Karma is a bitch and many times the manifestation of payback can provide some truly blood drenched results. “KillerKiller” is not a horror film that started off on the right foot with me. The audio was pretty crummy and the story began like a typical slasher film, but as the story progressed, “KillerKiller” won me over. Not only is it a great little horror film, it’s a great survival film, and a very good branch off the “strangers in a house” sub-genre tree that soon becomes a fascinating glimpse at predator and prey formulas. In Higgins’ slasher mystery, the victim is the murderer and soon the killers will make for the body count. A horror movie of this gamut with such a low budget would usually fall flat on its head, but thankfully it doesn’t.
Category Archives: Halloween Horror Month
City of Rott (2006)
Don’t be fooled, its goofy animation isn’t a sign that it’s for kids. This is strictly an adult affair, folks. Imagine “South Park” played with a straight face, imagine Romero’s “Dead” films without a plot, and you’ll get Frank Sudol’s “City of Rott.” An old man is the basic hero for Sudol’s zombie epic in which a new toxin discovered in water creates a citywide epidemic of flesh eating zombies that are rotting from the inside out. Armed with only a walker, which is his best friend, his means of conveyance, and his weapon, he looks around for some new loafers to help his ailing feet, but he can’t stop running into those stupid zombies, and the parasites that leak from the bodies when destroyed.
Masters of Horror: The Damned Thing
What do you know, after a long break, “Masters of Horror” returns. With a season of ups and downs, and mostly downs, the premiere is backed by the one and only Tobe Hooper whose last entry “Dance of the Dead” left much to be desired in terms of intelligence, coherency, and all around entertainment value. “Masters of Horror” was a season of safe scares, and that’s a shame. Is this season premiere any better? Yes. Yes it really is. “The Damned Thing” has everything that was missing from the first season. There is a substantial amount of engrossing story, wonderful characterization, a stern tone, and cogent direction a la Hooper who rebounds from the abysmal “Dance of the Dead.” After his father goes on a violent fit of rage suddenly, killing his mother on his birthday, Kevin Reddle, now a sheriff, is preparing for “the damned thing” to come, but how prepared is he?
The Initiation of Sarah (2006)
ABC Family’s “The Initiation of Sarah” isn’t an awful quasi-horror film, it’s just incredibly weak and bland. It’s never intentionally a very weak film, it’s just so lost in its own attempts to mimic a certain show about yakking women that it can’t find its own niche. What do you expect from a movie whose heroine has sex to prevent from being sacrificed as a virgin? “The Initiation of Sarah” is like a harder edged “Sabrina,” it’s a PG-13 “Suspiria,” and while that’s not always a bad thing, it’s just never interesting enough to warrant my full attention.
Feast (2005)
So, after an okay last season of “Project Greenlight” with Cleftatron Affleck, and Dimples Damon you probably wonder: “Did they actually spit a good movie from this show?” Well, I’ll say this: Even the goose shits a few times before laying a golden egg, and “Feast” is shockingly the golden egg after the two previous shits that were “The Battle of Shaker Heights” and “Stolen Summer.” Shocked? I still am. A group of strangers, the middle of nowhere, a rundown bar, a grizzled bartender, and an ass load of monsters. Sound familiar to you, doesn’t it?
Going to Pieces: The Rise and Fall of the Slasher Film (2006)
For me, “Going to Pieces” was like a wet dream, it was a pastiche of all the aspect of horror that I love and hate, and for ninety minutes, I was enjoying the hell out of myself. It’s true, the horror genre, and horror fans get a bad rap, and both are often demonized by the religious, the media, and any self-righteous parent with a desire to be a celebrity, and “Going to Pieces,” tackles those aspects of the genre along with paying homage to the sub-genre I hold dear to my ripped heart.
Rest Stop (2006)
A cell phone that isn’t working, a gritty rest stop, no phone in sight, a bitchy wife, an inept husband, a mysterious man behind the wheel of a car, and a lot of screaming. Well, now that we have all the clichés in order, let’s make a movie! “Rest Stop” wants to be “Wolf Creek,” it wishes it were “The Hitcher,” it vies to be “Duel,” but in reality it’s not even as good as “Joy Ride.” If this is what we’re getting from direct to video, I’m shocked that I’m still a horror fan. “Rest Stop” is a sloppy hackneyed piece of dribble that derives much of its plot from different survivalist horror films only to be called a survivalist horror film.