Yet another animated iteration of the dark knight, Glenn Murakami’s “Beware the Batman” tries to meet Cartoon Network in America down the middle. It’s an attempt to rework the Batman universe, while opening its world up to potential merchandise opportunities. Hence why much of the Batman universe here is filled with pandering, and characters so obviously built toward becoming action figures, it’s pretty sad. All things considered, the series was pulled very quickly by Cartoon Network, and it’s not difficult to figure out why. “Beware the Batman” is the most lifeless and lethargic of the animated Batman adventures, and we once had “The Batman.”
Tag Archives: Crime
Time to Kill (2014)
It’s impressive how some filmmakers can take a one setting short and turn it in to an event filled picture filled with sharp writing and rich characterization. “Time to Kill” is based on one character and one setting and still feels more complete than most films I’ve come across. Christopher T. Wood who penned the film, also gives a top notch performance as a hit man waiting for his target, and might be waiting for his target for as long as his patience and endurance can hold out.
Adventures of Batman (1968) (DVD)
For fans that enjoy Batman, repackaged or original, “Adventures of Batman” is a suitable animated fix that hearkens back to the cheap animation of “Scooby Doo” and the silly adventures from the Adam West series. Less campy and more adventurous, the series from Filmation sets down on Batman and Robin as they battle all of their famous foes, from the Joker, and Mr. Freeze right down to the Riddler. Anyone expecting the complexities and dark themes from the Bruce Timm series should look elsewhere, as “Adventures of Robin” feels a lot like a facsimile of “Scooby Doo.”
The Temptations (1998)
One of the highlights of growing up with parents that loved classic soul and R&B, was listening to some of the greatest bands of all time. My favorite of them all was The Temptations, a wonderful group of singers with one of the more compelling back stories of all time. Though I’m usually not a fan of biography films about bands or musicians in general, “The Temptations” garners an immense cast of strong actors, all of whom help fuel what is a tale about fame, greed, and clashing egos. It’s just a shame that the movie breezes through some crucial details.
22 Jump Street (2014)
21 Jump Street was a film that I thought was funny on its original viewing, but I didn’t find it as hilarious or over the top hysterical as many others did. Recently, however, after two current viewings, two years later, I’ve come to discover that it is a very funny movie and it holds up incredibly well. Needless to say, I was excited to see what they were going to do with 22 Jump Street and I was excited to be spending more time with these characters. It’s hard to deny their chemistry and it is back and in full force with 22 Jump Street.
A Million Ways to Die in the West (2014)
I bet Seth McFarlane would love to fancy himself this generation’s Bob Hope, or perhaps even Mel Brooks. With the hollow smile of a car salesman, and the appeal of a commercial pitch man, in reality, McFarlane comes off as just another really desperate fan boy whose love for music, dancing, and comedy doesn’t equate to entertainment. The end result is a movie that holds our hands through every joke, and then holds our hand through the expected reaction. I imagine if McFarlane directed a remake to “Blazing Saddles” eventually someone would point to Sheriff Bart, look at the audience breaking the fourth wall, and mutter “But he’s a black man! And this is the old west!”
Massacre Mafia Style (1974) [Blu-Ray/DVD Combo]
One thing you can say about “Massacre Mafia Style,” Duke Mitchell’s shameless attempt to cash in on “The Godfather,” is that it’s never boring. Even when it’s brutally silly it really is also a compelling bit of exploitation that tries desperately to out Godfather “The Godfather.” It does so to the point where the film’s anti-hero bawls about the end of the Italian crime organization and hints at “The Godfather” as a goofy portrayal of the Italian crime legacy in tears. It’s a valiant attempt to set itself apart, but it surely won’t be confused for the aforementioned crime drama any time soon.