horror outings tend to channel John Carpenter with how they mesh sub-genres.
Tag Archives: Survival
Slumber Party Massacre (2021)
Amy Holden Jones’ original 1982 “The Slumber Party Massacre” is considered one of the great trashy slasher classics of the 1980’s. It’s a movie that’s so irredeemably stupid but is still celebrated by many fans. I personally think the sequels are better, if infinitely stupider, but that’s neither here nor there. 2021’s “Slumber Party Massacre” is both a meta-satire and re-imagining that follows up on the original events of the premise of the original movie and turns it on its head.
Syfy’s “Day of the Dead” Continues The Trampling of Romero’s Legacy
When the trailer for “Day of the Dead” arrived, it looked interesting but stumped me. The trailer for the Syfy series was a fast paced dark comedy with zombies, goofy one liners, and a bunch of action. It felt more like “Return of Z Nation” rather than a throwback to Romero. This could have been given any generic title like “Zombie Warz” or “Country Zombie Jammie Jam” and never really miss a beat. There’s no reason at all to call this “Day of the Dead” and pretend it’s honoring Romero’s original movie, and it’s sad Syfy has resorted to this.
It’s all brand recognition. It’s an easy sell, an easy pitch, and has a built in audience.
Halloween Kills (2021)
Director David Gordon Green simultaneously delivers a sequel that does something completely new with “Halloween” and also promises to divide horror fans down the middle. There is no horror movie in 2021 that promises to polarize horror fans more than “Halloween Kills.” Rather than a movie that features Michael Myers killing, killing, and killing some more, David Gordon Green goes a different route and explores the fall out from his murder spree in 1978 and 2018.
The Collection (2012)
I never saw the original “The Collector” but at this point I think it’s fair to say that you don’t really have to. “The Collection” is definitely a follow up to what is meant to be a trilogy of films, and the storyline isn’t exactly episodic. “The Collection” is not at all a bad movie, mind you. But it’s not as labyrinthian in its narrative as the “Saw” series continues to be. It sure does try to be, as it tells us very little about who the Collector is.
Daylight’s End (2016)
Director William Kaufman’s “Daylight’s End” is “30 Days of Night,” meets “Dawn 04” with “Assault on Precinct 13” thrown in for good measure. Sadly, while it’s nowhere near the masterpiece the aforementioned Carpenter film is, it’s silly, goofy, occasionally clumsy, fun late night movie fodder. In the heydays of cable television I could picture sneaking out of bed, and checking this out on one of the premium movie channels at three in the morning.
Demons I & II: Special Limited Edition [Blu-ray]
Regarded by many horror fans as one of the greatest horror movies of the eighties, and one of the greatest Italian splatterfests, “Demons” has carved a larger than life reputation in horror cinema, even in spite of its messy sequel line up. Lamberto Bava’s “Demons” is the essence of punk rock horror, a movie so unabashedly chaotic, violent, and gruesome, but one also packing a sense of mysticism. Its sequel is a pretty awesome follow up that repeats the original’s formula, but brings it in to a new arena where humans are hopelessly trapped.