D.E.B.S. (2004)

DEBSI wasn’t expecting a masterpiece with “DEBS”, and when I was done, I received just what I was expecting. I’ve seen material that have spoofed the spy genre with women from “Charlie’s Angels” and “She-Spies”, and “DEBS” doesn’t stand out among the others. In spite of its homosexual twist, it’s still the same old trash we’re exposed to that attempts to be clever and tongue-in-cheek, when really it’s basically just tired and yawn-inducing.

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Hitch (2005)

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It’s a shame, Will Smith, with all his appeal, money, and clout in the business doesn’t take all he has and use it to do some good for film. Instead of working on cookie cutter romances, and boring action flicks, he could be out there changing how films are made. Yet, here he sits, on another cookie cutter romance that bears nothing resembling originality or innovation. Smith has taken his advantages and used it to have a career of mediocrity. “Hitch” another short title starring a playboy who helps people get in love, and even talks in to the camera with a smug smile in the tradition of films like “Alfie”. It’s hard to feel any sympathy or connection towards someone who’s so cocky and arrogant.

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Wolf Creek (2005)

wolf_creek_ver2“Based on True Events” does not mean “This is exactly what happened”, folks. “Based on True Events” means this is what happened in our eyes. Now, I bet you’re surprised that this hardcore horror fan, the one who loved an equally brutal horror film known as “Haute Tension” gave “Wolf Creek” such a low “undeserving” rating, eh? Well, trust me when I tell you this, I was disappointed myself. I’m crushed. But you’re saying “How the hell can you like Haute Tension and not like this?!” Well, firstly, what director and writer McLean does most of all is give us a ho-hum run of the mill slasher film that in every sense failed to impress me.

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Are We There Yet? (2005)

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Though, I can respect Mr. Cube for wanting to think outside the box, someone never told him that a disgruntled man around bratty kids is not. If Cube wanted to think outside the box, he should have thought in the lines of independent film, or documentary. But then, this is the man that starred in the “Friday” films, so it’s all relative. Cube who has his own production company has yet to turn out anything original and this is never really any different.

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Son of the Mask (2005)

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I kind of liked “The Mask”. I mean granted, it’s weak, but it’s fun, and for some odd reason we have the sequel and we’re forced to lay our eyes on: “Son of the Mask” based on the compiled works of Arthur Miller–just kidding. Yeah, you can pretty much guess where this lame-brained sequel is going, but I’ll spell it out for you because this plot is extremely esoteric. Yeah, I’m laughing too. Hey, I’m a big movie snob, and I admit it, but this goes beyond snobbery, this film (I use the term loosely) speaks to your common sense.

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Ringu (Ring) (1998)

japanring4Hideo Nakata influenced many a people, from the directors in Asia whom created all sorts of ghost films deriving from “Ringu’s” element with ghosts that are able to come in to our world through electronic devices, to what’s become the norm for Japanese ghosts: the pale girl with long damp black hair. I’m not as big a fan as others when it comes to Japanese horror, but I appreciate half of what we’re introduced to, and “Ringu” is one of those films I appreciate. I just had to see this, basically since I ended up really liking the remake, “The Ring”. Yes, I’m one of those few who enjoyed it. Either way, Nakata’s direction is something that I found to be the most impressive aspect of “Ringu” because the man knows how to mount tension and then alleviate it with a stunning shot to the arm that works.

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The Company (2003)

company-2I’ll admit, I approached “The Company” with a closed mind, I mean how interesting could it be to be a professional ballet dancer after all? When I was finished with this, I thought to myself “Boy, was I wrong!”. I mean, I’m a guy, I’ve never seen a ballet, I’ve never met a true ballet dancer, and ballet doesn’t appeal to me, so with Robert Altman’s newest docu-drama, I was hesitant and immensely scared that I was in for a two hour snooze fest, but I was proven wrong. If anything “The Company” shows how surprisingly physically demanding being a ballet dancer can be. Though it’s a pre-requisite with those who enter in to this world, it’s ballsy for the makers here to give the movie going audience a glance in to the world of ballet dancing.

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