Steve Desmond’s short horror film “Monsters” is kind of briliant in that you know it’s going somewhere, and you thankfully want to see where. Desmond’s premise is pretty unique, as we meet a normal family that have holed up in an underground bunker during what is apparently the apocalypse. Despite their youngest daughter Jenn insisting she can scavenge in the world above alongside her big brother and parents, she’s forbidden from ever stepping outside and kept inside to keep herself distracted.
A group of four bank robbers run into trouble while attempting to escape. Their simple plan of robbing a bank and getting away goes terribly awry when one of them is killed and the others take hostages. They eventually get on their way to possible freedom with a father and daughter as well as a woman; however, the road to this freedom is littered with obstacles and violence. Enragés is a new adaptation of the short story “Man and Boy” by Michael J. Carroll which was previously adapted by Mario and Lamberto Bava in 1974. Here the screenplay is written by Yannick Dahan, first time writer and director Eric Hannezo, and actor (yet not in this film) Benjamin Rataud.
Zack Snyder’s “Batman v Superman” is a prequel to “Justice League,” a spiritual reboot for his version of Ben Affleck’s love child iteration of Batman, and just one big amalgam of “Watchmen” and “The Dark Knight Rises” in one big messy unpleasant plate. Basically, Superman is Doctor Manhattan and Ozymandias, while Batman is Rorschach and Nite Owl. Snyder doesn’t really have to pull much footwork with his clashing of the titans, as he just instills a lot of the same themes and ideas from Alan Moore’s graphic novel, while spending the duration of the movie riffing on Moore’s work, along with Frank Miller, Alex Ross and everyone else he can. This results in a tonally uneven, and virtually fun free movie that has no respect for the Superman lore and an obsession with Batman’s, and it’s apparent from minute one. Did we really have to see Batman’s origin again?
Kathryn Bigelow’s 1991 action film “Point Break” was never really anything resembling a masterpiece, but one thing you could never call it was boring. It’s garnered something of a cult following over the years, for a reason. It’s a silly, goofy, and fun bromance where Keanu Reeves and Patrick Swayze bring their A game in one of the most sexless male romance action films of all time. It’s a camp classic despite its major failings. “Point Break” 2015 takes the 1991 original and saps out all of the fun and inherent camp, transforming it in to a tedious, overlong action thriller without a lick of humor about itself. Even “Fast and the Furious,” which copied “Point Break” shamelessly, had a sense of humor about itself and embraced its silly trappings and ridiculous plot line. Coming ten years too late, “Point Break” comes along after about fifteen retreads, and doesn’t really do anything except inspire the viewer to check out the original action film.
For better and for worse “The Dark Knight Returns” duology is a loyal adaptation of the Frank Miller graphic novel. Both films are very ugly and violent, not to mention incredibly grim to the point where any and all sense of entertainment value is absolutely gone. Miller’s tale of Batman is violent and grotesque, painting Batman more as an avenger of the people while Superman is a despicable asshole working as a fascist tool to help restore order for a president whose lust for violence is very laissez faire. “The Dark Knight Returns Part I” is actually quite riveting with brilliant animation, as Bruce Wayne experiences a mental crack in the vein of his past foes, and uses his insanity as a form of instilling justice. Even Commissioner Gordon has somewhat given in to his baser urges and turned to Batman as a means of hope by putting in jeopardy all of his beliefs, and completely dismissing the establishment altogether.
When “Batman Beyond” was introduced in 1999, fans of old and new were given a peek in to a Batman for a new generation while also exploring what happened to Bruce Wayne’s legacy many decades in to Gotham’s Future. When the series took off, fans were able to see that the legacy of the Joker lived on, as he inspired one of future Gotham’s most violent army of gang members “The Jokers,” however we were never given a definitive explanation as to what happened to the clown prince of crime. “Return of the Joker” holds true to its title, spending a feature length narrative explaining what happened to the Joker and how he left a lasting scar on Bruce Wayne and his family.
Good grief is Drew Daywalt one of the best indie horror filmmakers working today. It’s not many filmmakers that can deliver constantly frightening and surprising short films that pack wallops of surprise endings and twists that’ll leave you breathtaken. Daywalt is a master of drawing out the scare, and often times he even gets away with a jump scare. It’s not many filmmakers I allow to throw a jump scare my way, but Daywalt takes the often cheapened device and turns it in to a fun little way to book end his horror films. And damn it, he gets me every time.