Tag Archives: Drama

Emilie Black’s Top 10 Favorite Feature Films of 2016

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This year brought a lot of film festival coverage opportunities for me which means I was able to attend and/or cover twelve film festivals/events.  That being said, these paired with a ton of good independent titles meant I had very little time for wider theater releases.  This not mean the latter were not good, it only means that I saw a grand total of three major releases (Deadpool, Rogue One, and Fantastic Beasts and Where to Find Them) on the big screen.

First, here are my special mentions: L’Elan, Deadpool, Saving Mr. Wu, The Laundryman, Realive, Bed of the Dead, Let Her Out, Alena, Corp Etranger (Foreign Body), They Call Me Jeeg Robot, Karate Kill, The Eyes of My Mother, Rogue One, The Witch, Southbound, Antibirth, The Love Witch.

With no further ado, here is my top ten favorite movies from 2016:

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Emilie Black’s Top 10 Favorite Short Films of 2016

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So many, many short films are made each year, yet a lot of film fans overlook them, thus making themselves a disservice.  2016 saw a fantastically good crop of shorts from a variety of countries, showcasing the talents of filmmakers worth watching.  In 2016, I saw over 175 short films through film festivals, Vimeo, YouTube, etc.  Choosing a top 10 was tough this year and kept changing from day to day.  Out of those ever changing titles, here are the 10 Best short films, or my 10 favorites at the moment, and a bunch more worth checking out.

Special mentions (aka I wish it were a top 25):  Innsmouth, Postpartum, Stained, Injustice for All, Japanese Legends: Slit, Watchbear, The Puppet Man, Kaddish!, Little Boy Blue, Deathly, Overtime, Hoshino, The Tunnel, Bionic Girl, and Disco Inferno.

On to the Top 10…

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The 10 Best Films of 2016

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This is one of the first time in years I’ve had such a difficult period deciding which movies had to be cut from my top ten and which deserved to stay on. Of course I didn’t catch every thing I wanted to, as probably Manchester by the Sea and Edge of Seventeen may have been on the list, if I saw them. So while there are some omissions out of my control, this is the ten I ultimately stuck to. This is the ten best movies I saw in 2016, along with a big list of potential place holders I quite loved, just the same.

Movies in 2016 that almost made the list includes the moving science fiction thriller Midnight Special, the touching sequel Finding Dory, the elaborate and beautiful The Handmaiden, the fun Ti West western In a Valley of Violence, the superb and very scary sequel The Conjuring 2, the fun and moving Rogue One: A Star Wars Story, the hilarious and raucous antithesis to the superhero movie Deadpool, the sweeping fantasy thriller Doctor Strange, the incredible crime drama Hell or High Water, the very fun Adam Wingard reboot Blair Witch, the moving and fun teen drama Sing Street, the teeth grindingly compelling 10 Cloverfield Lane, and the chaotic survival thriller Green Room. Kudos to everyone behind these top notch movies I plan to revisit again and again in the coming years.

Now on the Top 10…

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La Bamba (1987)

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I admittedly have a lot of sentimental value and nostalgia attached to Luis Valdez’s “La Bamba” as it’s a film that not only was continuously played in my family, but the soundtrack on record was also constantly replayed. “La Bamba” itself is a solid bio pic of Ritchie Valens, an LA teenager and Chicano rock and roll star who skyrocketed to fame, and died in one of the most infamous plane crashes in world history. Valens’ life was cut short way before he could even reach his twenties, but director and writer Luis Valdez does his best to explore the life of Valens before he stepped on to the ill fated “American Pie” with Buddy Holly and the Big Bopper.

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Tommy (1975)

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Ken Russell’s adaptation of The Who’s rock opera “Tommy” is surreal, vivid, out of this world, and incredibly phantasmagorical. It’s everything you’d expect from Russell, and “Tommy” is every bit as unusual and mind blowing as the original rock opera is. What can you expect from a story about a young boy stricken deaf, dumb, and blind by his uncle Frank and mother Nora. With an irreversible disability, Tommy is left without the sensation to feel, or understand, or comprehend most things, so he’s a victim to everyone in his life, most of who are predators and sadistic monsters. Eventually Tommy becomes something of a deity when he gains the ability to sense certain elements of his environment, including the game of pinball.

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Times Square (1980)

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If anything, at least, “Times Square” is a remarkable time capsule of the titular New York block. In 1980 before Giuliani sold the city to the highest bidder to turn it in to Disney World, Times Square was a rough area with porn theaters and dark corners every which way. Director Moyle is able to film New York brilliantly, with a lot of great wide shots and dolly shots of the corners of New York and the setting for the film. In the film we meet Pamela, the mentally ill daughter of a local politician who is hell bent on cleaning up Times Square for the mayor. When she’s locked up in the hospital for mental evaluation, she meets street girl and musician Nicky, a rebellious and raucous punk rocker who is carried away by police after trashing a vehicle.

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Gerry (2011)

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Gerry Boulet is credited as being Quebec’s first rocker.  Of course he was not the only one at the time per se as the province saw that rise of Plume Latraverse, Michel Pagliaro, Robert Charlebois, etc.  Gerry Boulet and his cohorts made an impact on French-Canadian culture and music.  Boulet and his band Offenbach were a radio staple and strong concert presence in the 1970s and 1980s.  Boulet died of cancer in 1990 at what could be considered the peak of his solo career.  The film titled simple Gerry covers his life from childhood, through important events that shaped him, then through his career with Offenbach (2 different member line-ups) and his solo career.  The film portrays him in a way that seems genuine, with his good moments, his bad ones, and his problems.

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