Pan (2015) [Blu-Ray/DVD/Digital]

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Another in a line of 2015 films I really wanted to love, “Pan” left me bored, and asking did we really need a prequel? Did we really need to end the movie on Peter and Captain Hook giving one another uncomfortable glances knowing soon they’d become deadly nemeses? Why is Captain Hook called Hook if he doesn’t even have a Hook? Why is Tiger Lily played by a Lily White Actress? Hey, at least Hollywood keeps giving consistently flat Rooney Mara jobs, and turns Tiger Lily in to the heroine of a movie that’s supposed to be about Peter Pan. Or is he Peter who is a Pan? Or is he a Pan Warrior Named Peter?

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Star Wars: The Force Awakens (2015)

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After many years of the “Star Wars” franchise remaining stagnant and relatively convoluted, “The Force Awakens” has come to simplify and completely re-think the movie series. JJ Abrams introduction to his bold new vision for “Star Wars” is a one hundred percent faithful visit to a galaxy far, far away that functions as a platform for a new series, a sequel, and a love letter to the simpler, episodic days of “Star Wars” where every film was an ode to the classic movie serials of the golden age of cinema. This time around “The Force Awakens” actively works in fixing many of the mistakes made in the original six films, by actively casting a wide array of heroes and villains to present a more humanistic environment we can dive in to. And I’m not speaking about a wider array of aliens, but racially diverse characters, all of whom have something to contribute.

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Caesar and Otto’s Paranormal Halloween (2015)

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I admit I’ve always enjoyed Dave Campfield’s horror series “Caesar and Otto” despite the duo delivering hit or miss adventures. Every film since their introduction has been one self contained ode to some facet of horror, and Campfield has a surefire love for the genre of horror and comedy that he tries to bring to the forefront with his characters of Caesar and Otto. With “Paranormal Halloween” I think Campfield is at his best, because with the misadventures of Caesar and Otto comes bit of scorn that emanates through every moment of the film. Campfield is always self aware but in “Paranormal Halloween,” Campfield seems to have reached the point where he’s delivering his own idea of great horror, and is trying to figure out how to hit the right note and deliver something for a wider audience.

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Ghost Warrior (1984)

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It’s mostly known as “Ghost Warrior,” but I think I prefer the alternate title “Swordkill.” While “Ghost Warrior” is given an insightful and meaningful definition during the narrative, “Swordkill” just makes the movie sound cheap and silly. I’d love to know who thought the title “Swordkill” was a proper summary of what is a dramatic fish out of water film. J. Larry Carroll’s “Ghost Warrior” is a surprisingly straight faced tale of a warrior placed out of his time, who finds that living in mid eighties Los Angeles kind of sucks. The movie is admittedly thin on narrative, but works for the most part as a series of unfortunate events Yoshimitsu experiences. Life sure does suck for the master samurai.

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Room (2015)

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Brie Larson is probably the most underrated actress working today. She’s a force of nature in every film she leads, and manages to outshine even in films that she co-stars in. “Room” is another in a line of original and unique films that Larson makes her own, delivering one of the most layered and heartbreaking performances of the year. “Room” is an unlikely thriller that surrounds the strong bonds of a mother and son, one that overcomes the horrendous circumstances in which the mother and son are ensconced in. Even young Jack, who is a child of violence, is the lone strand of sanity that keeps her from completely breaking down and giving up on life.

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Scouts Guide to the Zombie Apocalypse (2015)

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It’s not often a zombie movie can pay tribute to a ton of classic horror and still come out as one of the genuinely funny and novel horror comedies of the year. “Scout’s Guide” is a fan boy movie from the word go, with big winks like the opening that echo’s “Night of the Creeps,” to small touches like the sign indicating the direction to the town of Haddonfield. And come on, the hilarious trampoline scene is so “Zombies Ate My Neighbors,” I was admittedly giddy. “Scout’s Guide” has a damn good time as a tribute to horror comedy while also painting a pretty good one and done tale about nerds rising to the occasion to save some lives.

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Aloha (2015)

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One thing I can say for “Aloha” is that it’s a beautiful film. If you put it on mute and watch it the whole way through, you can at least appreciate the lovely sights of Hawaii and Emma Stone, with her piercing large eyes, and adorable lisp that rival anything in Hawaii. With the volume on, it’s a horrendous mess that Cameron Crowe bungles up. It’s jumbled, hard to follow, and ultimately feels like three pretty mediocre movies mashed in to one trifecta of incoherence, sugar coated by a great cast, a killer soundtrack, and wonderful cinematography.

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