If you look at “Demoni” from a critical point of view, then you’re not going to enjoy it too much. Who is the messenger of this whole event? Why does the main character envision him before the whole horror goes down? Why is he handing out invitations? What makes these people so special who have the invitations? Why did he pick these people? What was his goal? Who built this movie theater everyone attends? Who funded it? Was it Satan? Why choose a movie theater to take over the world? Why is this demonic movie that plays in the theater cursed? Why is the prop mask that belongs to the movie capable of turning someone in to a demon? Why, if you want to take over the world, do you hide the prop behind a glass? Is there security in this theater?
Tag Archives: Suspense
A Nightmare on Elm Street (2010)
At this time horror fans are so beaten down to a messy shit stain that they really don’t have the strength to complain about remakes of their beloved horror classics anymore. Because whether we like it or not, Platinum Dunes and other horrific money grubbing companies will rehash our favorite titles and nothing is off limits. That preface aside, Neo-Nightmare sets down on basically the same premise except with ten times less the flavor and creativity of Wes Craven’s admittedly dated original. I never liked Platinum Dunes to begin with but “A Nightmare on Elm Street” ends as such a blatant spit in the face of horror fans everywhere it practically begins with a disclaimer reading, “We don’t give a shit about quality, but hey at least we have your money, suckers!” And they fell for it hook line and sinker.
Scream (1996)
When I first watched “Scream” back in 1996 I thought it was a masterpiece, a horror film filled with endless possibilities. But as I’ve gone on and managed to watch “Scream” again I’ve come to realize that Wes Craven played many people, and (whether I like it or not) the series he followed it with has been successful. “Scream” is just more of the same humdrum slasher fare that we’ve seen a billion times, except it’s served up with the deceit that we’re seeing something wholly original. What with the Ghost Face’s eerie facade and the atmospheric setting, “Scream” definitely has that illusion that what we’re laying our eyes on is something we’ve never seen before. In actuality we have, except Craven and writer Kevin Williamson never quite let on about it. “Scream” is a movie that never knows what it wants to be. Is it a murder mystery posing as a slasher film? Is it a horror comedy? Is it a spoof of slashers? Is it a loving satire? If it pretends to be an anti-slasher then why does it jump head first in to cliché slasher trappings in the final half of the film?
The Final (2010)
Well it seems “After Dark” finally pulled it off. They’ve finally brought aboard a movie in to their film festival that may be their most controversial to date. Watching “The Final” made me cringe and feel utterly disgusted all the way through because it’s such a volatile revenge fantasy that’s all too realistic to be taken as just a simple horror film. If you were old enough to experience the horror that was “Columbine” (I still have the newspaper) and the resulting aftermath, you’ll know that we’ve reached a point in our society where the bullied simply can’t take it anymore. Regardless of the circumstances or the lives they may destroy, sometimes people find little to no options in fixing their bullying problems other than resorting to brute violence. Do I condone it? No way. Is it a reasonable solution? No. But when you’re tormented day in and day out without anyone to properly help you, what little choice do you have?
The Growth (2009)
If you’re looking for an indie short that’s both utterly disgusting and very disturbing then I have the ticket for you. “The Growth” is almost like a neo-version of “The Lonesome Death of Jordy Verrill,” where we set our sights on a very lonely mane named Bill who lives a life of solitude and isolation. The man is middle-aged, a bachelor and completely lets his family down at every turn when they attempt to get closer to him. After being set up on a date by a friend, he arrives home completely exhausted and explains to his online friend that in the middle of a date the girl he was with bit him on the shoulder in the heat of passion.
The World, the Flesh and the Devil (1959)
Director Ranald MacDougall’s 1959 classic thriller is a film that presents a much more shocking and jarring vision of the end of the world than most contemporary apocalyptic horror films and dramas. And that’s mainly because if you’ve never seen this you’d never know that most of the elements from this were stolen by most horror films. Including Will Smith’s version of “I Am Legend,” and even “Night of the Living Dead” to some extent. The last man on Earth is an African American man forced to travel by his wits alone. He is forced to deal with cabin fever and loneliness, tries to contact other human life by radio waiting for signals everyday, and yes, he even props up mannequins around the city to engage in conversations with which not only indicate his sense of isolation but his fading sanity.
Dead Air (2009)
It’s hard to believe that a film I had considerable trouble sitting through without covering my eyes was directed by Corbin Bernsen of all people. This is the man who takes pride in starring in some of the worst horror movies ever made, and here he’s directed a film that has outweighed its double “Pontypool” in every aspect. While many were out celebrating the existence of the indie horror film about a radio DJ experiencing the end of the world through the radio, I sat waiting for something better from this concept and wouldn’t you know it? Here comes “Dead Air,” a movie that possesses basically the same concept and story and pulls off much more suspense and tension than “Pontypool” actually does.