The new two hour+ installment of “Yu-Gi-Oh!” is an adventure set six months after the original series. While it definitely won’t convert new fans, it will likely act as a good book end for hardcore fans of the series. Especially in the way that it resolves a lot of character back stories, and ends every plot thread as best as it can. With Anime though there’s never a huge guarantee these characters will be gone for long, but “The Dark Side of Dimensions” is a new and unique adventure with Yugi Muto fighting a new villain alongside his friends, dueling against old grudges, old scars, and hopefully save his loved ones so they can pursue their futures.
Author Archives: Felix Vasquez
Justice League Dark (2017)
I’m still not sure why DC commits to creating new branches of their animated universe with only a little under eighty minutes to spare. I think it wouldn’t hurt if something like “Justice League Dark” was given two hours to tell its story. Instead it rushes through just about everything possible, from prologue, set up, character introductions, villain introduction, villain back story, and the final showdown. And there’s no guarantee we’ll see a sequel any time soon, since DC and Warner are planning a live action version. So unless you’re a hardcore DC fan, you won’t get to learn a lot about folks like the Demon Etrigan or Zatanna, since we speed right through their characterizations.
Archie: To Riverdale and Back Again (1990)
As someone who spent a lot of his youth buying Archie comics every single chance he got, “To Riverdale and Back Again” is a mix of disappointing and confusing. Even in 1990, studios thought the Archie comics were a bit dated and old fashioned for live action formats, so they basically made the whole universe of Archie and gave it mortality. They take the entire gang shoot them over a decade in to the future where they are all confused middle aged folks trying their best to figure out the current predicaments in their lives. While the premise has a lot of potential to be original and unique, it really isn’t. The concept is painfully old hat, while the movie itself is not just bland, but 1990 bland. That’s that flavor of vanilla that was almost kind of impossible to swallow, even for a half hour.
Rabid (1977): Collector’s Edition [Blu-Ray]
David Cronenberg’s “Shivers” and “Rabid” are pseudo-erotic statements based around violent anomalies rooted in science fiction that are metaphors sexual elements of civilization. While “Shivers” was a lot about a parasite that unleashes taboos of human sexuality, “Rabid” is a very eerie metaphor for STD’s and what happens when a very promiscuous woman with a lust for blood begins spreading it around Canada. The late great Marilyn Chambers is enticing and alluring in the role of Rose, a buxom and beautiful young girl indulges in motorcycle riding with her boyfriend Hart. One day while riding the country side, the pair gets in to a vicious accident that leaves Rose deformed.
Parasites (2017)
Let’s cut to the chase: Chad Ferrin’s “Parasites” is easily one of the best movies of 2017. It’s culturally relevant, very creepy, compelling, gritty, and packs a punch of a climax that is both incredibly evocative and promises to keep audiences debating for days. Set in Los Angeles, three college friends are on the way home accidentally find themselves stranded in skid row. While there, they become victims to the predatory Wilco, a vicious and violent homeless man who leads a massive army of wayward individuals. After terrorizing the trio of youths, events spiral out of control prompting Wilco to scramble to conceal his crimes. When character Marshal survives out of pure chance, he flees for his life, prompting Wilco and his army to track him down and hunt him in the middle of the city. Now Marshal has to fight for survival, and look for help.
Joe’s Violin (2016)
ACADEMY AWARD NOMINEE – Kahane Cooperman’s short documentary “Joe’s Violin” is a touching, emotional, and pretty extraordinary portrait of the value of objects, and how music can touch us and bind us together as human beings. Centered on Holocaust survivor Joe Feingold, director Cooperman explores how Joe spent most of his young life struggling to survive in concentration camps. Despite all logic indicating that he bring along bare necessities like food or clothing, Joe kept his beloved violin with him throughout his life. A now 91 year old Joe donates his violin to a Bronx music school, and he reflects on his life as young Brianna Perez prepares to perform with it.
Withdrawn (2017) [Slamdance Film Festival 2017]
Adrian Murray’s “Withdrawn” is like Gus Van Sant attempted mumblecore but decided to make it even more droning and monotonous. It’s kind of like performance art through and through, all testing our patience for the insanely mundane and minute, while character Aaron goes through his every day life literally doing nothing. About halfway he has some financial scheme planned to keep his rented room but that’s not the important element. It’s all about how tedious the film can get and if we’re willing to wait for our pay off, if it ever comes at all. Aaron fixes a fern. He looks up tutorials on trying to solve a rubiks cube, and even has a five minute telephone discussion where we only hear him talking to and responding to the individual. Yes, I get it.
