Anna Sophia Robb and Josh Hutcherson give strong performances as the two heroes of the tale who find connection with one another in a school that’s basically locked them out socially. Jess is a bullied outcast, and Leslie is a free spirited thinker who is instantly a target for bullying once she displays individual thought. The performances from the child actors had me at attention and they both deliver their characters with great talent. Hutcherson’s take on the conflicted and neglected artist is often times heart wrenching, while Leslie is an quickly sympathetic heroine who we want to see more of as the time goes on her. Robb has a wide-eyed innocence about her that makes her the perfect compliment to the principle cast.
Category Archives: Movie Reviews
Cloverfield (2008)
We live in an age where we’re always watching someone. Cameras watch us, guards watch the cameras, surveillance videos keep an eye on potential criminals, we watch people on web cams, we pay to watch women undress for us, we peer into celebrities’ lives through tabloids and candid cameras, we watch reality shows built around surveillance cameras and hidden video, and we’re constantly being watched by our government who keep us monitored and at close range, so it was only natural that horror movies would grow to reflect that. “Cloverfield” is one in the “Blair Witch” formula that doesn’t try to give us a film, but more purports to give us actual home videos through the eyes of average upper class New Yorkers and keep us watching through a camera lens. Through this camera, we are the voyeurs.
Repo! The Genetic Opera (2008)
In the end I felt nothing watching “Repo!” Did I hate it? No. Did I loved it? Sometimes, only sometimes and this thanks to the performances by the cast of little known or breakthrough performers who help to tell the story of a society where kidneys are a business and one boss Ritto wants to flourish. This is an age where musicals are now the basic norm and have been raking in the bucks. It’s just sad that a musical that pitches to every audience, we horror fans aren’t included. There are even thick operatic tones thanks to the dulcet tones of Paul Sorvino; it’s a grab bag for the whole lot.
White Noise 2: The Light (2007) (DVD)
I always say that if you’re going to derive from another better and well established concept, you’d better sure as hell do it well. Or do it to the point well it feels unique. The sequel to “White Noise” is a bonafide take on my favorite “Twilight Zone” episode of all time, “The Purple Testament.” Except this time it’s updated to a man who has a Near Death Experience after attempting suicide. When he returns from the dead, he can see white auras around people who are about to die. As well he can also hear EVP’s, and see transmissions of the dead on televisions, and he’s really about to experience something he never thought was possible. “White Noise 2” is by all accounts a superior film to the original, and that’s odd considering the original had so much potential, while this sequel had the odds stacked against it.
Anita: Swedish Nymphet (1973)
When you get right down to it, sure, “Anita” is sexploitation, and sure in many occasions it can be pure smut, but, and this is a giant but: “Anita” can also be quite entertaining. Very much in the vein of films like “Black Snake Moan,” Wickman’s drama porn is not just a display for Christina Lindberg and her gorgeous physique, it’s an interesting study in the habits of nymphomaniacs, and the misery that can arise from sex and sexual acts when it’s made out of sheer impulse and not pleasure. Sixteen year old Anita is a girl with so much psychosis that she’s hopelessly addicted to sex and really has no grasp on restraint or discretion when it comes to getting what she wants.
There Will Be Blood (2007)
My expectations were too high. My anticipation worked against me. It was too exclusive. Whatever the excuse or reason, “There Will Be Blood” is not the best movie of 2007 as I’d hoped, but hell, it sure is a damn good piece of dramatic filmmaking that flexes every single muscle of raw acting talent from each of its cast members involved. “There Will Be Blood” is likened to masterpieces such as “Citizen Kane” and “Giant,” and in many ways Paul Thomas Anderson aims his film down those roads but ends up with his own masterpiece of a man’s rise to power, and fall into his own lust for greed, oil, and his amoral misdeeds in the process.
Robot Bastard! (2001)
Nothing pisses me off more than discovering a movie I find to be one of the most unique and original creation in years to discover that it’s actually pretty old and quite well known. Not only do I feel more out of the loop than ever, at that moment, but I also kick myself for not looking into independent short flicks better. Life dictates my internet usage, I’ve accepted it. Thanks to a happy accident, I discovered “Robot Bastard!” for the first time and couldn’t believe my eyes. Here was a movie that was so weird, and so unusual, and yet so funny, and so damn cool.