With the original “Critters,” the producers adhered to a certain kind of formula that made the monsters from space seem like twisted cousins of “E.T.” With “The Main Course,” director Mick Garris is able to go beyond the limits of the concept and widen the mythology of the Krites and their bounty hunters. What’s more, Garris is also able to get so much more creative than the first film, as well as offer a better variety of Krites, and how they’re capable of devouring humans when they crash land on Earth once more. One of the best moments of “Critters 2” involves the krites working together as a hive and forming a gigantic ball that goes rolling through town.
Tag Archives: Survival
Critters (1986)
Stephen Herek’s “Critters” is a fun and gory horror science fiction film that knows exactly what kind of movie it is. It’s neat a mix of a monster movie and a tongue in cheek action sci-fi movie. As well it delights in doling out a lot of gruesome kills and fun nuggets of very light comedy that will arouse some chuckles, but never ruin the momentum of the movie. Up in the space in a prison space ship, the Krites have managed to escape their cells and are now on the run. They’ve taken hold of a ship of their own and are headed for Earth. The alien overlords hire two skilled bounty hunters with blank faces, urging them to find the krites before they reach Earth and wreak incomprehensible havoc on the population. With the bounty hunters on their tails, the Krites have crash land on a farm in the middle of a rural town in Kansas.
Lights Out (2016) [Blu-Ray/Digital]
For three years, David F. Sandberg’s short horror film “Lights Out” rocked the internet and became a viral hit. It was a very short and to the point film with excellent framing, brilliant editing, and a shocker of a surprise ending. After years as a viral hit, we’re given the full length adaptation of “Lights Out,” which is a pretty great extension of the terror that Sandberg spreads out for his audience. Thankfully while the spirit of the original film is kept in tact (with the original star making a welcome walk on appearance), “Lights Out” is transformed in to a complex and wrenching horror film about mental illness, abandonment, and family. I was a bit hesitant to believe “Lights Out” could be expanded in to a feature length film but while it isn’t perfect, it’s a damn good horror film with some genuinely dynamite moments.
Killbillies (2015) [Horrible Imaginings Film Festival 2016]
Killbillies, also known as Idyll and Idila, follows a group who goes out to the mountains for a photoshoot and gets interrupted by the local hillbillies hell-bent on killing them. Writer/director Tomaz Gorkic takes the hillbillies in the woods tropes and transposes them to Slovenia. The story basis is one the public has seen a bunch of times before: city people trespass on hillbilly family land and suffer the consequences. The story is one that has been seen before, however its development and added details such as the alcohol the hillbillies produce and the fact that the group in danger is of varied adult ages gives the film an edge.
Dead Rising Endgame (2016)
It’s a damn shame that the Crackle team couldn’t follow up the entertaining first “Dead Rising” movie with an even better one. “Endgame” is a very disappointing follow up that spends most of its ninety minute run time involving government cover ups, potential military strikes, and reporters trying to get the word out about corruption. Every now and then the movie decides to dole up some zombie carnage. And even then it’s disappointing, since the story slowly drifts away from zombies and begins focusing on more rabid mutants that the government has been testing on. The narrative for a movie like this shouldn’t be so hard to follow but lo and behold when I wasn’t drifting off from boredom, I was anxiously trying to figure out how any of this worked.
Billy Club (2013)
Drew Rosas and Nick Sommer’s slasher movie is a mixture of “Slaughter High” and “Scream,” where the pressure of sports amounts to a triple murder one summer that scarred a group of friends forever. Said friends were all members of a team once, and now a killer dressed as an umpire is roaming the streets murdering various individuals. The pair of directors is able to keep the killer Billy an intriguing villain as the individual roams the darkness and spends a great amount of time craftily trapping his victims. His weapon is the icing on the cake as it’s a bat covered in rusty nails, and a small slot where a large knife can slide out. This allows for some interesting kills and follows through with the baseball gimmick.
31 (2016)
It’s amazing how a man like Rob Zombie who fancies himself a hardcore horror fan has done little to evolve since his first film “House of 1,000 Corpses.” Every film he’s made since that initial movie has repeated the same beats over and over, just re-arranged in various ways to look new and original. He fills the screen with genre veterans again. He inexplicably sets his movie in a mid-seventies gritty trailer park landscape. The opening of his film is directed by a goofy music video, padding the run time, and he even includes something of a montage with our characters, set to classic rock music as we saw in the finale of “The Devil’s Rejects.” Worst of all, he writes some of the clunkiest dialogue I’ve ever heard, and he is still dead set on placing wife Sheri Moon Zombie front and center.