Camp Dread (2014) (DVD)

Posted on April 15, 2014 by Felix Vasquez

Director Harrison Smith’s “Camp Dread” is a mixture of “My Little Eye” and “Friday the 13th.” In fact, go watch those movies instead. In all seriousness, “Camp Dread” has a pretty clever premise, it just has absolutely nothing to do with it. It’s a straight faced slasher film set in a summer camp and barely uses the opportunity to reference the “Friday the 13th” films, and yet it takes full advantage with Danielle Harris as the local sheriff. Her character’s brother is named Michael, and she hates horror movies. You see, it’s opposite. It’s clever because it’s opposite!

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No Holds Barred (1989) [Blu-Ray]

Posted on April 14, 2014 by Felix Vasquez

In the eighties, Hulk Hogan was a titan who stood tall in influence and adoration alongside Arnold Schwarzenegger. In the age of the cold car, Hogan is the hero America wanted. He was blond, large, charismatic, heroic, and garnered a handlebar mustache that made him look like a buff trucker fighting for the country. “No Holds Barred” perfectly demonstrates why Hogan was such a force in the sports world, with a charismatic performance in an otherwise goofy movie.

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Lesson of the Evil (Aku no kyôten) (2012)

Posted on April 11, 2014 by Felix Vasquez

It’s so gratifying to see Takashi Miike returning to his chaotic roots that helped make him such a beloved auteur. While I’m sure his court room movie “Ace Attorney,” and the “Ninja Kids” actioner were fine outputs, “Lesson of the Evil” is a return to form for a man who proves he hasn’t lost a bit of his step. “Lesson of the Evil” isn’t just shocking, but it’s gory, disturbing, and features some of the most surreal supernatural elements I’ve seen in years. Miike comes back with a bang, and I had a difficult time turning away from “Lesson of the Evil,” even when it was tough to sit through.

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Nightbeasts (2010)

Posted on April 10, 2014 by Felix Vasquez

“NightBeasts” is a really silly, camp drenched movie. It’s Sasquatchsploitation with a surprisingly tongue in cheek tone that undercuts all menace it possesses. And the good thing is that star Zach Galligan at least seems to be in on the joke. He sports a terrible Southern accent, is probably the worst father in the world, and really does nothing but puff his chest and go shooting at some sasquatches in the woods. “NightBeasts” doesn’t aim for “Abominable” levels of horror, but it’s worth a viewing, if only for Galligan who hams it up big time.

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Breaking Well: Why Walter White is Better Than Dexter

Posted on April 10, 2014 by Guest Contributor

Breaking Bad is the best television show of the 21st century (so far). It managed to offer week after week of not only compelling stories, but enough symbolism and alternate character interpretations to keep even the most snobby English-Lit major interested, while distracting less intellectually focused viewers with instances of “bad ass” behavior.

Vince Gilligan used to write for The X-Files (in fact, Bryan Cranston appeared in the episode directly before the first episode Gilligan wrote) a show I haven’t watched regularly since the nineties, but proves to me that he has a lot of talent. He knows how to tell a good story, obviously. His real genius with Breaking Bad is in how he draws characters, especially television characters. On TV, people don’t really change. There is an illusion of change, but very little actually occurs.

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Fallout (2011)

Posted on April 10, 2014 by Felix Vasquez

I’m not entirely sure what “Fall Out” was aiming for from minute one. All I know is that director Derek Dubois keeps the audience in the dark, providing a narrative that’s about eighty percent ambiguous. And I was okay with that. If you can’t really offer a larger exploration of the world you’ve built, especially considering when it’s set during the apocalypse, the best thing to do is focus on getting us to know the characters in this situation, and director Dubois accomplishes that in spades.

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The Hobbit: The Desolation of Smaug (2013) (Blu-ray/DVD/Digital HD UltraViolet)

Posted on April 8, 2014 by Felix Vasquez

It dawned upon me watching the opening of “The Desolation of Smaug”: Did we really need the first movie? The entirety of the first film is so based on propping up storylines that “The Desolation of Smaug” wastes no time and drops in to the action. We could have just featured thirty minutes establishing the journey and cut to the opening scene. In “The Desolation of Smaug,” the writers provide a prologue where Gandalf meets Thorin in a pub and asks him to lead the journey. They proclaim they need a “burglar,” and cut to Bilbo Baggins in action. So, what was the point of the first movie? The opening shot of Bilbo hiding in the rocks with his allies speaks sounds more than the entire director’s cut of “An Unexpected Journey” could.

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