Addams Family Values (1993)

With the success of the first installment of the nineties “Addams Family” (however minimal), a sequel was only inevitable. The follow up is a turning point for the movies where the writers put the more popular side characters in to the forefront. This time around Fester and the kids get so much more focus, as Barry Sonnenfeld allows Fester more of the spotlight this time around. After the big reveal in the first film, Morticia and Gomez have a baby boy and much to their disappointment, Wednesday and Pugsley hate him. Despite making their feelings quite apparent, they persist in trying to kill their new baby brother, causing more headaches for their parents.

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The Addams Family (1991)

Among some of the best adaptations during the odd period in the nineties where every studio was putting sixties shows to film, “The Addams Family” is one of the best. While this isn’t the first time we’ve seen the Addams Family together again after the cult series, Barry Sonnenfeld offers up a unique retelling of the Addams Family that works well. The biggest change to the lore is now Uncle Fester is no longer Morticia’s uncle but an Addams’ and Gomez’s brother. This allows the writers to offer up a pretty fun and unique re-visiting of the family where the primary brood is played by some brilliant actors.

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Halloween with the New Addams Family (1977)

A lot of what makes Addams Family such a fun series is the darkly comic and sinister tone and great sense of Goth that comes with it. It’s not often I say this but watching the rare 1977 movie is kind of a chore to sit through, and you can sense it’s not a good movie at all once you gander at the grainy video and lack of production quality. This attempt at a series revival is a “feature length” television movie that is supposed to set off the new Addams Family. For some reason this is a reboot with the entire cast from the original series all over again, right down to an adult Wednesday and Pugsley. “Halloween with the Addams Family” isn’t just abysmal, but it’s boring, and painfully silly.

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Tim Burton’s Corpse Bride (2005)

corpsebrideI respect Tim Burton’s legacy a lot and I admire what he was going for with “The Corpse Bride.” Not a lot of mainstream directors aspire to deliver movies that are more bent toward the Gothic sensibility with homages to folks like Edward Gory. Burton is a man who clearly has a love for the style, and I love it as well. Sadly, “The Corpse Bride” is a weaker approach toward the stop motion animation that Burton was mostly known for with “The Nightmare Before Christmas” for a long time. The aforementioned film is so much more charismatic and entertaining than “The Corpse Bride” in the end. Granted it’s not an awful movie, but it just feels like Burton is trying to recapture the brilliance of “The Nightmare Before Christmas.”

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The Book of Life (2014)

bookoflife“The Day of the Dead” is such a fascinating holiday filled with so much interesting lore, that there’s a lot more material left for five more animated films of this ilk. Jorge Gutierrez has spent a long time trying to expose audiences to Latin and Hispanic heroes and complex characters, and with “The Book of Life” he succeeds yet again. “The Book of Life” is a wonderful animated romance in the vein of the classic Disney films, but it’s also a respectful tale set amidst the backdrop of the Day of the Dead. A group of rowdy grade schoolers are in for a unique field trip when they’re taken in to a museum by a mysterious tour guide who relays to them an epic story of love, life, and death. Set in the Mexican town of San Angel, we meet three childhood friends Manolo, Maria, and Joaquin, all of whom have spent enormous amounts of time together and are facing adulthood with pressures to grow up and realize their potential.

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Nightmare Sisters (1987) [Blu-Ray/DVD]

nightmaresistersDavid Decoteau’s “Nightmare Sisters” is the result of economic independent horror filmmaking and one of the finer artifacts of eighties horror sleaze. It three of the most iconic scream queens in movie history working together to dole out the best comedy that they can. “Nightmare Sisters” is a silly and often weird horror film that is oddly bloodless, considering it spends a shocking amount of time setting up the fact that our trio of lusty protagonists becomes man eating succubi. In either case, “Nightmare Sisters” is a kitschy bit of eighties exploitation that garners a unique history behind with DeCoteau using the remaining funds for “Sorority Babes in the Slimeball Bowl O Rama” to complete this movie. That’s just economic and smart thinking.

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Last Girl Standing (2015)

last-girl-standingIn writer/director Benjamin R. Moody’s film, the lead character is one hell of a fighter, but her trauma may be having the best of her as she sees signs of her attacker throughout her life and can’t quite let go.  Camryn, the only survivor of a massacre in the woods is trying to live with PTSD and survivor’s guilt.  As she is taken in by a new group of friends, the killer from her past may be haunting her. The lead character he creates here is a strong young woman but she does not have much of a back story outside of being the only survivor from a massacre during a camping trip to the woods.  The other characters, her new friend and potential love interest Nick and his roommates have more set up than she does almost.  They are presented and explained quickly but it gives them connections and personalities.

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