One of the main things director Mark Brown’s music documentary has going against it is that it’s a very niche film. Even fans most open to music will find watching this documentary very polarizing in that it chronicles a world that seems very exclusive to only a select few that understand the music form. “Bayo” is set on a young reggae artist that director Mark Brown finds oddly fascinating, and true to the documentary, Bayo is the center of many people’s fascinations, and is something of a celebrity within the music circuit he’s entrenched in. While I really have nothing against this musical form, “Bayo” doesn’t do much to appeal to a broader audience curious to the music’s appeal.
