“The Dial of Destiny” is significant not only in that it’s a movie primarily about time, but about wanting to go back in time and fix mistakes. The Indiana Jones we see here is not the Indiana Jones we saw in “Raiders of the Lost Ark” or even “The Last Crusade.” He’s older, he’s war torn, and he’s grappling with so much regret that he’s lost his passion for adventuring. When we see Indiana Jones he’s a man who has lived two full lives and he’s thrust back in to what is arguably his final adventure and it’s bittersweet.
Tag Archives: Fantasy
The Flash (2023)
Like it or lump it, after delays, and delays, and restarts, and bad press, and alterations, and production problems “The Flash” is finally here. And–I lumped it. It’s not to say that “The Flash” is the worst movie from the DCEU yet, but it’s definitely not one of the best. It’s a shame as the trailers inspired so much optimism and enthusiasm, but at the end of the day, it’s a terribly mixed bag with occasional redeeming qualities. Beyond the fan service, and Easter eggs scattered throughout, “The Flash” is right at the level of “Shazam: Fury of the Gods”; whether or not that’s a positive perspective is up to you.
BAD MOVIE MONDAY: Verotika (2019)
I’ve written at length about what makes a good bad movie, but what makes a BAD bad movie? This is what I’d like to talk about in today’s review because I think I found the perfect example. Here is a movie that is so bad, so incompetent, so mind-numbingly lazy, that I can’t just overlook its flaws and give it the benefit of the doubt like I normally would. This is a movie that is insultingly and aggressively terrible. Yes folks, I’m talking about VEROTIKA.
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Heroes of the Golden Mask (2023)
Inside “Heroes of the Golden Mask” there’s a great film desperate to bust out. It has a cool concept, some solid animation, and a neat mythology behind it. It’s just once you get down to the nit and grit of the narrative and some lingering plot holes, it never rises above being just average. It’s definitely a direct to video kind of animated movie better suited for basic cable, despite its best efforts. That’s not for lack of trying, though. Director Sean Patrick O’Reilly has a large career in producing budget animation. He and Arcana Studios have helped engineer titles such as “The Steam Engines of Oz,” and the mildly amusing “Howard Lovecraft and the Frozen Kingdom.”
Renfield (2023): ‘Dracula Sucks’ Edition [Blu-Ray/DVD/Digital]
Chris McKay’s take on the Dracula dynamic with Renfield has a lot going for it, but it also has so much stacked against it from the starting gate. In a year teeming with Dracula iterations, “Renfield” has a real shot at standing out among the other interpretations of Bram Stoker’s lore, but never really rises to the occasion. That’s mainly because while the concept is interesting “Renfield” never decides what it wants to be. It wants to be a satire on “Dracula,” and a commentary on abusive relationships. It tries to be a cop action, a buddy comedy, a vampire film, and straddles the dangerous line of being a satire on the abuser and abused relationship at times.
Spider-Man: Across the Spider-Verse (2023)
While “In to the Spider-Verse” demonstrated Stan Lee’s philosophy that anyone can be Spider-Man, and anyone could be a hero, “Across the Spider-Verse” is an exploration of the hero’s biggest mantra. “Spider-Man’s” core philosophy has always been that with great power, comes great responsibility, and with the follow up to the immensely successful “In to the Spider-Verse” we garner a look at the fallout from the abuse of massive power, and how it can corrupt even the best of us.
Destroy All Monsters (1968)
The Japan Society will host the “Destroy All Monsters” 55th Anniversary Screening at 7 pm on Friday, June 16th. Tickets will be available at japansociety.org/film. This screening will take place at New York City, inside Japan Society’s landmarked headquarters at 333 East 47th Street, one block from the United Nations.
I admit to being one of those people that used to kind of zone out during the human parts of the “Godzilla” movies and then really pay attention during the big fights. I’ve always liked “Godzilla” but “Destroy All Monsters” has always evaded me for some reason. When I used to watch it on network TV it never aired, and I always had a hard time finding it on VHS. “Destroy All Monsters” is basically the “Avengers: Endgame” of its time. It’s the all out assault of giant kaiju duking it out and wreaking havoc on Earth, and director Ishiro Honda throws in everything but the kitchen sink.