Billed as the “first million-dollar movie” when it was released in 1922, Erich von Stroheim’s “Foolish Wives” is a film whose reputation is greater than its contents.
Stroheim stars as a grifter who pretends to be a Russian count – a pair of his ex-lovers masquerade as his cousins, also putting on the fraudulent personas of being aristocrats of the tsarist orbit. They live a precarious existence in Monte Carlo, paying their mounting bills with counterfeit money while staking out rich suckers for extortion. The “count” finds his latest mark in the young and naïve wife of a newly-arrived American diplomat – but he overplays his hand when he juggles his chicanery with lascivious recklessness involving the affections of a chambermaid and the mentally retarded teenage daughter of his counterfeit money provider.





