I admittedly was a tad too young to really savor “DTV Monster Hits” as around 1987 I was four. But years later I was able to check out the VHS copy from a cousin, and I’ve been fascinated by this compilation ever since. Although “Monster Hits” is meant to celebrate Halloween, and the long history of Disney being some twisted people under the skin, it’s also a fun compilation of some huge eighties hits. And this was 1987, the peak of the decade where Michael Jackson reigned supreme. And it’s not a surprise that the artist that leads this small compilation is Michael Jackson whose massive hit “Thriller” plays over segments of a lot of Disney animation.
LEGO Star Wars Terrifying Tales (2021)
I have never really been a big follower of the LEGO movie verse over the years, I’ll admit. I loved “LEGO Batman” and “The LEGO Movie” but that’s as far as it’s ever gone. LEGO and Star Wars have teamed up for a while to deliver prime kid content and this time they merge to offer up a Halloween themed movie that’s great for the holiday but also good for the young Star Wars fan. “Star Wars” isn’t exactly known for their spooky stories, but I think they do a very good job mixing their mythology with some horror themed elements. A lot of it proves to be actually quite clever.
The Bootleg Files: Hiss and Yell
BOOTLEG FILES 844: “Hiss and Yell” (1946 Oscar-nominated comedy short starring Vera Vague and Emil Sitka).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: The rights holder will not make it available.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.
In the late 1930s, comic actress Barbara Jo Allen invented the character Vera Vague for a radio show. This character was a chatterbox, featherbrained spinster who was always in pursuit of a man. Audiences quickly embraced the character, and her appeal was so strong that Allen adopted Vera Vague as her professional name.
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Headless Horseman (2022)
Take two cups of “Ghost Rider,” one cup of “Spawn,” a dash of “The Crow,” mix it up with only a fraction of the budget, and you have Jose Prendes’ “Headless Horseman.” The Asylum’s newest mockbuster watches like an off brand comic book movie from the late nineties. It feels like something from a studio that couldn’t afford Marvel’s “Ghost Rider,” so they opted for a character from an obscure indie label. If it seems like I’m just mocking “Headless Horseman,” I’m truly not. I was surprised at how much I didn’t hate it, as while the movie borrows from the aforementioned series’ wholesale, it amounts to some cheesy, charming fun.
Ranking “The Exorcist” Series from Best to Worst
It’s been fifty years since the release of the late, great William Friedkin’s horror masterpiece “The Exorcist” and we’re getting two really big, and anticipated sequels that follow after the original film. “Believer” is setting high expectations and has a high bar to hit. “The Exorcist” has yet to be topped by its follow ups, or its bevy of imitators. Here’s my list of films from “The Exorcist” series from Best to Worst. Fingers crossed “Believer” ends up wowing fans and audiences alike.
The Exorcists (2023)
When all is said and done, “The Exorcists” could have been so much worse. And that’s about as good as it gets with Jose Prendes’ horror thriller. As is typical of “The Asylum” studios, “The Exorcists” arrives right around the time of the big reboot of the classic William Friedkin film (I’ll see your two priests and raise you five!). This new film isn’t bashful in hiding its intentions, even styling the title fonts to look similar to “The Exorcist.” Even with all the reservations, “The Exorcists” has a decent concept, but what hinders it is that the script feels painfully under developed.
The Jester (2023)
The Jester originally began life like a lot of contemporary horror icons: debuting mainly through short horror films. The Jester was a character that appeared in a series of short horror films until finally garnering his own feature film. Like many modern horror characters, the Jester is a monster that’s all dressed up with nowhere to go. That’s not to say that Colin Krawchuk’s horror film is a bad movie, it just wastes what could be an interesting supernatural monster (if the cards are played right).