Now that the gloves are off, FOX has managed to embrace the comic book universe tropes of “Gotham” and no longer have molded “Gotham” as an abysmal crime thriller. It’s now working as a somewhat new and radical take on the origin of Batman and Bruce Wayne’s molding in to the dark knight. The writers have taken even more liberties with the universe, centering so much more on Commissioner Gordon now and slowly sliding Bruce Wayne in to focus. The third seasons is a much lauded improvement over the former seasons for fans, as “Gotham” goes all out weird and eccentric, re-thinking the Batman universe and his origin in a new and often bold method.
The Lion King (1994): Signature Collection [Blu-ray/DVD/Digital]
“The Lion King” is still one of the most entertaining movie going experiences of my life and one of the most moving animated films I’ve ever seen. With the anticipation of the live action remake growing, Disney has granted fans a new release with their Signature Edition. This new edition packs in the DVD, a Digital copy, and of course the new Blu-Ray with changes that are interesting and more geared toward meticulous hardcore fans of the film more than anything. It’s certainly worth a double or triple dip, especially if it’s your favorite of the Disney animated library (and on your top ten), as it is mine.
Goon: Last of the Enforcers (2017)
The Bootleg Files: The Jerry Lewis MDA Telethon
BOOTLEG FILES 603: “The Jerry Lewis MDA Telethon” (a 1966-2010 annual televised fundraiser for the Muscular Dystrophy Association).
LAST SEEN: Bits and pieces can be found on YouTube and other video sites.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: No attempt was made to release the entire telethon broadcasts in their entirety for home entertainment viewing.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: None.
For many people, this week’s passing of Jerry Lewis was followed by commentary and articles on his classic films. But for my generation – those who grew up in the 1970s and early 1980s – the emotional connection to Lewis was less about his movies and more about the bizarre, elephantine mayhem that he unleashed annually on the American public over the Labor Day weekend that became known as the “Jerry Lewis MDA Telethon.” Never in the history of fundraising has a greater display of slapstick, vulgarity and pathos been slapped together around the personality of someone who was certainly the most brilliant egomaniac in show business.
Haskell (2017) [HollyShorts 2017]
Three moments from the life of a man who can manipulate time and how his ability is affecting him.
Written and directed by James Allen Smith, Haskell is a small part, or three small parts, of what feels like a much bigger story. The story deals with time and how it affects people, especially the man who can manipulate it and those around him. The story is one that is multi-layered and deals with plenty to become a full length feature easily. The way it’s written does make it feel like it’s a part of something much bigger and perhaps a proof of concept for a feature film. However, it does still work as a short where not everything is explained and the film works with some mysteries not explained.
Death Note (2017)
I’ve been a casual fan and observer of “Death Note” since the mid-aughts and have always been fascinated with its premise and the moral dilemmas it props up for the audience and its characters. It’s almost like “The Box” but with a hit of adrenaline and more complex ideas and philosophies. Director Adam Wingard adapts “Death Note” for a new audience, taking the material from Tsugumi Ohba and Takeshi Obata, and adding his own quirks, ideas, and dashes of dark comedy. What we get is a stark, entertaining horror movie that is very much a “Death Note” tale, but one that works in its own rhythm for a broader audience, without alienating the core fan base.
No Roads In (2017) [Oceanside International Film Festival 2017]
No Roads In is a music documentary but also one about how music can transform lives.
Written by Christopher Leeson and directed by Josh Wong, this documentary follows a band as they record an album in an abandoned home in the Canadian Prairies. One of them finds this place while driving and brings the rest back to record a more natural, organic album in terms of sound and how it comes to be. The film follows these men and looks into their lives through interviews and music. The men shown include Adam Naughler, Jon May, Blake Reid, Aaron Young, and Jason Valleau who all work on the album together and have their lives and hopes discussed by themselves and others.

