Slamdance Narrative Shorts Block 1 [Slamdance Film Festival 2019]

Autumn Waltz (2018)
Ognjen Petkovic’s short thriller is a tense look at a couple trying to escape a war zone and make it out of enemy lines without becoming one of the many victims of the ensuing battles. Set in the 1990’s amidst a landscape of rubble, and torn down deluxe flats, a man and woman attempt to make it outside of Yugoslavia. When they’re faced with a barricade of ruthless armed soldiers, they make up a story that allows them free passage. But as the soldiers interrogate them their reasons for leaving their home land begin to fall apart. At the last minute they’re saved by the most unlikely source and it’s a testament to how the past can affect the present, and vice versa. It’s a well shot and tense short with some fine photography and I quite liked it.

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The Laurel & Hardy Comedy Collection (DVD/Digital)

With “Stan & Ollie” now in theaters, fans might find the newest release from Mill Creek of some interest, as it gathers a lot of interesting relics from Stan Laurel and Oliver Hardy. While it by no means features some of their best shorts and features, it definitely will spark some conversation by hardcore movie buffs, as it includes a list of movies that feature both comedic actors, and their shorts and films that they worked on as solo performers. It’s not the best collection but it’s a fascinating release that will help fans of the comedy team dissect a lot of the work that both men did outside of their team as well as what worked, and what just didn’t.

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The Bootleg Files: Confederate Honey

BOOTLEG FILES 667: “Confederate Honey” (1940 Warner Bros. animated short).

LAST SEEN: On DailyMotion.com

AMERICAN HOME VIDEO: On LaserDisc and in an edited DVD release.

REASON FOR BOOTLEG STATUS: Politically incorrect content.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not in its original uncut form.

During the past few years, there has been an uncommon degree of attention paid to the Confederate States of America, which died in 1865 at the end of the Civil War. On one side, a new wave of white racists is flying the Confederate flag at rallies where they spout their idiotic hatred. On the other side, left-wing revisionists are spending their time demanding the removal of statues of Confederate generals and the renaming of schools and streets named for the military leaders of that long-deceased secessionist nation.

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The Five Choice Indies of 2018

As with every single year, we try to cover as much indies as possible, but we just never have the time to see them all, sadly. As with previous years, this top five comprises five of the best indies I saw all year. It’s not to say the films that didn’t make the list are terrible films, or that the films the other writers on Cinema Crazed enjoyed aren’t good, either. This is merely a subjective list of five independent films we highly recommend to you that we saw this year.

It’s good to remember this is opinion, and not gospel.

If you want to see what films the Cinema Crazed collective consider A+ Indies, visit the link included!

Also, be sure to let us know some of the best indie films you saw all year!

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Shorts Round Up for the Week (12/8/18)

Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In what we hope will become a new feature, “Shorts Round Up of the Week” is a column where we’ll be reviewing a round up of short films of varying quality.

If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.

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Shorts Round Up for the Week (12/1/18)

Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In what we hope will become a new feature, “Shorts Round Up of the Week” is a column where we’ll be reviewing a round up of short films of varying quality.

If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.

Continue reading →