Fans have wanted a sequel to “Stake Land” since its premiere in 2011, and while the conditions of it being a TV movie aren’t ideal, thankfully the follow up is just as good as the original. Dan Berk and Robert Olsen continue what Jim Mickle started delivering a sequel that’s just as bleak and complex as the original. “Stake Land 2,” once known by the superior title “The Stakelander,” takes off six years after we met the dynamic team of Martin and his enigmatic mentor Mister. Fans of the original will be happy to know that original stars Connor Paolo and Nick Damici return as the characters of Martin and Mister, with the sequel placing a greater emphasis on Martin as an adult. Writer Nick Damici also returns to progress the characters further and does a bang up job opening up this world even further and unfolding a narrative that transforms in to a whole other tale of survival and revenge by the second half.
Tag Archives: Drama
Jack Goes Home (2016)
Father to be Jack learns that his father has been killed in a gruesome car accident and he travels home to go take care of things and help his mother get better. Once home, he discovers long buried secrets about his family and himself. Written and directed by actor Thomas Dekker, the film centers around the character of Jack as he comes to grip with his father’s passing and his past as he discovers bits and pieces of it while working on getting his mother back into shape. The character of Jack is nicely complex and he is a good representation of what a man may go through when losing his father. This is of course not as simple as it seems, especially given that it is considered drama, thriller, and horror. The film develops themes that fit all three of those categories and themes that connect with audiences.
Exorcist II: The Heretic (1977)
In 1977, James Earl Jones co-starred in what is arguably one of the greatest movies ever made, and what is arguably one of the worst movies ever made. “Exorcist II: The Heretic” is a fine example of what could have happened if the original “The Exorcist” ended as an ill-conceived pseudo-spiritual mess. A bad idea from beginning to end, it’s one of the iconic bad sequels that is famously recollected by its producers as the movie that literally got them chased out of a theater by angry movie goers. Four years after being victimized by a demon, Regan MacNeil has somehow managed to put her life back together and live some semblance of normality. Sadly after the demonic possession, everyone’s life was just about ruined, and Regan’s life remained basically the same, as her mother Chris is frequently out of town. Does a girl have to get possessed again to get your attention, Chris?
The Exorcist (1973)
William Friedkin’s treatment of William Peter Blatty’s groundbreaking novel thankfully translated in to a groundbreaking horror film that continues to be the standard for the dismal “possession” movie sub-genre. Friedkin’s take on Blatty’s novel is a masterstroke of horror and dramatic cinema, and is easily one of the most intelligent horror films ever made. Ellen Burstyn plays Chris MacNeil a woman still reeling from a bitter divorce who is tasked with a heavy work schedule filming a movie and attending to her young daughter Regan. Linda Blair is brilliant as Regan, a young girl longing for attention, especially from her estranged father, and begins to make contact with an imaginary friend through a Ouija board she called “Captain Howdy.”
The David Dance (2016)
A gay local radio host, David, questions his life as he fights another radio host, tries to find love, and he’s asked to be a father figure by his sister who is adopting internationally. His life is explored through his relationships with his sister, her ghost, and his boyfriend. The David Dance is written by its star Don Scimé and directed by Aprill Winney who has directed three other features and some television. Together, they build a personal and touching family drama. It touches many family and gay issues through the lead, his sister, and his boyfriend.
We Go On (2016) [Philadelphia Unnamed Film Festival 2016]
Miles Grissom wants to know what comes after death to help ease his crippling fear of it and other phobias. With the help of his mother, her go through tons of submissions to his ad in the newspaper offering $30,000 to whoever can prove to him that there is something after death. Written and directed by the team of Andy Mitton and Jesse Holland, they create a simple premise, fear of death, and work it into an appealing story with a lead character that is representative of many people with crippling fears or even anxiety. This character feels like a person some of the viewers might know, having issues and trying to overcome them. His mother is a by nagging and overbearing but she does feel like many people’s moms. She wants what is best for him and will stop at almost nothing to make sure he is not swindled in his search for the truth.
Carrie (1976): 40th Anniversary Collector’s Edition [Blu-Ray]
With the opening of “Carrie,” we see a brutal horror unfold with main character the titular Carrie White taking a shower during gym class and discovering the horror of her first period. She’s a girl who’s never really been given an explanation on anatomy or biology thanks to her religiously fanatical mother, and is terrified. Sadly the predators in her class that revel in bullying Carrie torment her by throwing tampons and towels at her as she screams. While the scene itself is jarring and the epitome of the cruelty Carrie inexplicably receives, it’s also the implication that ultimate evil has been realized. Though it’s mostly hinted at by Carrie’s mother, Carrie, despite being a good person at heart, is also pure evil personified.