
My reaction to “God Bless America” came in three waves. 1. Wait, Bobcat Goldthwait makes films? 2. Wait, Bobcat Goldthwait makes great films? 3. Wait–Bobcat Goldthwait directed one of my favorite films of 2012?! Hot damn. “God Bless America” is one of the most vicious reflections of American pop culture I’ve ever seen. It’s a relentless, tasteless and violent look at one man’s response to the dying culture of America, and how we’ve so embraced idiocy and tailored rudeness in to a positive trait that it becomes only logical to snuff out those who impact it.


Director Travis Betz, if anything, tries for originality and for the most part achieves it. Though “Lo” strives for simplicity and a downbeat nature, it’s a rather spectacular feat to comprise an entire film and story, as well as a horrific world, around one setting and one room only. Comprised very much like a stage play, “Lo” begins as a creepy trip in to the supernatural, and ends as a tragic love tale. “Lo” is about a man who simply can’t let his loved one go, and the trip he takes to ensure that he can re-claim the one he lost a long time ago.


