The Artist (2011)

Yes, we’ve all heard it already. It didn’t deserve to win Best Picture. It didn’t deserve all of its accolades. Now go away and tell us about how you don’t care about the Oscars, hypocrite. Now that we’ve gotten past the whining, “The Artist” is a film that is generally one of the finest films of 2011. It was a year of utterly underwhelming pictures, and “The Artist” took the accolades left and right because it was and still is a deserving ode to the era of cinema that left many actors out in the cold once sound was introduced to an eager audience. Even as a silent picture it works in developing rich and empathetic characters along with a truly sweet and heart warming story about friendship and love and remembering those who helped you rise to stardom.

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Arachnoquake (2012)

If you’re one who is thinking “Arachnoquake? That sounds stupid,” then congratulations on displaying wisdom well beyond your years. “Arachnoquake” is a movie that sounds good on page, but when you see it, there’s just so much to hate about it that you can’t even take it at face value as a movie intended on being so bad it’s good. The movie is painfully self-aware to the point where you almost expect a laugh track to follow the “gags” staged. Meanwhile the writer behind the film is well beyond in over his head providing a three pronged story that jumps from sub-plot to sub-plot without resolving either, all the while ripping off films like “Jeepers Creepers 2,” “Children of Men,” “Deep Blue Sea,” “The Mist,” and “Piranha.” There are so much plot elements staged that are never touched upon or resolved, you could list them all in a whole review.

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Rhino (2012)

“Rhino” is an immense departure from director Patrick Rea’s norms in the film world. Typically Rea is more prone to delivering more darkly comic or horrific films that are often quite excellent. So it’s rather jarring to see Mr. Rea tackle what is possibly one of the best crime dramas I’ve seen in recent memory.

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21 Jump Street (2012)

When all is said and done “21 Jump Street” completely bastardizes the original television series from the eighties. The original show was a dramatic and controversial series that took painstaking turns in to very taboo subjects in America and was the stepping point for Johnny Depp. No one shares that frustration more than I do. But surprisingly enough “21 Jump Street” is still a fun and absolutely entertaining action comedy that is about as close to an American version of “Hot Fuzz” as you can get. While it does use the “21 Jump Street” model to get the premise rolling, it doesn’t really spoof or satirize the show. There’s no one mocking Johnny Depp, or Dustin Nguyen, nor is anyone mocking major episodes of the series. The directors do pay homage to the show with their own nods to the series, but it doesn’t lampoon the show so much as use the framework to tell a new story. A new story that’s incidentally based around a more comic tone.

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Yellow Submarine [Blu-ray] (1968)

“A Hard Day’s Night” is essentially the film debut of the Beatles and celebrates everything fun and creative about them. The film is meant to be an entertaining and care free romp through the lives of history’s most popular music group and the earthquake they caused when they stormed the music world. For fans of the Beatles who stuck it out with them through the period of re-invention and discovery of their musical and creative limits, “Yellow Submarine” is a film worth watching.

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88:88 (2011)

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Many directors think that in order to lure in audiences, they have to have a pay off that reveals their menacing villain in their film. Whether it’s a short or a feature length film, they’re not often concerned with leaving things up to the imagination. The fact that “88:88” was filmed around a very small budget with only two set pieces, benefits the overall creative work to display a film and a premise that’s both terrifying and awe inspiring. Thankfully “88:88” doesn’t crowd the film with a lot of dialogue, nor does it need to explain everything that’s happened.

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The Gate (2011)

the-gate-0021Director Matt Westrup is the latest indie success story as his 2011 directed short film “The Gate” is being turned in to a feature length film by Wayfare studios. As a short film it’s a product of a premise that definitely could benefit from a feature length treatment, because Westrup inadvertently serves up so much story for us and throws so many questions in the air, that eleven minutes just isn’t enough to keep us satisfied.

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