I agree with the zombies. Maggie Carr is incredibly charming, and very funny, which is a lethal combination. “Maggie vs. Evil Dead” is a hilarious and very good horror comedy starring Maggie Carr who plays herself. She is pitching herself for the new series “Ash vs. The Evil Dead” and uses this opportunity to show what she’s capable of.
I don’t go in to movies wanting to dislike them, which pleases me when a movie manages to surprise me the way “All Hallows’ Eve 2” did. It’s still a mixed bag of horror, but when you get down to it, it’s still a solid anthology film that corrects a lot of the original film’s errors. Plus the mascot is just so much more appealing this time around. I won’t say “All Hallows’ Eve 2” is a masterpiece, but it’s strong enough to recommend to horror fans looking for a good time. Director Jessie Baget recruits a group of really interesting indie filmmakers to lend their shorts for this sequel, and while some of them are mere tricks, others are absolutely wonderful treats.
[Horrible Imaginings Film Festival San Diego 2015]
Every year, Horrible Imaginings Film Festival in San Diego offers a carefully selected collection of genre short films. At this festival, the shorts are organized by blocks instead of being each paired with a feature length film each. The blocks at this year’s festival were “Child’s Nightmares”, “Horror-Comedy”, “Creature Features”, “Youth and Student Showcase”, “Horror for Humanity”, “LGBT”, “Natural Born Killers”, “Supernatural”, and “Animation”. Due to prior engagements and obligations, it was not possible to see all of them. Missed were the “Child’s Nightmares”, “LGBT”, “Natural Born Killers”, “Animation” blocks and most of the “Supernatural” one. 30 shorts were viewed and enjoyed and 33 were missed. Here are the best ones, the ones you should track down from the ones viewed (in no specific order):
Director Ryan Spindell’s short horror film is something of sheer brilliance if only for the fact that he perpetuates the horror of the dentist. Going to the dentist is something no one enjoys doing and “The Root of the Problem” plays upon that fear by taking a young woman and putting her in to the hot seat of delirium and what may or may not be a heinous plot to take her wisdom teeth.
Cindy Maples really has a clever film on her hands here that I hope storms festivals soon enough. I didn’t know what I was expecting with “Random, but surely enough I was happy with what resulted in the end. Maples is a very talented director with a skill for exposition and characterization, while also telling a story that’s quite gripping.
FANTASIA FILM FESTIVAL
In a very ‘80s post-apocalyptic world, The Kid is a scavenger surviving on his own gathering goods while out on his BMX and exchanging the finds at the local watering hole. One day, as he’s gone on another of his rides, he meets Apple who is mourning the recent loss of her friend and desperately needs a new one. Apple imprints on The Kid like a baby duck, following him around and insisting on them becoming best of friends. Her insistence and bubbliness gets The Kid to accept her friendship and constant presence in this lonely world. He shows her some of what he knows, including his favorite comic book and his ViewMaster. As they become closer, disaster strikes and Apple is kidnapped by Zeus’ men to be brought to the representation of evil that is Zeus. The Kid must find his inner hero and save his best friend from the clutches of evil and maybe save the world in the process.
It’s “Scott Pilgrim vs. The World” meets “Mad Max” with what is one of the most entertaining and fantastic indie films of the year. The trio of François Simard, Anouk Whissell, and Yoann-Karl Whissell channels the magic of nostalgia to create a world that’s both perilous but compelling. “Turbo Kid” is painted as a love letter to all things eighties and nineties, but thankfully never loses itself in the winks and nods. It implements pop culture to create a well rounded world and they succeed beautifully. Through and through it’s a soulful and very exciting coming of age tale set in the post apocalypse.