The Lion Guard: Return of the Roar (DVD)

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If you’re like me, you’re a hardcore fan of “The Lion King” and didn’t mind extensions of the mythology. Sadly the follow ups were all sub-par, and “The Lion Guard” muddies up the mythos even further. Granted, “The Lion Guard” is a perfectly fine animated movie, and you’ll likely say “Felix, this series isn’t meant for you,” but even kids will have a difficult time figuring out the time line if they decide to do the math. “The Lion Guard” is set immediately after part one and before part two. So that means everything after “The Lion Guard” doesn’t matter, and the central focus of the series is back on a young lion cub rather than the lioness Kiara, originally Simba’s spunky daughter. “The Lion Guard” works on actively erasing the latter story line by reworking the entirety of future story lines, which include Skar’s children, his wife, and the lack of a mention of the plot elements in the sequels.

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Prehysteria! 2 (1994)

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Like every studio, Moonbeam and Charles Band were seeking their fortune with their own version of “Home Alone” that would bring in the big bucks. With sub-par efforts like “Remote,” there was also the “Prehysteria!” movies which always featured the owners of a foursome of miniature dinosaurs battling evil grown ups of some kind. Set immediately after the original, the foursome of dinosaurs now live with their new family The Taylors in the green house. Seeking to have their chance to feast on the family’s large crop of raisins, they’re accidentally scooped in to a large crate and sent off for shipping by local farmers. Luckily, they’re discovered by bratty but lonely rich boy Brendan, who befriends the miniature dinosaurs, and tries to keep them a secret from his mean house keeper Miss Whitney.

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Deadpool (2016)

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Superhero movie fatigue, my balls.

“Deadpool” is proof positive that the comic book movie is alive and well and prone to various iterations of the comic book movie mold beyond capes, tights, and bat ears. “Deadpool” is one of the most anti of anti-heroes ever conceived. He’s a man who works for any side that’s appealing to him, and you can never quite pin down whether he should be a friend or foe. Wilson like Marvel comrades The Punisher and Iron Man are never villainous, but also not the clean cut superheroes we’d expect. In the end, Wilson is about self gratification, even though he tells himself that his intentions are pure. He’s a man who loves being vile and obnoxious. Even Wade Wilson during the opening of “Deadpool” explicitly states that he is by no means a hero, and we’re given extensive insight in to how he lived his life before he became the “merc with the mouth.”

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You Have to See This! Private Resort (1985)

Well it just goes to show all the aspiring actors out there hoping for success. Most times you have to earn your stripes by being in junk you think is awful, all for the sake of an inevitable break out role. The two stars of the piece are Rob Morrow and post – “Nightmare on Elm Street” Johnny Depp at very young ages, and starring in what was one of maybe two hundred teen sex comedies released in the eighties. Ben and Jack crash a Jamaican resort club during Spring Break intent on causing trouble with the colorful variety of guests, and scoping out babes for the sake of getting laid.

In the process they run afoul hotel security, a weird spiritualist, her goofy wealthy grandmother, a jewel thief, an abusive waiter, a meat head hotel patron and his drunken girlfriend, and a sexy Southern Belle. While “Private Resort” is often pure nonsense, Morrow eventually went on to a long interesting career in television and film. As for Johnny Depp, after this he went on to a break out role in “Platoon” and then from then on, I think he worked in other films and TV, who knows? Did we ever hear from Johnny Depp after “Platoon”? That said, Depp and Morrow allegedly despise “Private Resort” and who can blame them?

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I often bash some movies for having absolutely no narrative, but hot damn does “Private Resort” have no story. It’s like one giant punch line to a joke without the initial set up and build up. Yet another entry in the shockingly popular sub-genre from the eighties that began with films like “Last American Virgin” and “Porky’s,” George Bowers “Private Resort” embraces the sub-genre without any of the finesse of classics like “Revenge of the Nerds.” It’s just eighty five minutes of stock comedy tropes running in to one another and clashing for the sake of hopefully grabbing a laugh from the audience.

Ben and Jack are two teens that break in to a local resort in Jamaica during Spring Break, and begin walking around harassing guests, causing trouble, and looking to get laid. That’s literally the entire movie. There’s no explanation how they got their room, who they’re staying with, or why they’re at the resort originally. Most of their time is spent walking around the lounges and pool side hitting on women and trying to lure them back to their suite for the sake of having sex with them. On occasion, their wacky misadventures spiral out of control and they end up getting in to a sexual scenario.

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During one scene Ben and Jack meet Leslie Easterbrook’s incredibly sexy Bobby Sue, who is sun bathing pool side, and despite their flirtations, she rebuffs their advances. Accidentally leaving her room key behind, they think it’s a hint, and break in to her room. Bobby Sue has a very viciously jealous husband, of course. He’s called the Maestro and is played by Hector Elizondo for reasons I’m sure involved an easy payday. He’s the obligatory villain of the comedy mistaking Morrow’s character Ben for the hotel barber prompting Ben to mangle his precious doo while Jack is in Bobby Sue’s room nude and trying to find an escape.

Like one long episode of “Three’s Company,” there’s a ton of goofy physical double takes, Depp trying his damndest to be wacky, and many scenes involving the pair of pals running around the halls of the hotel outrunning someone who rightfully wants to arrest them or beat them up. And wouldn’t you know it? Despite this hotel being a high priced swanky vacation spot, every room has a lion share of wacky and outrageous residents. For some odd reason during the big chase scene in the finale, Maestro crashes in to a room where two sumo wrestlers are apparently standing around preparing to fight? I think?

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Like every teen sex comedy, Ben and Jack eventually run across women they want to have sex with but end up in potentially meaningful relationships and given the opportunities to redeem themselves. For Ben his form of redemption involves getting potential girlfriend Patti out of an abusive relationship with a waiter as she refuses to stand up for herself afraid of losing her job. Obviously the complicated problem is solved by a comical punch in the face, and a declaration of love, because why add some characterization to what is unsalvageable dreck by the time the second half rolls around.

Elizondo is seemingly in the movie for no reason, so he’s given a half assed sub-plot mid-way where he plans to romance wealthy woman Mrs. Rawlings for the sake of stealing her precious diamond. That proves disastrous thanks to Ben and Jack when they accidentally interfere with his attempts to seduce her constantly. Every cast member is so ill fitted for the movie that if there is a laugh or two, it will be entirely accidental. To show how utterly inept the movie tends to be, even at the standards of a forgettable cash in, “Private Resort” actually steals a running joke from “Airplane!” involving a taxi and its running meter as Bobby Sue waits in the car.

If none of “Private Resort” appeals to you, then you have to at least sit through it for the sake of Leslie Easterbrook. If you ever sat through any of the “Police Academy” movies wondering what she looked like underneath the uniform, Easterbook is an absolute bombshell here who flashes skin as character Bobby Sue. She appears constantly in skimpy clothing and bathing suits, and even wears a see through robe that reveals her amazing bare body underneath.

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Easterbrook is one of the most underrated sex symbols of the eighties, and she shows here why she deserves to be the reigning queen above everyone else. One scene finds hotel security harassing a woman for wearing a skimpy bathing suit and she teases him by making it shorter and wiggling her back side. There’s also the insanely hot Lisa London who plays the drunken girlfriend of Andrew Dice Clay’s character. While she’s mostly on the floor, she shows off her curves without hesitation and looks incredible.

Meanwhile while her husband is involved in all sorts of running around, getting in to fights and inevitably getting the crap kicked out of him by Dody Goodman. It then simply ends on a freeze frame of Morrow. There’s no resolution, no climax, it just ends so swiftly. Almost like tearing a band aid off. Is there any wonder there was never a Private Resort 2″? Everyone starts somewhere, and for good inspiration on how major actors also have to pay their dues, “Private Resort” is a prime example. Rob Morrow, Johnny Depp, Hector Elizondo, and yes, even Leslie Easterbrook who went on to cult fame with the “Police Academy” film series, are all here slumming it up with a sub-genre milked way beyond its threshold in the 1980’s. It’s not at all the worst of its kind, but it is definitely a low point for teen sex comedies of the decade.

Beach Babes From Beyond (1993)

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“Whoa! You’re beach babes from beyond.”
“You bet your ass, man.”

I’m a big fan of David DeCoteau’s early work with Charles Band and Full Moon, but with “Beach Babes from Beyond,” I might have finally found something of his I really dislike. It’s a nineties softcore skin flick (from Band’s softcore label Torchlight Entertainment) that feels like an eighties science fiction comedy. And when I say that it’s softcore, I mean soft. The sex scenes don’t really look like two people have sex so much as they resemble two naked people trying to climb over one another to get in to bed. Not that it matters, since there are only about three sex scenes and they’re not the highlight of the movie, mysteriously.

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Total Recall (2012)

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Colin Farrell is back again as an odd choice for action hero playing “Average Joe” Douglas Quaid. He is a factory worker who helps produce police bots for his world that has been divided in to two separate factions. The remaining world that has survived chemical war fare are living on various levels, all controlled by the government. Douglas’ world remains a stink hole lower class existence until he arrives at Rekall, anxious to install artificial memories in to his brain for the sake of amusement. Upon implanting a fantasy in his mind, Quaid learns he is really a super spy, and now Chancellor Cohaagen who is slowly rising to power, is after him. Along with him and his army of robotic police, there’s Doug’s smoking hot wife Lori, who is revealed to be a skilled assassin who is driven to kill Douglas at all costs.

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Total Recall (1990)

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Sure “Total Recall” is an ultraviolent and action filled adaptation of the original “We Can Remember It for You Wholesale” from Phillip K. Dick, there’s a rhyme and reason for everything that unfolds in the film, right down to the prostitute with the trio of breasts. The inherent lunacy reflects the mind set of our main hero Douglas Quaid and acts as a platform for the idea that perhaps he’s living a fantasy or is really this vicious secret spy. Paul Verhoeven’s version of the original story packs a real sense of intellect and brilliant ambiguity beneath the seemingly surface science fiction action tale of a man named Quaid, who is struggling to battle the government and fight for a group of underground mutants. When we meet Quaid he’s a man who is comfortable at home living in a well furnished apartment and is married to an insanely sexy woman. He wants more though, especially with developments involving the government exploring Mars, and perhaps using it as a means of travel for local tourists.

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