I’ve seen plenty of fan films in my time. Comic book fan films, Star Wars fan films, and yes even fan films from other movies. Usually they’re made by utterly ambitious fan boys, with a sleek production quality, and yet only really range a running time of 10-45 minutes, with the work done before the bag gets old. “Friday the 13th: Mother’s Day” is probably one of the most ambitious fan films I’ve ever seen—the jury is still out. Not only does it pay homage to my favorite horror franchise of the genre, but it’s based on a teen novel, and runs for about ninety minutes. Suffice it to say, I was shocked when I took a glimpse at the running time for this movie. Ninety minutes? Were they kidding us? No, they were not.
Tag Archives: Suspense
Bad Reputation (2005)
Jim Hemphill’s immaculately directed “Bad Reputation” is half “Carrie” and half “I Spit on Your Grave,” it’s a teen thriller that I can finally get behind, and one that never swims in the kiddy pool. This is a hardcore revenge film, and I enjoyed it from the very beginning. It’s also one of the few rape revenge flicks that have come around in years, with an utterly compelling series of events that leads to unthinkable carnage, after an utterly disturbing rape sequence renders a young insecure girl a merciless monster. Hemphill definitely has his ducks in a row with a film that really brings the best of the revenge genre to the screen, without ever watering the atmosphere down to appeal to a younger audience.
Dead Silence: Unrated (2007) (DVD)
Thanks to the advent of “The Twilight Zone,” R.L. Stine’s “Goosebumps,” and many other horrific entities, ventriloquist dummies have managed to become a pretty valid specter of fright all of my life. And thankfully, here comes James Wan to further perpetuate the fear of the ventriloquism in all its delights. “Dead Silence” is a film that wasn’t really an easy sell from the first minute. Surely, it starts off eerily enough, but it doesn’t really pick up until the second half. But what it accomplishes are genuine plot twists that only the boys from “Saw” can truly utilize, and man, are there ever plot twists abound, including one that’s a bit over the top, but truly creepy.
Ice Spiders (2007)
I’m not sure why, but the prospect of watching “Ice Spiders” was intriguing to me. Perhaps it’s because I just enjoy movies with giant monsters, or perhaps because many movies with giant spiders end up a barrel full of laughs, or maybe because I just enjoy cheesy monster movies. “Ice Spiders” really doesn’t take itself too seriously, and that’s a great thing considering the ridiculous plot we’re introduced to. But with all the horrible plot devices against it from minute one, “Ice Spiders” comes out ahead.
Disturbia (2007)
If you’re willing to ignore all the obvious positions our characters are put in, “Disturbia” will be pretty excellent. I wasn’t willing to ignore all the obvious marks, so I found it to be pretty damn frustrating. Let’s see, there’s our character Kale who is known for being a liar and deceiver, then there’s our mom who is so self-involved, she can’t listen to our hero, and of course a cop who has it out for him who we know will just come in the nick of time to help our hero when in trouble. And then there’s that nasty habit of the film being so utterly derivative. If there was ever going to be a remake of “Rear Window,” you could basically re-title this and not know the difference. “Disturbia” is a pretty cheesy thriller that is never afraid to flaunt that it’s so predictable.
Altered (2006)
These days many people just do not enjoy “The Blair Witch,” and that’s a shame. I still love the movie, and I still think it’s a frightening simplistic horror film about curiosity killing the cat. But in a day and age where gore is on the menu, it’s not hard to fathom why it’d be disliked. “Altered” is an admirable if flawed follow-up from the “Blair Witch” boys that is much different in every sense. Gore and guts are present, as well as a fairly simplistic alien carnage story. Ah, the joys of being a horror fanatic. “Altered” is a good old fashioned horror film, and one that relies on the conventions of typical claustrophobic horror fare to get us through.
Hot Rods to Hell (1967)
“Hot Rods to Hell” is a youth gone wild, sixties morality tale about damn juvenile delinquents raising pure hell on Mr. and Mrs. Americana of the traditional Nuclear family. Before the real free revolution, “Hot Rods to Hell” was another glance at the youth tearing down good old fashioned America, and it was deemed much too risqué to play for television. Made for television, ironically, the studios shipped it out into theaters, and drive-ins and it’s quite a messy little clunker with an utterly simplistic plot. A mixture of “Beach Blanket Bingo,” “Last House on the Left,” and “Leave it to Beaver,” John Brahm’s “Hot Rods to Hell” sets down on a family called the Hills who go on a road trip to move to the desert. On the way there they come across a group of sadistic hot rodders who really want to make their lives a living hell from now on.