In 1984, “Police Academy” stormed in to theaters and helped define comedy for the eighties. Suddenly every profession in America was some kind of madcap misadventure, including being a stewardess, for some reason. “Stewardess School” is another take on the formula, this time with a group of misfits doing their damndest to train to become stewardesses, all the while getting naked, doing drugs, and experiencing some of the best stereotypes you can imagine. Filled with only the best C list TV stars, “Stewardess School” is passable entertainment if you keep in mind it’s trying its best to launch a series on the “Police Academy” formula.
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Star Wars: The Force Awakens (2015)
After many years of the “Star Wars” franchise remaining stagnant and relatively convoluted, “The Force Awakens” has come to simplify and completely re-think the movie series. JJ Abrams introduction to his bold new vision for “Star Wars” is a one hundred percent faithful visit to a galaxy far, far away that functions as a platform for a new series, a sequel, and a love letter to the simpler, episodic days of “Star Wars” where every film was an ode to the classic movie serials of the golden age of cinema. This time around “The Force Awakens” actively works in fixing many of the mistakes made in the original six films, by actively casting a wide array of heroes and villains to present a more humanistic environment we can dive in to. And I’m not speaking about a wider array of aliens, but racially diverse characters, all of whom have something to contribute.
Scouts Guide to the Zombie Apocalypse (2015)
It’s not often a zombie movie can pay tribute to a ton of classic horror and still come out as one of the genuinely funny and novel horror comedies of the year. “Scout’s Guide” is a fan boy movie from the word go, with big winks like the opening that echo’s “Night of the Creeps,” to small touches like the sign indicating the direction to the town of Haddonfield. And come on, the hilarious trampoline scene is so “Zombies Ate My Neighbors,” I was admittedly giddy. “Scout’s Guide” has a damn good time as a tribute to horror comedy while also painting a pretty good one and done tale about nerds rising to the occasion to save some lives.
Spotlight (2015)
One of the most important cinematic accounts of journalism changing corruption since “All the President’s Men,” director Thomas McCarthy’s “Spotlight” garners an understated brilliance in where it explores a long legacy of corruption that’s not only been widely under reported but somewhat accepted. McCarthy manages to draw immense thrills and paranoia from a film that’s very much the antithesis of sensationalism. “Spotlight” is a gut wrenching and mind blowing account of a group of reporters tasked with uncovering one of the largest scandals in world history, a scandal that’s left thousands of victims in its wake.
Strange Magic (2015)
Lucasfilm Ltd. and Disney’s “Strange Magic” is another of the many releases in 2015 I was hoping to love going in, but just couldn’t. “Strange Magic” defeats itself before we even reach the second half of its achingly simple storyline, not because of its simplicity and abundantly detailed animation, but because of its constant musical numbers. It’s not enough the characters sing every five minutes, but the musical numbers eventually blur in to one another resembling more droning white noise than characters expressing their feelings. It inevitably begins to feel like the writers are just trying to stretch an hour long narrative in to a hundred minute film.
Spy (2015)
When Melissa McCarthy is misused, she’s a bumbling, awkward, and unfunny mess trying way too hard (see: Tammy), but when she’s used correctly, she’s about as great as any other female comedian working in film today. McCarthy certainly is charming and has a down home quality to her that makes most roles she takes absolutely interesting. Even in such a derivative movie like “Spy,” McCarthy shines and arouses raucous laughs. And because of her, folks like Jude Law, Bobby Cannavale, and Jason Statham manage to shine and earn their own raucous laughter in the process. You wouldn’t think Law or Statham could be funny, but lo and behold, they’re just top notch in another great Paul Feig film about a unique female conquering some form of personal limitation.
Scary Movie (2000)
Keenan Ivory Wayans never really hit that high that he did with “I’m Gonna Git You Sucka!”, but it’s interesting to see that “Scary Movie” comes shockingly close to the same comedy gold that the aforementioned film did, many times. Brandishing the original title for Wes Craven’s “Scream,” Wayans and co. never quite hit the timelessness of “Airplane!” mainly because you didn’t have to see the original movies from “Airplane!” to understand its humor. With “Scary Movie,” however, you have to have an education in late nineties horror.







