One aspect of “The ABC’s of Death” that many audiences will acknowledge. Even when it’s bad it’s really damn unique. “The ABC’s of Death” isn’t always a home run, and I will in no way consider it a masterpiece of modern cinema any time soon, but as an ambitious experience bold enough to include various themes that are normally considered in bad taste for mainstream cinema, I was fond of it. I appreciated its ambition. I respected its originality, and I really did love its sense of humor.
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Amour (2012)
Michael Haneke is an often bold and interesting director who never wants to pull back from the truly disgusting aspects of reality that can tarnish something fragile. “Love [Amour]” while being a sweet tale of two people hopelessly in love, is really a grueling look at life destroying a relationship. From minute one, the tale of Georges and Anne is a love that begins to rot slowly from the inside out.
Astron-6 (DVD)

So Astron-6 is the indie film group who directed one of the worst movies I saw in 2012, “Father’s Day.” My feelings for that film in particular have been made, so in the interest of being more constructive than mean spirited, I’ll simply judge “Astron-6” on their own merits. Drawing interest from Lloyd Kaufman and Troma Entertainment, Astron-6 were able to release a compilation of their short films on DVD in obvious celebration of their highly touted limited theatrical film “Father’s Day.” As a compilation it’s a mixed bag, and one from an obvious group of guys that want to entertain. They love the eighties so much that every single short in the film is either a grindhouse throwback or an eighties throwback. There’s not a lot of variety to their short comedy films, except for their willingness to show themselves bare chested most of the time, and their inability to deliver simple one liners most times.
Are All Men Pedophiles? (2012)

If director Jan-Willem Breure’s documentary “Are All Men Pedohiles?” ever gets a wider distribution deal, it definitely needs a new title. The title of the film posits the film as a thesis about the potential for all men to be pedophiles in the making. In reality, Breure’s film is really about pedophilia as a while and what it means to be one and to identify one. The title makes the assertion that it tackles the potential for all men to be pedophiles, when Breure interviews all kinds of subjects about pedophilia. He even interviews female pedophiles during the mid-point of the movie. So while the title does in a sense tackle the theory that any attraction to children can be deemed as pedophilia, Breure offers the example that men and women can be pedophiles and have sexual attraction to children of all ages, hence the title is really a misnomer of a sorts.
Arena (1989)

Charles Band’s “Arena” is a blast. And for a movie with such a small budget that is dated beyond belief, that’s quite an endorsement. There’s something about the imagination and creativity behind “Arena” that makes it such a treat to sit through. It’s such a simple and straight forward science fiction action film that it doesn’t even try for anything complicated or adult. If there’s ever a film that could use the remake treatment and become a fantastic action genre picture it’s this 1989 film from director Charles Band that sets down on an intergalactic wasteland where aliens do battle in a ring for sport and money amidst crowds of onlookers and fanatics.
The Art of "Rise of the Guardians" (The Art of Dreamworks) [Hardcover]
For aspiring animators and or fans of “Rise of the Guardians,” this hardcover look at the development of “Rise of the Guardians” from a series of eight young adult books that were compressed and transformed in to a marketable fantasy animated film will be thrilled to learn all the facets and elements of the film that were finely tuned and included to give the movie that extra dimension.
Though the film is primarily built around the belief in deities, the film implements a lot of international aspects that reflect belief including the Middle Eastern influence on the Tooth Fairy’s costume, as well as the Bunny’s giant egg sentinels, all of which were influenced by Eastern mythology. There’s also a detailed glimpse in to the creation of the realms for the guardians, including the small trinkets and interesting details added to certain background and environments, including North’s toy shop, and the detailing of his Yeti workers, all of whom were a fine addition to the story.
The American Scream (2012)

The common Christian stereotype is that Halloween is almost always celebrated by Pagans and Satanists, as well as people with a demented sense of reality. What the director of “The American Scream” Michael Stephenson accomplishes, is destroying such an antiquated cliche and explores a world of folks who adore Halloween and are just working class individuals looking for an escape from their lives. “The American Scream” has an undercurrent of sadness to it where the happiness and smiles are really seeking to cover the heart ache and desperation behind the subjects who treat Halloween like an event every single year. I’m proud to be one of those people who anticipate the month of October right around the beginning of August, and these folks featured aren’t so different.
