It’s apropos of Marvel to finally bring in Spider-Man to “Civil War.” Because while it is essential that he be introduced to a brilliant cinematic universe, he is representative of the underlying message behind “Civil War.” With great power comes great responsibility. After spending so many years doing battle with aliens and super powered foes, the Avengers are finally taking a toll on the world, and the government from all sides of the globe is angry at their inherent recklessness.
Alan Holly’s “Coda” is a remarkable and beautiful animated masterpiece. It’s rumination on the beauty of life and how senseless it can be. But Holly also observes that the beauty of life can be in how senseless and unpredictable it tends to be. Surely, people die for no reason, especially good people, but there’s a lot of amazing things that happen without prediction either. Often times some of the best moments of our lives happened spontaneously like fireworks from the darkness.
A babysitter is kidnapped and another girl takes her place to watch over a couple’s three children as they celebrate their anniversary. The minute the parents leave the house, the new sitter turns the weird factor way up and begins with a series on increasingly creepy games and situations. Written by Richard Raymond Harry Herbeck and director Michael Thelin, the story gets going very fast here.
I really like where director Steve Rudzinski’s head is with “The Survivors.” I love the idea of a movie about the survivors of slashers and serial killers teaming up to bring down random slashers around the country. The war of good and evil materializes in to a wicked concept where the slashers have the tables turned on them, resulting in the slashers forming their own cabal where they murder people in various towns around the world. Director Rudzinski pokes fun at the horror genre and team movies in general, offering some fun and funny satire of horror icons above and beyond.
A long time ago, in a galaxy far, far away, uh—I mean, many moons ago in a distant universe, there lived a young miner and slave named Orin. He was a long haired heroic young man who mined for red gems for an advanced race for… whatever reason. It’s never fully explained. One day while in the mines, Orin and his other slaves discover a long lost hilt from a mystical sword that contains advanced powers. Convinced by his friends to break free and fulfill the destiny from he magical entity within the sword, Orin breaks out from his imprisonment with girlfriend Elan, and seeks his destiny.
It only takes a ripple to make a tidal wave, and “Star Wars” is one of the greatest cinematic tidal waves to ever hit America. It’s no secret that George Lucas’ science fiction epic was inspired by classic movie serials, and was generally looked down upon by studios who thought it would barely strike a chord as it was being made. What’s surprising is that many decades later, in whatever form you enjoy it, “Star Wars” is still a fantastic and flawless space adventure. Lucas masters the art of telling his own self contained tale that would open the door for future films.
The 2001 anime spoof of “Star Wars” is so stuffed with inexplicable nonsense, you’ll likely get a few laughs out of if in the first ten minutes. And then get bored. And then begin fast forwarding until the very end. Thankfully the movie clocks in at a merciful forty five minutes in length; the rest of the film is all a lot of shots and scenes infringing on so many copyrights that it’s both impressive and moronic.