Glenn Morgan’s remake of the Bob Clark 1974 slasher film is one of most preposterous, blatantly awful films I’ve seen in the last two years. As a remake and as its own film, it’s awful. Director-Writer Morgan seems to aim for the exact opposite effect the original established, and does so through often hilarious methods of murders, and vague characterization. All the characters are loud, one-dimensional, and despicable, none of the actors give stand out performances, there’s an awfully predictable plot twist involving our killer, gross out gore for the sake of gross out gore. Of course, Billy uses every element of Christmas as a method of murder for his victims.
Category Archives: Halloween Horror Month
Supernatural Horrors Shorts Block Part 1 [Horrible Imaginings Film Festival 2016]
Mona (Kosovo) (2016)
This interpretive dance short by Lorena Sopi is a beautiful haunting piece about a dance reflecting on life and the accident that changed it. This short has fantastic, dreamy lighting and makes good use of Christmas lights and snow fall. The acting is soft and appropriate while the dancing is fascinating to watch.
Bad Blood: The Movie (2016) [Philadelphia Unnamed Film Festival 2016]
In a small town, a girl gets attacked by something near a gas station. The station attendant saves her life and explains her new situation to her, leaving out crucial details. Writer/director Tim Reis takes the usual werewolf tropes and applies them to an amphibious being which turns things on their heads a bit. His film is semi-serious and has plenty fun in store for fans of slightly over the top horror. His characters are fairly typical but this does not take away from the fun. This is not a film made to make you think a ton or to be philosophical, it’s made for entertainment and it does that very well. The films premise is fairly simple but it works and the characters involved work in an odd group of people forced together.
Human Killers and Psychological Terrors Shorts Block Part 1 [Horrible Imaginings Film Festival 2016]
Dante’s Penance (Music Video) (USA) (2016)
A rap music video showing a man ready to commit murder for a beautiful woman based on the 9 circles of Hell, this video written and directed by Dante Moran who also did the cinematography, editing, casting, was a part of the effects team, etc is a visually interesting but its story feels as though it’s part of something else, something as of yet incomplete. The cast led by Thomas Gunter gives decent performances and the effects look good. It will be interesting to see how it ties into the bigger Penance project.
Glen or the Bride of the Night of the Plan 9 from Outer Space (2015)
The winner of the Best Picture Award at this year’s New England Underground Film Festival, this amusing 25-minute from filmmaker Jesse Berger slices and dices scenes and dialogue from four anti-classics from the notorious Edward D. Wood Jr. – “Glen or Glenda?”, “Bride of the Monster,” “Plan 9 from Outer Space” and “Night of the Ghouls” – into a wonderfully warped blend of lunacy that perfectly captures the inane spirit of Wood’s work in a fraction of their running time.
Yo-Kai Watch: The Movie Event (2016)
After storming the box office in its native Japan, “Yo-Kai Watch: The Movie” comes to America in a very limited run for hardcore fans of multimedia series. If you haven’t had enough of the TV series, the video games, and the toy line, fans will get to watch the big screen adventure of hero Nate, and his friends, the Yo-Kai. For those unaware, Yo-Kai are spirits in Japan that can be good or evil. Nate has a magical Yo-Kai watch that allows him to summon, catch, and catalogue the various Yo-Kai. And they’re a massive variety that stem from nature, the city, and literally anywhere else.
The Mask (1994)
Based on the ultra-violent underground comic book of the same name, “The Mask” is a perfect vehicle for Jim Carrey at the peak of his career. In 1994, star Jim Carrey was capable of being in anything he wanted, and “The Mask” propelled him in to the image of an actor who could transform in to a living cartoon. “The Mask” is not at all faithful to the source material, aiming more toward the PG crowd, while dropping enough adult overtones to appeal to a broader audience. Much in the way Looney Tunes and MGM cartoon shorts once did. Carrey plays Stanley Ipkiss, a normal banker who lives alone with his dog Milo and disappears in to his love for classic cartoons on his spare time. After a bad night at a local night club, he finds a mysterious mask floating in the ocean and takes it home.
