I really hope Blue Collar Films manages to re-visit “Just About Famous” someday, because there is at least ninety minutes of entertaining material to be tapped from the lives of celebrity impersonators and their confrontations with people who are convinced they’re the iconic celebrities they resemble. However as a fourteen minute feature, “Just About Famous” is a hysterical and absolutely entertaining documentary about the lives of a small group of celebrity impersonators who resemble some of the most famous people in America, for better or for worse.
Almighty Thor (2011)
Never ones to be outdone by the big budget action spectacular that is “Thor,” The Asylum continues their tradition of finely timed mock busters releasing “Almighty Thor” for the masses and what a dilly of a pickle it is. As a production it’s quite a creative bit of wannabe big budget entertainment, but deep down it lacks all the basic necessities of filmmaking that include competent special effects and solid performances. The second best option to Anthony Hopkins, Kevin Nash for one, is hilarious as the father Odin, who can barely squeeze out a bit of dialogue without panting.
Ninjas vs. Vampires (2010)
Director-Writer Justin Timpane is back and he’s bringing fanged fucks with him in the sequel to his highly entertaining “Ninjas vs. Zombies.” Except this time he’s armed with a bigger budget and a cast with more acting abilities this go around. The versus titles are a niche in the Straight to DVD market, so Timpane is already ahead of the game with the sequel to his franchise which sees an innocent bystander fall to the clutches of a vampire attack only to be saved at the last minute by the Ninja clan who arrive in time to hunt the vamps, but not prevent our protagonist from becoming a vampire.
Ninjas vs. Zombies (2008)
I love how in the very middle of the film when hero Randall has lost all hope he’s greeted by the vision of a young girl who insists the only way to beat the zombies is ninjas. Almost as if that’s been the natural choice for every decision involving zombies in pop culture. Ninjas, duh! “Ninjas vs. Zombies” is the pop culture ode that I could definitely get behind. Sure it’s micro budget and lacking in solid performances, but it’s such an unabashed celebration of this ridiculous concept it’s tough not to enjoy. I’m not surprised there’s a follow-up on the way, that’s for sure.
Mother's Day (2010)
It baffles me hours after watching “Mother’s Day” as to why director Darren Lynn Bousman’s remake of the 1980 cult classic wasn’t seen fit for theatrical distribution. As a horror film and a thriller it’s a perfectly suitable splatter film for the for the gore soaked masses and a taut suspense film for folks in the mood for a teeth grinding picture that takes place during one night and involves criminals with no place else to go. What Darren Lynn Bousman has done is crafted a chaotic film so off the cuff, it’s basically “The Desperate Hours” with more splatter and less grace behind it. As a whole it’s not the most subtle picture Bousman’s ever done. This is the guy behind “Saw” for godsake.
Thor (2011)
Marvel’s Thor has always skidded on the edge of mainstream entertainment and literary fare. As a comic book series it’s always been one of the most sophisticated of the pantheon of characters, so not every fan has subscribed to what tale the god of thunder has told fans for decades. And even with big names leading the pack like Natalie Portman and Kenneth Branagh, “Thor” is a hard sell for fans of the superhero cinema who want their entertainment and battles here and now and have to wait for their meals.
Stake Land (2011)
“Stake Land” is that type of movie that many indie film fans will take a liking to, primarily since every frame glitters with a Sundance gloss that make it suitable for the independent niche that’s become so popular in 2011. Which is not at all a criticism, but the film often feels like it’s appealing mainly to the indie buffs before the horror fans and that may alienate movie geeks to some degree. “Stake Land” from Jim Mickle is yet another post apocalyptic nightmare from Hollywood that ponders on the question: What if vampires took over the world? Mickle paints this world in such a gritty disgusting zeal with blood soaked carnage and raving maniacal vampires, that it often feels like a sequel to “30 Days of Night.”