Touch Me in the Morning (2006)

Giuseppe Andrews’ “Touch Me in the Morning” is comprised of mainly a man throwing a lot of camera errors towards the audience presenting it as arthouse chic. It watches like a pointless exercise towards the audiences’ attention span. The dialogue rambles endlessly (most times I had to turn up my volume to hear any dialogue), the narrative is almost non-existent, and there are a myriad odd and incredibly mind-numbing musical numbers that aren’t catchy or fun.

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Beyond the Infinite Two Minutes (2020) [Fantaspoa Fest 2021]

As we’ve all come to experience at one time or another, our perception of time can vary based on situations and circumstances. Two hours can feel like a day, while two days can fly by like minutes. But through and through two minutes, while sometimes feeling like an instance, can be the deciding factor between life and death. Fortune and poverty. And often times it can be what helps us either escape fate, or confront it head on.

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Röckët Stähr’s Death of a Rockstar (2020) [Fantaspoa Fest 2021]

It’s not too often I’m privileged enough to watch an animated rock opera, but Röckët Stähr’s one man production about world fighting for peace through rock and roll is quite the spectacle. One thing you can’t accuse it of is being unambitious, as Röckët Stähr’s does everything in the movie possible. He literally does everything as when the movie comes to a close you can see the impressive list of tasks he undertook to bring his movie to life.

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Switchblade Sisters (1975): Special Edition [Blu-Ray]

Jack Hill is back and taking on one of the sleaziest and yet entertaining pictures of his career. “Switchblade Sisters” is a thrilling gang picture that can be taken alongside “The Warriors.” It’s a tale of fracture love triangle, a gang torn asunder, and a pretty excellent adaptation of a classic Shakespeare tale. “The Switchblade Sisters” is exploitation, but cut from prime material as Hill is able to derive a lot from such a minimal budget. He also grabs some excellent turns from the cast, including the now iconic Patch, played by Monica Gayle.

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Nobody (2021)

It’s not too often that a movie title can take on so many meanings as a narrative unfolds, but director Ilya Naishuller manages to pull off what might be one of the more entertaining play on words of the year. “Nobody” is a pretty excellent film that, while it doesn’t re-invent the wheel, does a lot with the numerous resources on hand to create a thrilling action film that’s darkly comedic, satiric and presents an interesting conversation about the antiquated concept of the nuclear family.

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