Class of 1984 (1982)

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Playing at the Alamo Drafhouse Yonkers, January 17th

New teacher Andrew Norris is fighting the rising tide of what would later become the future of the youth. “We are the future,” chants leader Stegman with his gang of punks. “I am your future,” he consistently tells Mr. Norris, and whodathunk he’d be correct? In “Class of 1984” (the prophetic remake of “Blackboard Jungle”) envisions a not too far future where the youth have all but spiraled out of control and our schools are now warzones with the potential for death at every turn. In 1982, “Class of 1984” was something of an exploitation revenge film, but decades later after utterly horrific accounts of school shootings, and students victimizing their teachers, “Class of 1984” is actually ahead of its time.

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Ziggy Stardust and the Spiders from Mars (1973)

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There was different energy behind David Bowie as Ziggy Stardust that ensured you were in for a whole other wild experience unlike any before it. Director D.A. Pennebaker keeps the mystique and wild tone of Ziggy Stardust alive from the opening title and then is quick to jump right in to the line outside Ziggy Stardust’s concert zooming in on the type of lovable oddities and weird wonders that worshiped Bowie and his adored his music, bringing us in to the full arena of the kind of minds and hearts David Bowie touched.

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Heavy Metal 2000 (2000)

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Boobs! Big Boobs! Big beautiful breasteses! Now that that’s out of my system, “Heavy Metal 2000” is primarily a sequel to pay tribute to the walking Amazonian that is Julie Strain. While it is adapted from a “Heavy Metal” novel like its superior animated entry, this is a film very much of its decade that is hell bent on convincing you that Julie Strain is a goddess. Not that it takes much convincing, mind you, but Strain succeeds in pull off a heroine who is very sexy but also tough as nails, and doesn’t mind getting her hands dirty; especially when her equally sexy sister is taken hostage.

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Heavy Metal (1981)

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There was always something about a rotoscope animated astronaut driving a top down corvette convertible from space to Earth that always screamed the eighties to me, and surprisingly it still works in encapsulating the surrealism of “Heavy Metal.” If you can accept the film for what it is, which is basically a man’s wet dream filled with misogyny, sex, big breasts, and mild exploitation, “Heavy Metal” is a solid animated anthology with some damn good music to accompany its epic sprawling tale. After the astronaut Grimaldi brings home mysterious green orb from space for his daughter, he’s melted and his daughter is shown by the sentient sphere named Loc-Nar, the extent of its power and influence through time and space.

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Stewardess School (1986)

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In 1984, “Police Academy” stormed in to theaters and helped define comedy for the eighties. Suddenly every profession in America was some kind of madcap misadventure, including being a stewardess, for some reason. “Stewardess School” is another take on the formula, this time with a group of misfits doing their damndest to train to become stewardesses, all the while getting naked, doing drugs, and experiencing some of the best stereotypes you can imagine. Filled with only the best C list TV stars, “Stewardess School” is passable entertainment if you keep in mind it’s trying its best to launch a series on the “Police Academy” formula.

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The Brain that Wouldn’t Die (1962) [Blu-Ray]

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Ah blatant proud misogyny, you truly are something to watch. Never has there been such a misogynistic and anti-woman film as “The Brain that Wouldn’t Die,” the movie that ponder how hard it is to find the right body for your dismembered wife’s head. How does a severed head talk without lungs? Uh—science! I’d definitely call “The Brain that Wouldn’t Die” a bad movie, but only because it’s so painfully up front about its attitude toward women, I had a tough time through most of it.

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The Peanuts Movie (2015)

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I wish Hollywood would display this much respect and restraint with Dr. Seuss as they have with Charles Shulz. As a hardcore fan of Peanuts, I was initially very weary about how the series would be treated for a more mainstream modern audience. Thankfully my fears were laid to rest watching “The Peanuts Movie,” which isn’t just an adaptation of the original series, but is also a love letter to boot. Fans of the series will love how Steve Martino treats Charlie Brown and his world, opting for a wholesome respectful film, rather than ramming in pop culture references, and a sugary pop soundtrack. There’s nothing remotely cloying or obnoxious about “The Peanuts Movie,” and the new animation format even works in the series favor.

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