Director Peter Medak follows up the somewhat tolerable original “Species” with a sequel that ups the ante in the narrative but doesn’t improve the story all that much. This time around Medak and co. completely abandon the idea of a genetically altered alien this time around for a much more traditional yet sexually charged alien invasion. When Commander Ross returns home from a space expedition with other astronaut explorers, the highly decorated man is revealed to have been taken over by an alien being. Said alien being is based around procreation. As Commander Ross slowly transforms in to an alien being, he begins scouring the city for sexual mates and turning them in to breeders for his army of off spring that begin populating the landscape.
Tag Archives: S
Southbound (2016)
I am loving the resurgence of the horror anthology and how horror filmmakers are playing with the format. “Southbound” is very much a new horror anthology that holds no title cards or segues, but instead features five stories that intersect in some way or another. It’s almost like “Pulp Fiction,” but just not as brilliant. in fact, in the end, it’s really a mixed bag of horror tales that are held up by a genuine sense of terror and unease that seeps through the film from beginning to the end. Even when I wasn’t completely invested in a tale, I appreciated the unnerving aesthetic set amid the endless and desolate back roads of America.
Superhero Movie (2008)
“Superhero Movie” is a comedy that’s remained off the radar for a long time since its release, and that’s a good thing. As a comedy it’s a pretty solid spoof of the “Spider-Man” movies, mocking the inherent silliness and idiocy of the Sam Raimi movies. And ironically enough it manages to be a much more creative and coherent superhero picture than “Spider-Man 3” ever hoped to be. I don’t disagree that the movie is a mixed bag of humor that tackles the superhero movie craze, as well as old hat superhero tropes, but it’s succeeds as an entertaining novelty and a respectable guilty pleasure.
The Shutterbug Man (2015)
Man is “The Shutterbug Man” amazing. The only complaint I can lobby toward it is that it feels more like a prologue to a feature length horror film than an actual short, but i hope director Christopher Walsh turns this idea in to a horror movie somewhere down the line. Told in brilliant and haunting Stop Motion. the legendary Barbara Steele narrates the tale of “The Shutterbug Man.” With simplistic albeit immensely effective and haunting stop motion, Christopher Walsh tells us the tale of the Shutterbug Man, a local who spent his time taking pictures. He could only really take pictures of horrific sights and suffering as it granted him a sick pleasure.
Sinister 2 (2015)
Someone should really tell the creators of Slender Man that Focus Features went ahead and ripped off their character, except their version sports rockin’ long black hair. Here we are with the direct follow-up to “Sinister” and the mystery of who or what Bughuul still isn’t interesting, nor is the actual character of Bughuul. His motives are still a mystery, his quest for luring children still unknown, and there’s not a lot of explanation to what purpose the children serve for him. Are they his willing minions? Are they individual manifestations of his persona through the souls of the children he’s consumed? Are they possessed by him? Or are they his eternal slaves? The writers don’t seem to know just yet.
Samurai Cop 2: Deadly Vengeance (2015)
The only ways to watch “Samurai Cop 2” is with a stern tongue in cheek, or on the basis that you’re a hardcore fan of the original schlock classic. Though a few of the original cast members have come and gone, director Gregory Hatanaka does his best to channel the nineties vibe that the original film was oozing with. Despite taking place in modern times, “Samurai Cop 2” is still very much a nineties action film with the tough sergeant, obligatory sex scenes, Joe Marshall’s long hair, and ninjas galore. There are even ninjas dressed in business suits for some reason.
Sanjay’s Super Team (2015)
Director Sanjay Patel’s short film can pretty much apply to anyone who is either an immigrant or a minority growing up in America. Too often when you come from an ethnic background, living in the country can help you lose sight of your heritage very easily, and you almost find stuff like family and heritage almost unimportant. For young Sanjay, it’s a matter of perspective that gets him to realize that his heritage is rich, interesting and quite magical.







