I was very open-minded about the possibility that I would be completely surprised with “Rent.” I never drew much attention to its release into theaters, and I never bothered to see it when it was in the theater, so I approached “Rent” with as much optimism and benefit of the doubt I could muster up. Then when I was finished with it, I realized I received what I was expecting. I mean, you can’t get much from a musical with a pastiche of musical numbers that resemble a series of rejected commercial jingles. “Rent” is very apropos to the stigma of modern underground theater, with the art savants creating productions filled with supermodels representing “real” people in New York City.
Category Archives: Movie Reviews
The Wanderer (2006)
We here are all basically a site for film, but our love for horror films is so evident and vocal, that we’re mostly sent horror films to review from directors—we didn’t plan it, but we’re happy for that fact. And nine times out of ten, the directors that send us their horror films are immensely talented. The talent behind “The Wanderer” is evident by the opening scenes of a young girl walking along the road, with the grainy direction never breaking from her.
The Depression of Detective Downs (2005)
Depression is no laughing matter. It can make you feel sick, ruin your day, put a big stall in your daily activities and worst of all ruin your train of thought. For Detective Downs, his worst enemy is not the kidnapper who just took a small child, or a job that is paying him very little, but a huge amount of depression that’s ruining how he thinks on the case. This is the most important case of his career, and this depression is ruining his chances in solving it.
Tomb Hackers (2003)
Director Anthony Thurman’s film “Tomb Hackers” is a fun short animated film about the misadventures of two explorers who find themselves getting deeper and deeper in trouble as they venture in search of a fortune. The gags in Thurman’s film are mostly hit and miss with some gags that don’t really hit the mark, but when the gags hit they’re very funny.
Accepted (2006)

I’ll say I had zero expectations in regards to “Accepted”, mainly because it looked so ridiculous, and vapid. And it is, but I enjoyed it, because it provides a very entertaining ninety minutes that starts out as a typical college comedy and transforms into a somewhat interesting social commentary. And it’s funny as hell. I like Justin Long a lot, I’ve liked him since “Jeepers Creepers” and in “Accepted”, he’s funny as a quasi-Ferris Bueller named Bartleby Gaines who has slacked off through high school, and to prevent breaking it to his family that he can’t get into any schools, he instead invents a school which then snowballs into a grand hoax.
Talladega Nights: The Ballad of Ricky Bobby (2006)
Bobby is a boy who dreams of becoming a racer, and when he finally gets the chance, he becomes one of the most popular racers in the industry. That is until he has a break down after a crash and now must rebuild what was taken away from him. Ferrell’s foray into adult comedy once again is a weak and mediocre one, and for every one hilarious joke that “Talladega Nights” hits with audiences, there are about four or five that really fail to be as funny as it could be. McKay’s film is too aware of itself, and instead of playing it deadpan while delivering the gags and jokes, it desperately tries to gauge laughs from the audience, including every such nuance and quirk it can just to assure itself that we’ll laugh.
Horrors of War (2006)
Directors Peter John Ross and John Whitney have a grasp on what horror is, and that’s a plus when you’re watching “Horrors of War”, a pretty intense piece of independent horror that will surely get your goat. If the bad-ass cover doesn’t sell you, I don’t know what will. The directors begin “Horrors of War” very much like “Saving Private Ryan” with a massive shoot-out between the Americans and Nazi soldiers, and then suddenly the American troop is attacked by a near invincible zombie. At that moment I found that “Horrors of War” wasn’t simply any horror film, and that’s why it won me over.
