There’s a horror sequel to “Bring it On.” Repeat: There is a horror sequel (part seven!) to “Bring it On.” The cheerleading sports teen comedy that birthed a series of cheerleading sports teen comedies actually has a sequel that is a full on horror movie. That’s kind of like a sequel to “Mission Impossible” that’s a full on slasher film or something. It’s kind of amazing. It’s too bad “Cheer or Die” just isn’t.
Category Archives: Movie Reviews
Hellraiser (2022)
It takes a lot for me to invest in a new “Hellraiser” movie as they’ve all but quit trying to give us anything new or interesting. Thankfully director David Bruckner is up to the task of offering not just a new story but a new take on the Cenobites. Despite the troubling title (This “Hellraiser” is not so much a remake, or sequel, but kind of a reboot…?), David Bruckner’s “Hellraiser” film is really quite good. It’s dripping in suspense and terror, and finally brings some mystique to the Cenobites once again. The Cenobites are pure terror on two legs with “Hellraiser” and Bruckner doles out some twisted machinations of the Lament Configuration.
Hellraiser: Judgment (2018)
Allegedly Gary J. Tunnicliffe originally drew up a script for a “Hellraiser” movie which he then retooled in to an indie horror film after it was rejected. Later his concept was reworked in to a “Hellraiser” movie as a means of keeping the series in motion. Without the bits about the Cenobites, “Judgment” feels like a cheap “Seven” knock off about a serial killer that weaponizes the ten commandments instead of the seven deadly sins. It feels like a movie that was made in 2002 with choppy editing and murky directing that made it feel like a music video for Evanescence or System of a Down.
Hellraiser (1987) [LA&M Film Fetish Forum]
“What is your pleasure, sir?”
Clive Barker’s “Hellraiser” is a purely body horror tale about hedonism in its purest and most raw essence. Even today it’s a very erotic, but gruesome tale about the pursuit of pleasures of the flesh and how it links to a breed of entities that may or may not be pure evil. “Demons to some, Angels to others” Pinhead (technically named “Hellpriest”) proclaims is a representation of the how the cenobites reach deep down in to the pits of sexuality and kink. And no human can ever really be prepared to see what the practices of this otherworld army has in store for them.
Totally Killer (2023)
A lot of modern directors are cultivating a formula of taking classic eighties and nineties movies and giving them a clever horror twist. While many have likened “Totally Killer” to “The Final Girls,” I’m more prone to consider “Totally Killer” a horror twist on “Back to the Future.” It’s very much a nod to Robert Zemeckis’ film right down to the similar finale. The way director Nahnatchka Khan stages her horror comedy is so much in the vein of the classic film, but that thankfully doesn’t hinder the experience.
The Haunted Pumpkin of Sleepy Hollow (2002)
I always get a kick out of Washington Irving’s story of Ichabod Crane and the Headless Horseman. And I always get a kick out of movies that put a little twist on the formula. “The Haunted Pumpkin” is a short but sweet Halloween tale that takes the whole Headless Horseman story and brings it in to the modern age; the animators and writers insert a little bit of hijinks, and some comedy in what is basically embracing the tale of the Headless Horseman to an effective degree.
Spirit Halloween: The Movie (2022)
It truly pains me to see that “Spirit Halloween: The Movie” is a genuinely terrible movie, in spite of its best intentions. I love “Spirit Halloween,” I love the whole spirit of their stores, and their charity work, but “The Movie” is a misfire on all cylinders. It’s a boring, poorly concocted adventure film that, shocking enough, doesn’t know how to utilize the Spirit Halloween setting all that well at all. The best way to describe “Spirit Halloween: The Movie” is that, at best, it feels like mid-tier straight to video fodder from Charles Band circa 1994. Even the script feels retro-fitted from probably a screenplay that was finished in the late 90’s.