Set in the near future, a mother and her young child must find their way to a place where they can survive following environmental events that have led to a near apocalypse.
Tag Archives: Indie Film
Automation (2019)
A robot brought into the workplace to assist becomes a killer once he finds out he’s set for termination.
The Reclaimers (2023)
I don’t know if “The Reclaimers” is a proof of concept short film or not, but if director Jason Sheedy is planning a bigger feature, count me in. “The Reclaimers” is a stellar horror scifi hybrid that watches like a mix of “I Am Legend” and “Bird Box.” It’s an interesting concept in a well worn concept that works very well thanks to the single performance by star Erin Ownbey. After her grandparents are killed by invisible creatures, a determined young woman seeks to avenge them with the help of her canine companion – the only one who can see the mysterious invaders.
Trauma Bond (2022)
Director-Writer Jaina Cipriano’s dark drama is a wonderful master class not only in character study but in acting across the board. Cipriano really brings the best out of her small cast, all of whom help to enhance what is a very mesmerizing experience in explorations in trauma, hive minds, and the power of suggestion.
Last Night at Terrace Lanes (2024)
Now Streaming on Amazon Prime Video.
An obvious but loving ode to “Assault on Precinct 13,” Jamie Nash’s horror survival comedy is probably one of the more entertaining indie films I’ve seen in a while. It’s a movie that is obviously small in budget, but makes the most out of a single setting horror film through the end. I was surprised by how much director Jamie Nash was able to pull out of this premise as they’re able to really justify why the film is confined to one place and is set during one night rather than multiple days. “Last Night at Terrace Lanes” is that classic siege horror film but with a dose of familial drama and coming of age.
POV (2023)
Currently Screening in Various Festivals.
I believe it was Veruca Salt who said, and I paraphrase: I want a feature film version of “POV.” I want one, I don’t care how, but I want it now. “POV” is probably one of the very first horror based vigilante movies I’ve ever seen and it’s teeming with so much potential to build on this world and expand it in to something dark, twisted, and just downright bad ass. From director Brian K. Rosenthal (of “Marvel Zombies vs. Army of Darkness”), “POV” is such a great film that has a pretty excellent concept behind it.
Attack of the 50 Foot CamGirl (2022)
Streaming on Tubi TV, and Amazon Prime Video.
It’s become almost a tradition for some filmmaker to remake Nathan Juran’s 1958 schlock monster movie. Pretty much every four or five years a new variation of the formula pops up with a studio inserting some kind of entity. Now that CamGirl’s are still a thing and much more relevant, Jim Wynorski brings us the Attack of a 50 Foot CamGirl. It’s the bare minimum in the scope of attempted cult filmmaking; your mileage may vary depending on what you’re willing to endure when it comes to seeing busty blonde fifty feet women.
I’m looking at you, Macrophiliacs.