This year NBC networks released the news that with the parting of show writers Mindy Kaling (who is going on to head a soon to be cancelled FOX show), and B.J Novak were leaving one of the very few hit NBC sitcoms, the US adaptation of “The Office.” Due to their departures, the show’s stars desires to pursue other projects and their main star Steve Carrell moving on last year, NBC was heavily considering finally ending “The Office.” In its place would be a spin-off featuring the oddly popular supporting character Dwight in his own series. My response to that was: good riddance.
Fireball (2009)
When I read the premise for this and discovered Ian Somerhalder was starring I was a little excited. I mean Ian Somerhalder as a bad ass fire throwing villain could be excellent, especially considering he has a knack for playing sharp villains. But then I learned that he’s merely the protagonist and we’re instead given a bulky bald muscle bound man who can throw fire, and I just settled on Somerhalder playing the hero. Fair enough. In spite of being derivative and feeling like a glorified television pilot, “Fireball” is a pretty solid action thriller that teams up genre actress Lexa Doig and television mainstay Ian Somerhalder as law officials who have to chase around a fire controlling maniac through the country and find a way to stop his madness.
Primal (2010)
You would think a survivalist horror film about a group of campers fighting off monsters born from stagnant infected lake water would be material for a gripping and intense horror film. But you’d be wrong. In fact, most of “Primal” is quite tedious and rote. I wanted to be choked with tension throughout most of “Primal” and just found myself basically yawning and zoning out for the most part. I wish I could attribute it to being high, but I’m not one to get high. In either case, “Primal” is pretty derivative of Bava’s “Demons,” where anyone who ingests the tainted water find themselves transforming in to demonic beings in an instant.
The Cabin in the Woods (2012)
We’ve all seen it so many times that I kind of get angry when a filmmaker sends me their latest horror opus and it’s comprised of the same premise. A bunch of teenagers have commandeered a cabin in the woods for the weekend, and decide that they want to get away for a few days of beer drinking and misdeeds of the sexual nature. While there they discover that the cabin houses a bunch of secrets that could be their undoing. And it’s all being manipulated by a secret government lab hidden underneath the cabin, manipulating every single moment of their weekend like a game of chess. Ah, but that’s not the whole story.
The Girl and the Ghost (2012)
Destiny and the hope for something amazing after we die, play a heavy role in animator Jacob Drake’s short film “The Girl and the Ghost.” While the film is essentially a short tale about friendship and being there for someone at their darkest times, the film itself feels like a hope that we’re not finished once we’ve passed on. There must be something beyond this world. We can all hope for that. There’s nothing wrong with wanting to continue our journey. Fates collide one night when young Annabella refuses to sleep, convinced that evil monsters are in her closet.
Chronicles of the Dead [Web Series]
With the rise of the zombie sub-genre, every filmmaker and their brother have their own story to tell. With zombie media at an all time high in popularity, there are an abundance interesting approaches toward the zombie sub-genre. And unfortunately there are also countless forgettable attempts. Immediately, “Chronicles of the Dead” from 3N films is under pressure to perform outside the norm and offer a form of zombie fiction that is entertaining and unique. “Chronicles of the Dead” so far has potential in the range of tone, atmosphere, and direction, it just has to now step up its game and provide us with a story that we can get behind. With only episode one to judge on, the series can go anywhere at this point. We may end up with a web version of “The Walking Dead,” or we could end up with a web version of “Night of the Dead.”
Universal Classic Monsters: The Essential Collection [Blu-Ray]
As with all box sets, there will be controversy and debates among horror fans about what belongs in this set and what doesn’t. “The Bride of Frankenstein” is the only sequel, there’s a baffling inclusion of the Claude Rains “Phantom of the Opera.” And no “The Fly”?
In either case, included in a wonderful box set, with a copy of the 48-page booklet “The Original House of Horror,” and of course eight horror gems for fans of Universal Studios that completely changed the horror genre forever. Not to mention, they changed the way film was made, forever.
Dracula
(1931, 75 min.)
For me the main attraction of “Dracula” is the performance of Dwight Frye. While “Dracula” is a stellar and often compelling bit of vampire fantasy horror with the great Bela Lugosi offering the most iconic portrayal of the vampire lord, for me the performance that always stuck out was Dwight Frye. His turn as the assistant Renfield is magnificent and his devious laugh is just chilling.
This is a man who has lost all semblance of his persona to Dracula, and now just an animal. He’s mad, and he’s vicious. “Dracula” lives up to its reputation as an entertaining and whimsical bit of horror cinema with remarkable performances, and incredible set pieces, all of which marked a turn in the genre thanks to director and visionary Tod Browning. “Dracula” is where Bela Lugosi was at his all time greatest, and as the count, he drips magnetism, charisma, and threat of a century old monster desperate for blood shed and willing to destroy whom ever he feels stands in his way.