Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb (1964)

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There’s nothing funny about nuclear war. Unless you’re Stanley Kubrick, Peter Sellers, and George C. Scott and then, okay, it’s hysterical. Director Stanley Kubrick opts this time for a darkly satirical and often menacing film about American politics and what happens when the wrong orders are put out that will eventually bring the world to its knees. When America’s officials retreat to “The War Room” to sort out this nagging problem, Buck Turgidson and President Merkin Muffley attempt to find a course of action that will please all parties.

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Shadowzone (1990)

Shadowzone

I tried very hard to stay awake and somewhat alert through “Shadowzone” but mid-way I had a difficult time even keeping my attention on the convoluted plot. With the tagline “Beyond Alien! Beyond The Thing!” Cardone’s science fiction horror hybrid is so beyond boring. Director J.S. Cardone definitely steals from the former films wholesale, but none of it ever amounts to a remotely entertaining horror science fiction film. I’d sooner watch 2011’s “The Thing” before I watched “Shadowzone” one more time.

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Oblivion (1994)

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The Full Moon space western “Oblivion” certainly is one of the most creative films to come out of Charles Band’s imprint. Surely, it can be silly and hard to follow, but it works well as a space western, and a western without the science fiction conventions. I was surprised this even had any monsters or aliens, as “Oblivion” works as a typical Western. Sans the giant man eating scorpions, of course. I digress. “Oblivion” is written by comics scribe Peter David and is admirably ambitious considering its obviously low budget.

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My Immense Love For “The Iron Giant”

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“You are who you choose to be.”

Director Brad Bird’s “The Iron Giant” didn’t make much of a ripple when it premiered almost fifteen years ago. But ever since I sat down to watch it on a borrowed VHS, I haven’t stopped coming back to his science fiction animated film. I probably continue coming back to “The Iron Giant” because not only does it delve in themes of friendship, but it’s also about mortality, and the inherent violent nature of humanity.

<!–more–>Surely, the iron giant that crash lands on Earth is a monster sent to wreak havoc on our planet, but that’s only by the design of another species altogether. We’re never clued in to what kind of alien species built the Iron Giant, and what it had planned for us. All we know is that the Iron Giant crash lands from another planet, and is lucky enough to meet Hogarth Hughes.

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And Now… The Star Wars Holiday Special (1978)

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A long time ago in a galaxy Far, Far Away, Bea Arthur ran a cantina with her alien pals.

And bandit Han Solo found it in his heart to interrupt his daring exploits to take Chewbacca home to be with his family for Christmas–er–Life Day. Though Chewbacca was explained as being a loner whose only friend was Han in the first film, he found time to bonk Mrs. Chewie and birth some chewbacca babies. So every now and then, I imagine Han has to stay over at his pal’s house, listening as Chewie and his wife argue with one another about taking out the trash, while Han tries to unfold the cot for his awkward sleep over.

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Storage 24 (2013)

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Despite being featured in an article as one of the lowest grossing movies of the year (It premiered in one theater), “Storage 24” is actually a solid monster movie. If you want to see a vicious monster murdering thirty something Brits, this is the movie you’ll want to watch. Director Johannes Roberts‘ genre entry is a film with big ambitions, but a small budget, so he uses the creature effects wisely and pays off with vicious violence, and a pretty interesting finale. I’m not about to call “Storage 24” a masterpiece, as Roberts film takes too much of its time on back story and set up.

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Proximity (2013)

Yet another take on “The Most Dangerous Game,” my favorite short story of all time, director Ryan Connolly pulls off an excellent feat in putting a twist on the classic story that works well as a short film, and could easily become a fantastic feature length genre entry. Starring Todd Bruno, “Proximity” is set in a not too distant future where men are being wrangled and set loose to be hunted.

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