Nick Castle’s science fiction adventure film is one of my all time favorite “Star Wars” rip offs. It’s a film that fully embraces the hero’s journey trope and has a damn good time with it, bringing in robot clones, big headed aliens, and a pretty great mythology begging for a franchise. “The Last Starfighter” thankfully hasn’t lost any of its luster even in the midst of the glut of “Star Wars” wannabes, and it’s still a big personal favorite of mine.
Tag Archives: Fantasy
Dynamite Warrior (2006)
The clear indicator that this is simply the lamest of the exports so far is the first twenty minutes where director Chalerm Wongpim asks us to enjoy the realism of the epic battle scenes, while also forcing us to swallow a scene of our hero Siang riding a large rocket in the air. He then takes part in one of the most boring fight sequences I’ve ever seen. Most notable is the choreography which is slow and clunky, while most of the scenes are so poorly edited that they look like rehearsals for actual scenes we’ll never get to watch. It’s the first time I’ve seen a flying knee kick and not gasp in amazement.
Tales from the Darkside: The Movie (1990): Collector’s Edition [Blu-Ray]
1990’s “Tales from the Darkside: The Movie” has a lot in its corner with me. It’s a childhood favorite, has a ton of sentimental value, and it’s a damn good anthology horror film. It almost feels like the lost “Creepshow” movie that we never got in theaters, which is a shame as the movie is very well produced and directed. It’s creepy, darkly humorous, and has a great pair of wraparound segments that hearkens back to the vicious violence of the Brothers Grimm.
Dawn of the Living Dead (Evil Grave: Curse of the Maya) (2004)
“Dawn of the Living Dead” is such a blatant attempt to garner the Romero fan’s attention, especially with the tagline “In the tradition of “Night of the Living Dead…” If we’re splitting hairs here, pretty much all of these zombie movies that copy Romero are in the tradition of “Night of the Living Dead.” David Heavener’s “Dawn of the Living Dead” (or “Evil Grave: Curse of the Maya”) induced my optimism and I pleaded that perhaps this movie would be a so bad its good little independent foreign horror comedy. Instead it’s just a film that revels in tedium, padding, and glacial pacing.
Frank & Zed (2020)
I wish there were more movies like Jesse Blanchard’s “Frank & Zed” in theaters and midnight movie showings. It’s a movie that promises to become a cult classic and for good reason. Not only is it wildly inventive, and absolutely charming, but I was completely sucked in to everything from the story, the gruesome gore, and the shockingly incredible production values (40 Handmade puppets!). While the movie is low budget, Blanchard’s ability to make every single element of his film feel epic in scope, keeps “Frank & Zed” consistently brilliant and absolutely entertaining.
In the Tall Grass (2019)
The problem with Vincenzo Natali’s “In the Tall Grass” is that it sets up so many questions and ideas, but never executes them well enough. “In the Tall Grass” feels very much in the vein of Stephen King’s “Children of the Corn” where a massive field of innocuous grass becomes the sight of a supernatural gathering. King and Joe Hill are very good about creating terror out of domesticity, and for the first thirty minutes Vincenzo Natali’s film had me hooked. Then it just about runs out of steam with too many undercooked concepts and never quite won me back.
The Terror of Hallow’s Eve (2017)
Beneath the surface of Todd Tucker’s, there’s a fantastic Halloween themed horror movie. “The Terror of Hallow’s Eve” is a movie with so much flab and filler that it ultimately loses sight of what it’s trying to accomplish, not to mention it distracts from the utterly fantastic special effects and supporting performances. You’ll have a hard time appreciating those elements since Zack Ward’s script’s pacing is so glacial. “The Terror of Hallow’s Eve” is a mix of “976-Evil,” “Halloween,” and “Cellar Dweller,” with a lot of spirit, but none of the sinister tone or deep rooted menace.