Iron City Chronicles: Bitter Heart (2015)

Posted on July 12, 2016 by Felix Vasquez

NOW SEEKING FUNDING ON KICKSTARTER – It’s a real testament to Jason Turner’s talent that he’s able to pull off such a unique neo-noir with such a low budget. “Bitter Heart” is kind of a sequel to the original adventures of robotic private investigator Iron Joe. After being plagued with nightmares of a lost love, Joe is contacted by his ex-colleagues from Iron City’s police force when a young man is mysteriously assassinated. Linking evidence on the scene to a specific culprit, Iron Joe goes looking for the minds behind the murder and runs afoul a lot of interesting thugs willing to protect some secrets.

In particular, Iron Joe is on the track of a lead named Stoker, who is a CEO of Teknika, a corporation responsible for the robotic augmentations in the entire city. What link this assassination has with Stoker remains wholly ambiguous, but it’s intriguing to see how far Iron Joe is willing to go to take aim at corruption in the city. With some neat special effects both CGI and traditional, Turner unleashes this bold and unique wasteland where Iron Joe has somewhat bitten off more than he can chew with his assistant J.E.S.S. I hope we get to see how Iron Joe fares in the future, as “Bitter Heart” is a wicked prologue to an epic crime thriller.

Batman v Superman: Dawn of Justice (2016): Ultimate Edition [Blu-Ray/DVD/Digital]

Posted on July 12, 2016 by Felix Vasquez

From the man who gave us such rousing successes as “Sucker Punch” comes a new vision of Batman and Superman that’s pitch black, violent, and painfully stupid. Zack Snyder is a man with so much admiration for Alan Moore and Frank Miller, he spends the majority of “Batman v Superman” ripping them off wholesale. Snyder’s film is such a botched job he works in reverse, and takes the time out to deconstruct his vision of the iconic superheroes we haven’t even gotten to know yet. But hey, at least we get to see Bruce Wayne’s parents murdered in an alleyway once again. To make matters worse, the film is long, overstuffed, and painfully boring.

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Sentinel (2015)

Posted on July 12, 2016 by Felix Vasquez

NOW SEEKING FUNDING ON KICKSTARTER – Jason Turner’s “Sentinel” reminds me a lot of the Harry Canyon segment from “Heavy Metal” except so much more of a neo-noir cyberpunk love letter than the former. Presented as a motion comic, Jason Turner plays Ex-Cop Alex Calibourne, a man with enhanced body augmentations that lives in a crime ridden albeit futuristic city named Iron City. Calibourne lives and breathes by his robotic enhancements, and uses his artificial intelligence J.E.S.S., a sassy female AI, to guide him through his adventures in the underworld.

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Tickled (2016)

Posted on July 11, 2016 by Felix Vasquez

It’s almost like something out of a Creepypasta, a documentary filmmaker who comes across a fetish video of men tickling one an other for sport, learns there is a deeper and more sinister tale behind it. He then risks all to throw down the veil behind a seemingly large web of scandal and dark shadowy figures. Rest assured the unusual and eerie events that occur in Dave Farrier and Dylan Reeve’s “Tickled” are very real and unfold in a bizarre and eerie experience. Much like “Catfish,” this documentary feature explores one facet of a story and completely transforms in to something so much more enigmatic and mysterious.

And even potentially life threatening, once our filmmakers find themselves incapable of turning back from the hole they’ve begun digging in to a darker side of humanity and the internet. “Tickled” follows Dave Farrier as he stumbles upon a seemingly odd fetish video involving young men tickling one another strapped down on to tables. What Dave learns is that there is an actual sport called endurance tickling. Confused and slightly fascinated, Dave makes it a point of contacting the founders of the sport, only to learn that they greet him quite aggressively with homophobic slander and slurs.

Despite the initial correspondence confrontation, Dave continues digging in to the topic of Endurance tickling and falls out of favor with two conductors of the sport. After inviting them to New Zealand for interviews, they greet him with immense anger and aggression prompting a storm of legal threats, potential lawsuits and the promise of his career ending should he pursue the topic further. Shocked at how dark the initial search for a film subject has taken, Dave and Dylan challenge any threats at their professional career and begins to dig ever deeper and more thoroughly.

What’s so compelling about “Tickled” is not the world Dave Farrier uncovers, but the legal threats lobbied against him that most certainly can destroy his career and livelihood if he doesn’t walk on egg shells. The sad fact behind the documentary is the very absolute idea that the law is on the side of the folks that Farrier investigates, no matter how much deception and scandal he unearths. “Tickled” is a fascinating and entertaining documentary that spirals in to a rabbit hole of a shady subculture, online harassment, and the destruction of many lives all of which are met with the clicking of a mouse. There certainly won’t be another documentary like “Tickled” released in 2016.

Now in Theaters in Limited Release.

Slasher: Season One [Blu-Ray]

Posted on July 11, 2016 by Felix Vasquez

When last we saw Katie McGrath, she was suffering a cruel and unnecessary death in “Jurassic World,” and has now entered the sub-genre of the slasher film. A skosh more entertaining and engrossing than “Scream,” Chiller TV’s “Slasher” is a very entertaining, and tense slasher film that mixes in elements of a murder mystery in the process. I had no expectations for “Slasher,” and surely enough it won me over after two episodes, working within the confines of the slasher sub-genre, while also side stepping some of the more common clichés here and there. Much like “Scream,” main character Sarah comes from a small town where everyone has skeletons in their closets.

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On the Beach (1959)

Posted on July 8, 2016 by Felix Vasquez

“On the Beach” is not so much about the end of the world, as it is about a large group of people who have to come to terms with the fact that they will die very soon. As most of the world has been destroyed by nuclear radiation, survivors have huddled in a small town in Australia far away from the fallout. But they soon learn it’s headed their way thanks to wind currents, and there’s no stopping it. We then view the requiem of mankind, as government officials continue to struggle to find a way to solve the problem, and then face that there’s simply no solution.

From there on, we follow a small group or characters that have managed to find a temporary safe haven from the radiation and rather than submit to panic and terror, they use their last days of sealing old scars, confronting old conflicts, and saying goodbye to the ones they love dear. Among a brilliant cast of performers like Gregory Peck, Ava Gardner, Fred Astaire, Anthony Perkins, Donna Anderson, and more, Kramer visits various ideas about life’s regrets and unfulfilled potential we never reach thanks to death.

Most tragic of the dilemmas involves Peter Holmes who has a beautiful newborn daughter, and knows that she won’t be able to see it through a year. He and his wife Mary are constantly embroiled in the lingering reminder of apparent death, while Mary is in pure denial and is certain all is not lost, especially when a crew journeys into the city in a submarine to answer the Morse code SOS from an apparent survivor. The most interesting element of “On the Beach” is the idea of the inevitability of death, and how one must accept it as a phase of life whether it approaches sooner or later.

“On the Beach” is one of the few thrillers that never attempts to sugar coat what is inescapable, and Stanley Kramer further induces that theme as he features desolate cityscapes of the highly radiated San Diego void of any human life or corpses, as well as droves of people lining up at hospitals to receive their cyanide pills. Even moments of happiness like fishing and romance are blanketed with sheer dread. Director Kramer’s drama is a bleak and heart wrenching tale of the end of the world, and a beautiful masterpiece about humanity’s last days for better and for worse.

Sinister Squad (2016)

Posted on July 8, 2016 by Felix Vasquez

Once again The Asylum tip toes all the way to the finish line to avoid copyright infringement, offering up their own third hand version of “Suicide Squad.” Relying heavily on public domain characters and concepts, “Sinister Squad” isn’t your usual terrible Asylum fare. It’s more lackluster and tedious with a lot of the cast seemingly pushed in to mirroring the personalities they saw in trailers for “Suicide Squad.”

So star Johnny Rey Diaz is so not the Joker as a green haired maniac with odd teeth named Rumplestiltskin, while Talia A. Davis is so not Harley Quinn, as the mad red queen who is hopelessly in love with Rumplestiltskin. These stock fairy tale villains are assembled by Alice (a very fetching Christina Licciardi) who is left with no choice to call upon these baddies when their own Carabosse, who is so not Enchantress, breaks out to enact her own evil scheme. She plans to unleash the evil Death (can’t copyright Death), who with his cult, wants to either dominate the world, or garner a final form on Earth to rule over the realm.

It’s never clear what Death intends to do with Carabosse working with him, nor is there a whole lot of explanation as to where a piece of Alice’s looking glass factors in. Either way, like most Asylum productions, “Sinister Squad” is set in one place, primarily Asylum’s studios, where the entirety of the movie unfolds. Every action scene, dramatic confrontation, fight sequence, shoot out, and magic battle ensues within the corridors of the warehouses owned by Asylum, adding to the bargain basement aesthetic the film tries to side step so eagerly.

Aside from Licciardi, the only cast member who really rises above the tedium is Nick Principe who has a good time adding some variety to such a broadly sketched character, and tries to turn the generally boring villain in to a memorable nemesis. “Sinister Squad” is yet another knock off from The Asylum hoping to make some quick cash from easily confused foreigners, and relatives looking for a cheap present on the way to a third cousin’s birthday party. Only the morbidly curious need apply.

Now available on VOD.